But when his brother Francois, an artist based in Lisbon, finds out about Ben's affair with a student, Rita Kalungal, he finds himself feeling responsible both for his brother's actions as well as Rita; and Rita begins to realise that her involvement with Ben has far-reaching consequences on herself and her family, and others.

    It's for the seekers searching for a new home, for the wanderers leaving their old homes, for the lovers creating a home wherever they are. Sometimes you hold on to what is left, sometimes you just let go to start afresh.

    Then she meets the monster: crank. And what begins as a wild ride turns into a struggle for her mind, her soul—her life. Glass Crank. Glass. Ice. Crystal. Whatever you call it, it’s all the same: a monster. Kristina thinks she can control it. Now with a baby to care for, she is determined to be the one deciding when and how much, the one calling the shots. But the monster is strong, and before she knows it, Kristina is back in its grip . . . and it won’t let go. And an Exclusive preview ofFallout Nineteen years after Kristina met the monster—crank—her three children are reeling from the consequences of her decisions. Instead of one big, happy family, they are desperate tangle of scattered lives united by anger, doubt, and fear. There is more of Kristina in her children than they would ever like to believe. But when the thread that ties them together brings them face-to-face, they’ll discover something powerful in each other and in themselves—the trust, the hope, the courage to begin to break the cycle.

    Readers have thrilled to his ecstatic songs of divine union for more than eight hundred years. Here is a collection of the best of Rumi’s poetry.

    Moving chronologically from Homer to Pasternak--and including such master poets en route as Baudelaire, Rimbaud, Rilke, and Montale--the fascinating and hugely informed pieces in this book are themselves meant to be read as "a whole," according to Lowell's telling Introduction, "a single volume, a small anthology of European poetry."

    Now it's about to become ground zero in a gold rush by every crooked company and asteroid thief in the galaxy. Andrew Cochrane, with his crew of the finest veterans and cunning rogues, have an even better scheme. They've conned the owner into hiring them as a mercenary security company to defend the system. With no oversight but their own, Cochrane's Company plans to seize the richest pickings for themselves. But nothing ever comes easy. If they want to keep their loot, they're going to have to outwit and outfight every smuggler, bandit and renegade after the same prize - and their boss, too!

    Matt Blaine's fears have been realized: EMPs (electromagnetic pulses) have knocked out all power across the globe. Now his "Disaster Circle" buddies, Rondell Mixon, Lonnie Llewellyn, and Frank Marshall, must make their way to the safety of Matt's secluded farm near the shores of Lake Huron. Traveling from various points across Michigan's mitten, they all have to deal with adversity- thieves, rapists, weather, injuries, and a gang of raiders calling themselves the Vikings. With communications nonexistent, they have no way of knowing if the others will make it to their destination. They all meet new people- a teacher, a survivalist wannabe, an expectant couple, and a pair of hiking enthusiasts. Dodging bullets and bandits, the Disaster Circle members are helped by some, and pay it forward by helping others. The question on everyone's mind is, Will they all make it to the farm, and will they make it in one piece? Travel with Matt's friends as they struggle to come together.

    Yet for all their metaphorical suggestiveness, Dickinson’s and Whitman’s poems about the natural world neither preclude nor erase nature’s relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal innovations, points beyond their traditional status as curiously disparate icons of American nature poetry. That both of them not only approach nature as an important subject in its own right, but also address human-nature relationships in ethical terms, invests their work with important environmental overtones. Dickinson and Whitman developed their environmentally suggestive poetics at roughly the same historical moment, at a time when a major shift was occurring in American culture’s view and understanding of the natural world. Just as they were achieving poetic maturity, the dominant view of wilderness was beginning to shift from obstacle or exploitable resource to an endangered treasure in need of conservation and preservation.A Place for Humility examines Dickinson’s and Whitman’s poetry in conjunction with this important change in American environmental perception, exploring the links between their poetic projects within the context of developing nineteenth-century environmental thought. Christine Gerhardt argues that each author's poetry participates in this shift in different but related ways, and that their involvement with their culture’s growing environmental sensibilities constitutes an important connection between their disparate poetic projects. There may be few direct links between Dickinson’s “letter to the World” and Whitman’s “language experiment,” but via a web of environmentally-oriented discourses, their poetry engages in a cultural conversation about the natural world and the possibilities and limitations of writing about it—a conversation in which their thematic and formal choices meet on a surprising number of levels.

    But do you know the rest of the verse, or even the rest of the poem?An anthology to warm the coldest heart or charm the least romantic soul, this is a collection of poems (or in some cases, extracts) that are not only memorable, but lend themselves to being learned by heart.This is the perfect book for anyone with even the vaguest interest in poetry, providing a wonderful opportunity to revisit those much-loved lines remembered from earlier days.

    William Shakespeare: Selected Poems

    One of the original Beat poets (the coinage "beatnik" is his), Kaufman’s work has always been essentially improvisational, often done to jazz accompaniment. And he became something of a legendary figure at the poetry readings in the early days of the San Francisco renaissance of the 1950s. With his extemporaneous technique, akin in many ways to Surrealist automatic writing, he has produced a body of work ranging from a visionary lyricism infused with satirical, almost Dadaistic elements to a prophetic poetry of political and social protest. Born in New Orleans of mixed Black and Jewish parentage, Kaufman was one of fourteen children. During twenty years in the Merchant Marine, he cultivated an intense taste for literature on his long sea voyages. Settling in California, in the ’50s, he became active in the burgeoning West Coast literary scene. Disappointment, drugs, and imprisonment led him to take a ten-year vow of complete silence that lasted until 1973. The present volume includes previously uncollected poems written prior to his pledge and newer work composed in the years 1973-1978, before the poet once again lapsed into silence.

    Her lovely singing voice and good looks lead her to her great ambition - to go on the stage and see her name top of the bill. She becomes a music hall star both in her native town and in the south, after an appearance in the theatre at Brighton - she even performs in Paris, to tremendous acclaim. But when her first love, an ambitious shoemaker in her home town, becomes engaged to someone else Poppy is devastated. She disappears, believing that she will never return to her life of stardom. But her fame cannot be kep a secret...

    One of the most significant writers of the New York School—which unofficially included John Ashbery, Frank O'Hara, and Kenneth Koch, among others—Schuyler was strongly influenced by both art and music in his work, often incorporating rapid shifts in sound, shape, and color within his poems that almost gave his work the effect of a collage and engendered comparisons with Whitman and Rimbaud.

    The poems in Pilgrim explore themes of departure, shelter, companionship, deep friendship and the necessary transformations of friendship, the struggles at crucial thresholds and the arrivals that always become further departures, offering companionship along the way.

    In it, Reed, one of our preeminent African-American authors, mixes portraits of historical figures and fictional characters with sound bites on subjects ranging from ragtime to Greek philosophy. Cited by literary critic Harold Bloom as one of the five hundred most significant books in the Western canon, Mumbo Jumbo is a trenchant and often biting look at black-white relations throughout history, from a keen observer of our culture.