But when dark forces begin to stir in Ormscaula, Alva has to face a very different future - and question everything she thought she knew about her past...

    Normal, respectable, and proud of it, they turn up their noses at anyone strange or different. But from the moment Barnaby Brocket comes into the world, it's clear he's anything but ordinary. To his parents’ horror, Barnaby defies the laws of gravity - and floats.Desperate to please his parents, Barnaby does his best to keep both feet on the ground – but he just can't do it. One fateful day, the Brockets decide enough is enough. They never asked for a weird, abnormal, floating child. Barnaby has to go . . .Betrayed, frightened and alone, Barnaby floats into the path of a very special hot air balloon – and so begins a magical journey around the world, with a cast of extraordinary new friends.

    Abi suddenly finds herself the middle child, expected to share far too much—especially with grubby little Louis. Then they move into an eerie, ivy-covered house, big enough for all of them. But for the children, strange things start to happen in that house. Abi reads alone, and finds herself tumbling so deep into books, they almost seem real. Louis summons comfort from outdoors, and a startling guest arrives—is it a cat or something else? Max loses his best friend…and falls in love. Meanwhile, Louis’s secret visitor is becoming much too real. Now Abi, Max, and Louis must uncover the secrets of their new home—for there can be danger in even the most beautiful magic.

    Last year readers were given a special look at another side of his story with The Julian Chapter, and now they'll get a peek at Auggie's life before Beecher Prep, with an exclusive new short story told entirely from the point of view of Christopher, Auggie's oldest friend.   Christopher was Auggie's best friend from the time they were babies until his family moved away; he was there through all of Auggie's surgeries and heartbreaks, through bad times and good—like Star Wars marathons and dreams of traveling to Pluto together.  Alternating between childhood flashbacks and the present day, an especially bad day for Christopher, Pluto is the story of two boys grown apart learning that good friendships are worth a little extra effort.

    Zoe Louise was more than 100. From that day on -- living in the same house, separated by a staircase and a century -- Zoe and Zoe Louise have been an important and permanent part of each other's lives.Now Zoe is older. And although Zoe Louise never grows up, she is changing in dreadful, frightening ways. Time is running out for Zoe's best friend -- and Zoe is the only one who can help her. To do so, she must travel back 100 years in time and somehow alter the past. But in changing the past, must she also change the present? If she saves her friend's life, will she lose Zoe Louise forever?1990 Notable Trade Books in the Language Arts (NCTE)1991 Choices (Association of Booksellers for Children)Children's Books of 1990 (Library of Congress)1991 Books for the Teen Age (NY Public Library)1991 Best Juvenile Mystery (Mystery Writers of America)Parenting Honorable Mention, Reading Magic Award1995 California Young Reader Award

    But her family—and fate itself—seem to have plans of their own. Soon Willow finds herself neck-deep in a confounding mystery involving stolen snacks, suspected vampires, and missing campers, all shrouded in the sinister fog that hides a generation of secrets at Camp ... Whatever it's called.

    Only nothing makes Delpha McGill's skin crawl more than rules. So when she finds her family's secret book of hexes, she's itching to use it to banish her mama's money troubles. She just has to keep it quiet as the grave -- not exactly Delpha's specialty.Trouble is, Katybird Hearn is hankering to get her hands on the spell book, too. The daughter of a rival witching family, Katy has reasons of her own for wanting to learn forbidden magic, and she's not going to let an age-old feud or Delpha's contrary ways stop her. But their quarrel accidentally unleashes a hex so heinous it resurrects a cemetery full of angry Hearn and McGill ancestors bent on total destruction. If Delpha and Katy want to reverse the spell in time to save everyone in the Hollow from rampaging zombies, they'll need to mend fences and work together.

    True, there were no other recorded female survivors from the shipwreck which left baby Sophie floating in the English Channel in a cello case, but Sophie remembers seeing her mother wave for help. Her guardian tells her it is almost impossible that her mother is still alive, but that means still possible. You should never ignore a possible. So when the Welfare Agency writes to her guardian threatening to send Sophie to an orphanage, she takes matters into her own hands and flees to Paris to look for her mother, starting with the only clue she has - the address of the cello maker. Evading the French authorities, she meets Matteo and his network of rooftoppers - urchins who live in the sky. Together they scour the city for Sophie's mother before she is caught and sent back to London, and most importantly before she loses hope.

    It’s the launch to her favorite season, which also includes visits to the boardwalk arcade, working in her mom’s pizzeria, and her best friend Meredith’s birthday party. But this summer, none of that feels possible.A month before the end of the school year, Pluto’s frightened mom broke down Pluto’s bedroom door. What came next were doctor’s appointments, a diagnosis of depression, and a big black hole that still sits on Pluto’s chest, making it too hard to do anything. Pluto can’t explain to her mom why she can’t do the things she used to love. And it isn’t until Pluto’s dad threatens to make her move with him to the city—where he believes his money, in particular, could help—that Pluto becomes desperate enough to do whatever it takes to be the old Pluto again.She develops a plan and a checklist: If she takes her medication, if she goes to the planetarium with her mom for her birthday, if she successfully finishes her summer school work with her tutor, if she goes to Meredith’s birthday party . . . if she does all the things that “normal” Pluto would do, she can stay with her mom in Jersey. But it takes a new therapist, a new tutor, and a new (and cute) friend with a checklist and plan of her own for Pluto to learn that there is no old and new Pluto. There’s just her.

    Turns out Prosper's great-great-great-great-great-something grandfather made — and then broke — a contract with a malefactor, a demon who exchanges fortune for eternal servitude. And, weirdly enough, four-thousand-year-old Alastor isn't exactly the forgiving type. The fiend has reawakened with one purpose — to destroy the family whose success he ensured and who then betrayed him. With only days to break the curse and banish Alastor back to the demon realm, Prosper is playing unwilling host to the fiend, who delights in tormenting him with nasty insults and constant attempts trick him into a contract. Yeah, Prosper will take his future without a side of eternal servitude, thanks. Little does Prosper know, the malefactor's control over his body grows stronger with each passing night, and there's a lot Alastor isn't telling his dim-witted (but admittedly strong-willed) human host.

    Stephen Graham Jones returns with Night of the Mannequins, a contemporary horror story where a teen prank goes very wrong and all hell breaks loose: is there a supernatural cause, a psychopath on the loose, or both?

    Then Kara Hallas moves in across the street with her mother and grandmother, and Olivia is immediately drawn to these three generations of women. Kara is particularly intoxicating, so much so that Olivia not only comes to accept Kara's morbid habit of writing to men on death row, she helps her do it. They sign their letters as the Resurrection Girls. But as Kara’s friendship pulls Olivia out of the dark fog she’s been living in, Olivia realizes that a different kind of darkness taints the otherwise lively Hallas women—an impulse that is strange, magical, and possibly deadly.

    Craig Russell and illustrated by an extraordinary team of renowned artists.Inventive, chilling, and filled with wonder, Neil Gaiman's The Graveyard Book reaches new heights in this stunning adaptation. Artists Kevin Nowlan, P. Craig Russell, Tony Harris, Scott Hampton, Galen Showman, Jill Thompson, and Stephen B. Scott lend their own signature styles to create an imaginatively diverse and yet cohesive interpretation of Neil Gaiman's luminous novel.Volume One contains Chapter One through the Interlude, while Volume Two will include Chapter Six to the end.

    It lurks in the shadows, spreading fear and icy cold – and it carries a sharp and very solid dagger...The headmaster wastes no time in enlisting the help of ghost-hunters Anthony Lockwood, Lucy Carlyle and George Cubbins.Can Lockwood & Co. survive the night and save the day?

    And now waking up is even worse!Charlie Laird has several problems:1. His dad married a woman he is sure moonlights as a witch.2. He had to move into her purple mansion, which is not a place you want to find yourself after dark.3. He can’t remember the last time sleeping wasn’t a nightmarish prospect. Like even a nap.What Charlie doesn’t know is that his problems are about to get a whole lot more real. Nightmares can ruin a good night’s sleep, but when they start slipping out of your dreams and into the waking world—that’s a line that should never be crossed. And when your worst nightmares start to come true . . . well, that’s something only Charlie can face. And he’s going to need all the help he can get, or it might just be lights-out for Charlie Laird. For good.[This is the first book in a trilogy.]