Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    The stories do not necessarily take place at the same moment in time, but are they really one story?

    "The rooster crows and away he goes", pictured on the jacket, is only one of these well-known nursery rhymes, counting-out games, skipping-rope songs, finger games, and other jingles beloved by American children for generations. They come from collections all over America, so you may find some that are new as well as your own favorites. "Mother, may I go out to swim", "Fuzzy Wuzzy was a bear", "Roses are red, violets are blue", all are here, each one charmingly illustrated to make this an outstanding picture book. An American Mother Goose for every child's library.

    The first "manned" hot-air balloon is about to take off! But what are those noises coming from the basket? Based on the (POSSIBLY) true report of a day in 1783, this is the story of (PERHAPS) the bravest collection of flyers the world has ever seen, as (SORT OF) told to Marjorie Priceman.

    It's a deadly contest of man-vs-machine written with such power that this African-American folk hero becomes as awesome as a force of nature, yet as familiar as an older brother. Pinkney's stunning art shows John Henry's energy bursting from nature. Full color.

    The house has an expressive face of windows and doors, and even the feelings of a person, so she’s sad when she’s surrounded by the dirty, noisy city’s hustle and bustle: “She missed the field of daisies / and the apple trees dancing in the moonlight.” Fortunately, there’s a happy ending, as the house is taken back to the country where she belongs.

    but he never suspected that a lion could be afraid of him, or that one might actually need his help.

    Nobody keeps records of slaves' birthdays. All the time he dreams about freedom, but that dream seems farther away than ever when he is torn from his family and put to work in a warehouse. Henry grows up and marries, but he is again devastated when his family is sold at the slave market. Then one day, as he lifts a crate at the warehouse, he knows exactly what he must do: He will mail himself to the North. After an arduous journey in the crate, Henry finally has a birthday -- his first day of freedom.

    "Elegance has become the Dillons' hallmark. . . . Matching the art is Aardema's uniquely onomatopoeic text . . . An impressive showpiece."-Booklist, starred review.Winner of Caldecott Medal in 1976 and the Brooklyn Art Books for Children Award in 1977.

    A companion to the Caldecott Honor Book Moja Means One: Swahili Counting Book Jambo Means Hello introduces children to the Swahili alphabet with helpful pronunciation keys, while presenting East African culture and lifestyles through an easy-to-understand narrative and vivid illustrations.A Caldecott Honor Book* "A lyrical song of Swahili life."--School Library Journal, starred review

    The oxcart man packs his goods - the wool from his sheep, the shawl his wife made, the mittens his daughter knitted, and the linen they wove. He packs the birch brooms his son carved, and even a bag of goose feathers from the barnyard geese.He travels over hills, through valleys, by streams, past farms and villages. At Portsmouth Market he sells his goods, one by one - even his beloved ox. Then, with his pockets full of coins, he wanders through the market, buying provisions for his family, and returns to his home. And the cycle begins again."Like a pastoral symphony translated into picture book format, the stunning combination of text and illustrations recreates the mood of 19-century rural New England."--The Horn Book

    . .In this celebration of observation, curiosity, and imagination, Brendan Wenzel shows us the many views of one cat, and how perspective shapes what we see. When you see a cat, what do you see?

    Outside, there is water all around. Inside, the daily life of a lighthouse keeper and his family unfolds as the keeper boils water for tea, lights the lamp's wick, and writes every detail in his logbook.

    Zebra wants to put on a show as simple as A-B-C, but Zebra's friend Moose has other (unexpected and hilarious) ideas. Full color.

    They eat together, they work together, they do everything together. So what's the problem?Their room is crowded and cramped; their life is an endless struggle. Al and Eddie are practically at each others throats when a large and mysterious bird offers them a new life in paradise. After some debate, they decide to accept.Transported to a gorgeous island in the sky, Al and Eddie are soon living a life of ease and luxury. But they come to find that the grass can be a little too green on the other side. After a dramatic, nearly tragic escape from their paradise prison, both man and dog agree: there really is no place like home. Hey, Al is the winner of the 1987 Caldecott Medal.