Little did Stanley know that his work at Viruson Technologies, creating a vaccine for a newly discovered virus would have such an impact on himself and the rest of the world. Ten years on, Matt lives in Stanley’s home town of Highfield, UK. Life is hard. Mutated Creatures have begun to appear and terrorise the world and its inhabitants. It’s now up to Matt, his friend Sarah, and Ben, the baddest guy in town, to put an end to the Creatures and to find out what really happened to Stanley Figgis.

    Not just any mountain but one that Jansz estimated was an unbelievable height of twenty-five thousand metres.In 2016, at the foot of this unearthly mountain, a controversial and ambitious 'dream home', the Observatory, is painstakingly constructed by an eccentric billionaire - the only man to have ever reached the summit.Rita Gausse, estranged daughter of the architect who designed the Observatory is surprised, upon her father's death, to be invited to the isolated mansion to meet the famously reclusive owner, Walter Richman. But from the beginning, something doesn't feel right. Why is Richman so insistent that she come? What does he expect of her? When cataclysmic circumstances intervene to trap Rita and a handful of other guests in the Observatory, cut off from the outside world, she slowly begins to learn the unsettling - and ultimately horrifying - answers. The Rich Man's House, Andrew McGahan's eleventh and final novel, is a gripping and unique thriller.

    "Dancing Men" depicts one of the creepiest rites of passage in recent memory, when a boy visits his deranged grandfather in the New Mexico desert. In "Mr. Dark's Carnival," a college professor confronts his own dark places in the form of a mysterious haunted house steeped in the folklore of grisly badlands justice. "Struwwelpeter" introduces us to a brilliant, treacherous adolescent whose violent tendencies and reckless mischief reach a sinister pinnacle as Halloween descends on a rundown, Pacific Northwest fishing village. Tormented by his guilty conscience, a young man plumbs the depths of atonement as he and his favorite cousin commune with the almighty Hawaiian surf in "Shipwreck Beach." With The Two Sams author Glen Hirshberg uses his remarkable gift for capturing mood and atmosphere to suggest the possibility that the most troubling ghosts of all are not the ones that hover above us and walk through walls, but those that linger in our memories and haunt our souls.

    As tension mounts and he finds himself questioning the motives and loyalty of his companions, one of the group members disappears, leaving only a pool of blood behind. It soon becomes clear that something very large and unnatural is in the deep secret places of the forest. And it knows they are there . . .

    Since she was a baby, Maren has had what you might call "an issue" with affection. Anytime someone cares for her too much, she can’t seem to stop herself from eating them. Abandoned by her mother at the age of 16, Maren goes looking for the father she has never known, but finds more than she bargained for along the way. Faced with love, fellow eaters, and enemies for the first time in her life, Maren realizes she isn’t just looking for her father, she is looking for herself. The real question is, will she like the girl she finds?

    It's a dark Southern Gothic vision of ghosts, witchcraft, secret powers, snake-handling, Kudzu, Melungeons, and the Great Depression. Blood Kin is told from the dual points of view of Michael Gibson and of his grandmother Sadie. Michael has returned to the quiet Appalachian home of his forebears following a suicide attempt and now takes care of his grandmother; old and sickly but with an important story to tell about growing up poor and Melungeon (a mixed race group of mysterious origin) while bedeviled by a snake-handling uncle and empathic powers she but barely understands. In a field not far from the Gibson family home lies an iron-bound crate within a small shack buried four feet deep under Kudzu vine. Michael somehow understands that hidden inside that crate is potentially his own death, his grandmother's death, and perhaps the deaths of everyone in the valley if he does not come to understand her story well enough.

     Do not look at the sky. Do not make noise. When the World Ends is only the beginning. A Supernatural threat drives mankind to the point of extinction, the survivors must struggle to survive in a world with just three rules.

    Led by Brazilian guide Diogo and a contingent of mercenaries, the husband and wife team trek into the jungle to investigate.The trail of dead monkeys leads deep into the rainforest and the group fractures when Mic describes seeing a fifteen-foot spinosaurus prowling the forest. Despite the defections of their guide and two guards, the scientists track the dinosaur in search of answers.The horrors they discover quickly turn their mission to one of survival as the team fights monsters of the past… and the unknown.

    But after a tragic accident takes their mom's life, the devastated sisters are reunited, and Iris moves in with Ivy and their dad. Iris takes their mom's death especially hard. She barely talks, spending hours alone in her room. Ivy can't stand to see Iris so sad. She promised Iris that she can share her life now. After all, they're sisters. Twins.It's a promise that Iris takes seriously. And before long, Ivy's friends, her teachers, and even her boyfriend fall under Iris's spell. Soon Ivy begins to think there's something wrong with her twin. It's almost like Iris is out to get her. Ivy tells herself she's being paranoid. It's not like she's in any danger from her twin...

    

    Corporate bullying at a top TV network saw her fired and forced to leave London, but she was determined to get her life back. A new job and a few therapists later, things look much brighter. Especially when a challenging new project presents itself -- to catalogue the late M. H. Mason's wildly eccentric cache of antique dolls and puppets. Rarest of all, she'll get to examine his elaborate displays of posed, costumed and preserved animals, depicting bloody scenes from the Great War. Catherine can't believe her luck when Mason's elderly niece invites her to stay at Red House itself, where she maintains the collection until his niece exposes her to the dark message behind her uncle's "Art." Catherine tries to concentrate on the job, but Mason's damaged visions begin to raise dark shadows from her own past. Shadows she'd hoped therapy had finally erased. Soon the barriers between reality, sanity and memory start to merge and some truths seem too terrible to be real... in The House of Small Shadows by Adam Nevill.

    “Be mine, she said. “I didn’t know anything until she came along.“She told me I had ‘full of fight’ tattooed on my insides and then she made me believe it. The first time I took someone for her I knew it was true. I was a taker. She told me she only loved the takers of this world. Of course, we all eventually get taken in the end. You know what I remember from that first time though? The sounds. It almost like the sound a baby makes when it’s sighing. That’s how quiet it is. I just kept needing that sound over and over again. So I took and I took and I took and I took and I took some more. “Of course, I couldn’t go deep enough for her in the end. She poured salt on me and I melted into nothing.“You know that old saying? She was the type of person who tells you that dragons don’t exist, and then she leads you to their caves. I never even really called her by her name even. I never really called her Claire. I just thought of her as god. I asked her what it was like studying forensics and she told me that once you know about the invisible world then the visible world didn’t matter anymore.“She told me the visible world is what we’re all trying to get away from. I just wanted to become invisible with her.”- Scott M., aka “Scott the Slaughter,” serving back-to-back life sentences at Montgomery State Prison.“This book defies categorization: A new kind of serial killer story that pushes and prods in all the unexpected directions. You’ve never read anything quite like this.”–Carlton Mellick III, author of Kill Ball“Michael Seidlinger’s swift-moving novel is an interesting addition to the genre, with all kinds of offbeat touches there for the connoisseur. He reminds me, in style, of some of the Swedish crime-writers we’ve seen. The narrative moves quickly towards a satisfying payoff.”–Todd Grimson, author of Stainless“‘And now they’re talking about media icons and murder’: Michael J. Seidlinger’s strange tale of Claire Wilkinson, forensics major, and her ‘Gentleman Killer’ is a wonderful romp through American wound culture, exploring the connection between art, media, serial killing, romance and anonymity. It reshapes the college romance plot as a wing of JG Ballard’s The Atrocity Exhibition.”–Johannes Göransson, author of Entrance to a colonial pageant in which we all begin to intricate“A rowdy menagerie of the unexpected, this book will delight and disturb even the bravest of readers; all preconceptions of what to trust and what to fear are masterfully upended within these pages.”–Alissa Nutting, author of Unclean Jobs for Women and Girls

    Rachel knows this. So when her young son, Billy, miraculously recovers from a horrible flu that has proven fatal for many, she thinks nothing of Delfy, his new invisible friend. After all, her family is healthy and that's all that matters.But soon Delfy is telling Billy what to do, and the boy is acting up and lashing out in ways he never has before. As Delfy's influence is growing stranger and more sinister by the day, and rising tensions threaten to tear Rachel's family apart, she clings to one purpose: to protect her children at any cost--even from themselves.We Hear Voices is a mischievously gripping near-future horror novel that tests the fragility of family and the terrifying gray area between fear and love.

    Refusing to leave his home in a small coastal town in Maine, Jack Peter spends his time drawing monsters. When those drawings take on a life of their own, no one is safe from the terror they inspire. His mother, Holly, begins to hear strange sounds in the night coming from the ocean, and she seeks answers from the local Catholic priest and his Japanese housekeeper, who fill her head with stories of shipwrecks and ghosts. His father, Tim, wanders the beach, frantically searching for a strange apparition running wild in the dunes. And the boy’s only friend, Nick, becomes helplessly entangled in the eerie power of the drawings. While those around Jack Peter are haunted by what they think they see, only he knows the truth behind the frightful occurrences as the outside world encroaches upon them all.In the tradition of The Turn of the Screw, Keith Donohue’s The Boy Who Drew Monsters is a mesmerizing tale of psychological terror and imagination run wild, a perfectly creepy read for a dark night.

    Then they admit a fourth member to their club - Toady, who is not at all an ordinary boy. From the moment he lures the boys to a seance, unimagined horror overtakes their lives.