Included are The Roaring Girl, The Shoemaker's Holiday, Eastward Ho!, and Every Man in His Humour. The text is freshly edited using modern spelling. A critical introduction, a wide-ranging annotation, and an informative bibliography illuminate the plays' cultural contexts and theatrical potential for reader and performer alike.

    Here reside some of South Africa’s wealthiest individuals: all male, all Afrikaans – and all stinking rich. Johann Rupert, Jannie Mouton, Markus Jooste and Christo Weise, to name a few.Julius Malema refers to them scathingly as ‘The Stellenbosch Mafia’, the very worst example of white monopoly capital. But who really are these mega-wealthy individuals, and what influence do they exert not only on Stellenbosch but more broadly on South African society?Author Pieter du Toit begins by exploring the roots of Stellenbosch, one of the wealthiest towns in South Africa and arguably the cradle of Afrikanerdom. This is the birthplace of apartheid leaders, intellectuals, newspaper empires and more.He then closely examines this ‘club’ of billionaires. Who are they and, crucially, how are they connected? What network of boardroom membership, alliances and family connections exist? Who are the ‘old guard’ and who are the ‘inkommers’, and what about the youngsters desperate to make their mark? He looks at the collapse of Steinhoff: what went wrong, and whether there are other companies at risk of a similar fate. He examines the control these men have over cultural life, including pulling the strings in South Africa rugby.

    In the half-light, fragments of cello music crash around in her mind, but she casts them out - it's more than a year since she performed in public. There are memories she must banish in order to survive: a charismatic teacher with gold-flecked eyes, a mistake she cannot unmake. At home her mother Ada is waiting: a fragile, bitter woman who distils for herself a glamorous past as she smokes French cigarettes in her unkempt garden. In the village of Bosham the future is invading. A charming young documentary maker has arrived to shoot a film about King Cnut and his cherished but illegitimate daughter, whose body is buried under the flagstones of the local church. As Jonny disturbs the fabric of the village, digging up tales of ancient battles and burials, the threads lead back to home, and Ada and Nora find themselves face to face with the shameful secrets they had so carefully buried. One day, Nora finds a half-dead fledgeling in a ditch. She brings him home and, over the hot summer months, cradles Rook back to life. A mesmerising story of family, legacy and turning back the tides, Rook beautifully evokes the shifting Sussex sands, and the rich seam of history lying just beneath them.

    Six cities. A thousand stories.Newsroom, political platform, local hot spot, confession box, preacher-pulpit and football stadium. For generations, African men have gathered in barber shops to discuss the world.

    Five main characters are linked loosely and intermittently and at the center of the play is an ever-changing love triangle of petty criminals. It is a gritty, grimy urban society, a depressing  microcosm of drugs, shoplifting, prostitution, and sexual adventure. The characters have shunned morality and conduct hedonistic and destructive lives in this shocking, humorous, nihilistic play that examines a completely corrupted society.

    THIS 20 PAGE ARTICLE WAS EXTRACTED FROM THE BOOK: Representative British Dramas Victorian and Modern V2, by William Butler Yeats.

    A satirical poem that intentionally over-dramatizes an incident in which a lock of a woman's hair is cut without her permission.

    The story of Beukes - lonely, hunted, determined - who works for an illegal freedom organization, and of Elias Tekwane, captured by the South African police and tortured to death in their cells.

    

    Eliza has eagerly awaited her picture-perfect nuptials, but there is just one problem: Joshua, her groom, is nowhere to be found. After Joshua’s brother, Matthias, calls for the police, Eliza awaits word. But when the news arrives, all her hopes for wedded bliss come crashing down: her betrothed has been located in a London alley. Murdered. Soon, Eliza learns that beneath the polished façade, the man she very nearly married lived a double life—a life that he gambled . . . and lost. Though Eliza and Matthias were innocent bystanders to Joshua’s indiscretions, it is they who are left to pick up the pieces. As they learn to rely on each other through their shared trials, they are surprised to find themselves on an unexpected path of friendship and love. But even as they envision building a life together, the echoes of the past threaten to rob them of the promise of a shared future.

    During a world tour it won the Laurence Olivier Award for Best New Play and the New York Drama Critics' Circle Award for Best Foreign Play.Celebrated for its bravery and clannish loyalty the Black Watch has been in the vanguard of countless British military expeditions from Waterloo and the Somme to Kosovo. Its last great challenge before enforced amalgamation was relieving American forces at Camp Dogwood in Iraq during 2004 ...BLACK WATCH is a timely and vital theatrical investigation based on interviews with former soldiers from this legendary Scottish regiment who served in Iraq.

    The British Army calls it No. 1 POW Camp Grizedale Hall. British Intelligence call it their Cage of Eagles. It is the biggest concentration of German prisoner-of-war talent in wartime England. Gathered together are airmen, navigators, radio operators, and U-boatmen. Over 100 skilled and determined men with one thought uppermost in their mind -- escape.

    She soon makes friends with the other women workers, and together they enjoy nights out dancing in Gosport - keeping their spirits up despite the hard work, rationing and heavy bombing. Vee even feels herself falling for Sam, the skipper of the ferry and her unhappily married boss. But Vee has a secret: her real name is Violetta Schmidt, and she is half-German. If her true nationality is discovered, she and her mother could find themselves interned as enemy aliens - if their German-hating neighbours, or worse, Eddie, the man Vee ran away from after he got her false papers, don't hurt them first.Will Vee be able to keep her secret safe, and find some peace with Sam and her friends even in the midst of war?

    This edition contains substantial excerpts from the original four-act version which was never produed, as well as the full test of the final three-act version, selections from Wilde's correspondence, and commentary by George Bernard Shaw, Max Beerbohm, St. John Hankin, and James Agate.

    This volume presents a comprehensive critical study of Samuel Beckett's first and most renowned dramatic work. Lawrence Graver discusses the play's background and provides a detailed analysis of its originality and distinction as a landmark of modern theatrical art. He also reviews some of the differences between Beckett's original French version and his English translation.