It is run by a tyrant known as The Jolly Mayor and his devious right hand, the last archmage in the world. Together they try to collect all the magic for themselves so they can control the citizens of the city. But when their decadence reaches new heights and begins to destroy the environment, the people stage an uprising to stop them.

    The editor, selected by SFWA's anthology Committee (chaired by Mike Resnick), is Canadian science fiction and fantasy writer and editor Julie Czerneda. This year's Nebula Award winners are Naomi Novik, Nnedi Okorafor, Sarah Pinsker, and Alyssa Wong, with Fran Wilde winning the Andre Norton Award for Young Adult Science Fiction and Fantasy Book.

    A number of wonderful fantasy novels, including Stardust by Neil Gaiman, Jonathan Strange and Mr Norrell by Susanna Clarke, and The Prestige by Christopher Priest, owe their inspiration to works by nineteenth-century writers ranging from Jane Austen, the Brontës, and George Meredith to Charles Dickens, Anthony Trollope, and William Morris. And, of course, the entire steampunk genre and subculture owes more than a little to literature inspired by this period.Queen Victoria’s Book of Spells is an anthology for everyone who loves these works of neo-Victorian fiction, and wishes to explore the wide variety of ways that modern fantasists are using nineteenth-century settings, characters, and themes. These approaches stretch from steampunk fiction to the Austen-and-Trollope inspired works that some critics call Fantasy of Manners, all of which fit under the larger umbrella of Gaslamp Fantasy. The result is eighteen stories by experts from the fantasy, horror, mainstream, and young adult fields, including both bestselling writers and exciting new talents such as Elizabeth Bear, James Blaylock, Jeffrey Ford, Ellen Kushner, Tanith Lee, Gregory Maguire, Delia Sherman, and Catherynne M. Valente, who present a bewitching vision of a nineteenth century invested (or cursed!) with magic.The Line-up:“Queen Victoria’s Book of Spells” by Delia Sherman“The Fairy Enterprise” by Jeffrey Ford“From the Catalogue of the Pavilion of the Uncanny and Marvelous, Scheduled for Premiere at the Great Exhibition (Before the Fire)” by Genevieve Valentine“The Memory Book” by Maureen McHugh“La Reine D’Enfer” by Kathe Koja“Briar Rose” by Elizabeth Wein“The Governess” by Elizabeth Bear“Smithfield” by James P. Blaylock“The Unwanted Women of Surrey” by Kaaron Warren“Charged” by Leanna Renee Hieber“Mr. Splitfoot” by Dale Bailey“Phosphorus” by Veronica Schanoes“We Without Us Were Shadows” by Catherynne M. Valente“The Vital Importance of the Superficial” by Ellen Kushner and Caroline Stevermer“The Jewel in the Toad Queen’s Crown” by Jane Yolen“A Few Twigs He Left Behind” by Gregory Maguire“Their Monstrous Minds” by Tanith Lee“Estella Saves the Village” by Theodora Goss

    Selected by a vote of the membership of the Science Fiction Writers of America (SFWA), these 26 reprints represent the best, most important, and most influential stories and authors in the field. The contributors are a Who's Who of classic SF, with every Golden Age giant included: Isaac Asimov, Ray Bradbury, Arthur C. Clarke, John W. Campbell, Robert A. Heinlein, Fritz Leiber, Cordwainer Smith, Theodore Sturgeon, and Roger Zelazny. Other contributors are less well known outside the core SF readership. Three of the contributors are famous for one story--but what stories!--Tom Godwin's pivotal hard-SF tale, "The Cold Equations"; Jerome Bixby's "It's a Good Life" (made only more infamous by the chilling Twilight Zone adaptation); and Daniel Keyes's "Flowers for Algernon" (brought to mainstream fame by the movie adaptation, Charly). The collection has some minor but frustrating flaws. There are no contributor biographies, which is bad enough when the author is a giant; but it's especially sad for contributors who have become unjustly obscure. Each story's original publication date is in small print at the bottom of the first page. And neither this fine print nor the copyright page identifies the magazines in which the stories first appeared. Prefaced by editor Robert Silverberg's introduction, which describes SFWA and details the selection process, The Science Fiction Hall of Fame: Volume One, 1929-1964 is a wonderful book for the budding SF fan. Experienced SF readers should compare the table of contents to their library before making a purchase decision. Fans who contemplate giving this book to non-SF readers should bear in mind that, while several of the collected stories can measure up to classic mainstream literary stories, the less literarily-acceptable stories are weighted toward the front of the collection; adult mainstream-literature fans may not get very far into The Science Fiction Hall of Fame: Volume One, 1929-1964. --Cynthia Ward· Introduction · Robert Silverberg · in · A Martian Odyssey [Tweel] · Stanley G. Weinbaum · nv Wonder Stories Jul ’34 · Twilight [as by Don A. Stuart; Dying Earth] · John W. Campbell, Jr. · ss Astounding Nov ’34 · Helen O’Loy · Lester del Rey · ss Astounding Dec ’38 · The Roads Must Roll · Robert A. Heinlein · nv Astounding Jun ’40 · Microcosmic God · Theodore Sturgeon · nv Astounding Apr ’41 · Nightfall · Isaac Asimov · nv Astounding Sep ’41 · The Weapon Shop [Isher] · A. E. van Vogt · nv Astounding Dec ’42 · Mimsy Were the Borogoves · Lewis Padgett · nv Astounding Feb ’43 · Huddling Place [City (Websters)] · Clifford D. Simak · ss Astounding Jul ’44 · Arena · Fredric Brown · nv Astounding Jun ’44 · First Contact · Murray Leinster · nv Astounding May ’45 · That Only a Mother · Judith Merril · ss Astounding Jun ’48 · Scanners Live in Vain · Cordwainer Smith · nv Fantasy Book #6 ’50 · Mars Is Heaven! · Ray Bradbury · ss Planet Stories Fll ’48 · The Little Black Bag · C. M. Kornbluth · nv Astounding Jul ’50 · Born of Man and Woman · Richard Matheson · vi F&SF Sum ’50 · Coming Attraction · Fritz Leiber · ss Galaxy Nov ’50 · The Quest for Saint Aquin · Anthony Boucher · ss New Tales of Space and Time, ed. Raymond J. Healy, Holt, 1951; F&SF Jan ’59 · Surface Tension [Lavon] · James Blish · nv Galaxy Aug ’52 · The Nine Billion Names of God · Arthur C. Clarke · ss Star Science Fiction Stories #1, ed. Frederik Pohl, Ballantine, 1953 · It’s a Good Life · Jerome Bixby · ss Star Science Fiction Stories #2, ed. Frederik Pohl, Ballantine, 1953 · The Cold Equations · Tom Godwin · nv Astounding Aug ’54 · Fondly Fahrenheit · Alfred Bester · nv F&SF Aug ’54 · The Country of the Kind · Damon Knight · ss F&SF Feb ’56 · Flowers for Algernon · Daniel Keyes · nv F&SF Apr ’59 · A Rose for Ecclesiastes · Roger Zelazny · nv F&SF Nov ’63

    New frontiers discovered. What it means to be human reimagined.Dreams of tomorrow become reality in this third collection of bestselling authors and newly emerging writers from Sci-Fi Bridge. From the inner worlds of unforgettable characters to alien planets at the farthest reaches of our galaxy and beyond, our writers examine the human experience from within and without. They hold up a mirror to the human experience. Who are we as a species? Who do we want to be? How do we achieve that greatest vision of ourselves for us and our children?You'll wonder at the possibilities of what we can accomplish together. You might even come to believe that a better tomorrow can be more than a dream....Foreword by Chris Fox"Centurion" by M.G. Herron"Geospermia" by Patty Jansen"Storming the Norse Wind" by M.D. Cooper"The Far Side of Psyche" by Rhett C. Bruno"Sparkle Ship Shine" by Hall & Beaulieu"Latecomers" by Chris Ward"Fool's Gold" by Zen DiPietro"The Tribe" by Andreas Christensen"The Theta Patient" by Chris Dietzel"The Last Ship" by Chris Pourteau"Taken For a Walk" by Justin Sloan"Playing Doctor" by Robert Jeschonek"Awaken Me, Paper Robot!" by A.K. Meek"Refurbished" by Artie Cabrera"Steel's First Temper" by David VanDyke"Siren Song" by Jon Frater"Digital Commander" by J.S. Morin"Little Blue" by Chris ReherWant to know more about Sci-Fi Bridge? Visit our site at scifibridge.com and subscribe to receive giveaways and great Sci-Fi deals straight to your inbox.

    Yes, it will be dangerous, frequently brutal, and often devastating. But it’s also savagely funny, deliriously strange, and absolutely brimming with adventure.In these edgy, unexpected tales, a body-hopping mercenary avenges his pet elephant, and an orphan falls in love with a sentient starship. Fighters ally to power a reality-bending engine, and a swamp-dwelling introvert tries to save the world—from her plague-casting former wife.So come meet Kameron Hurley in the future. The version she's created here is weirder—and far more hopeful—than you could ever imagine.

    There is a long and honourable tradition of great detectives and Dirk Gently does not belong to it. Sherlock Holmes observed that once you have eliminated the impossible, then whatever remains, however improbable, must be the truth. Dirk Gently, however, does not like to eliminate the impossible.In Dirk Gently's Holistic Detective Agency a simple search for a missing cat reveals two ghosts, a dodo, an Electric Monk, the devastating secret that lies behind the whole of human history and threatens to bring it to a premature close, and, finally, the utterly terrifying reason why Richard MacDuff has had a sofa stuck on his stairs for three weeks.As The Long Dark Tea-Time of the Soul opens a passenger check-in desk at Terminal Two, Heathrow Airport, shoots up through the roof engulfed in a ball of orange flame. The usual people try to claim responsibility. However, no rational cause can be found for the explosion - it was simply designated an act of God. But, thinks Dirk Gently, which God? And why? What God would be hanging around Terminal Two of Heathrow Airport trying to catch the 15.37 to Oslo?What do a dead cat, a computer whizz-kid, an electric monk, quantum mechanics, a chronologit over 200 years old, Samuel Taylor Coleridge, and pizza have in common? Apparently not much, until Dirk Gently begins his investigation.

    But what the best of these stories do is the same across the genres—they illuminate the whole gamut of the human experience, interrogating our hopes and our fears. With a diverse selection of stories chosen by series editor John Joseph Adams and guest editor Charles Yu, The Best American Science Fiction and Fantasy 2017 continues to explore the ever-expanding and changing world of SFF today, with Yu bringing his unique view—literary, meta, and adventurous—to the series’ third edition.

    . . ." The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal. Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all." Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains." As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

    

    Epic battles. Artificial Intelligence's longing for meaning. Life as we know it, ending... Sci-Fi Bridge is thrilled to present its first collection from bestselling authors and newly emerging writers. These stories span the near and far future. They transport you to worlds unknown. They examine today's fears amid tomorrow's technologies. From the far corners of the galaxy to the inner reaches of the human heart, the exciting stories in At the Helm will thrill, inspire, and make you wonder--do humans have what it takes to build a better future? Or are we doomed by our own failings?Foreword by Samuel Peralta. "Pressure" by Jeff Carlson. First published in Strange Horizons. "This Long Vigil" by Rhett Bruno. First published in Perihelion Science Fiction Magazine. "Gao Yao Engine" by Rachel Aukes. “Brood Company” by Steve Beaulieu & Aaron Hall."Life” by Daniel Arenson. “I, Caroline” by David Bruns. “Unconditional” by Chris Pourteau. “Lara QR” by Bob Mayer. “Carindi” by Jennifer Foehner Wells. “Into the Dark” by Robert Kroese. “Pete, Popeye and Olive” by Jamie McFarlane. “Codename Delphi” by Linda Nagata. First appeared in Lightspeed Magazine. “Patchworker” by M. Pax. “Dark Space: A Chance Encounter” by Jasper T. Scott.

    The New Voices of Fantasy tethers some of the fastest-rising talents of the last five years. Their tales were hand-picked by the legendary Peter S. Beagle (The Last Unicorn) and genre expert Jacob Weisman (The Treasury of the Fantastic).So go ahead, join the Communist revolution of the honeybees. The new kids got your back.

    In this vivid world that author Brandon Sanderson has built, society can create a snapshot of a specific day in time. The experiences people have, the paths they follow—all of them are real again for a one day in the snapshot. All for the purposes of investigation by the court. Davis’s job as a cop on Snapshot Duty is straight forward. Sometimes he is tasked with finding where a criminal dumped a weapon. Sometimes he is tasked with documenting domestic disputes. Simple. Mundane. One day, in between two snapshot assignments, Davis decides to investigate the memory of a call that was mysteriously never logged at the precinct, and he makes a horrifying discovery.As in all many stories, Snapshot follows a wonderfully flawed character as he attempts to solve a horrific crime. Sanderson proves that no matter the genre, he is one of the most skilled storytellers in the business.

    Unabashedly classic in the great tradition of Asimov and Clarke, Liu Cixin's science-fiction is firmly rooted in the cosmic. “[most] literature has always left me with the impression of indulging an intense anthropocentric narcissism. […] In the world of literature, the Sun exists for no other reason than to illuminate the pure, unadulterated countryside, the Moon has no other reason to shine than to cast the shadows of the seaside lovers, [but] if the universe is the Sahara, then all that makes the Earth a grain of gold within it, is that a particular bacteria called humanity clinging to its surface.” Liu Cixin uses the unique perspective of science-fiction to take us on a journey into this majestic, desolate cosmos. He gives us the chance to reacquaint ourselves with the fundamental truth that in the face of a vast universe we are no more than a speck of dust; That the Earth is just another celestial body – And an extremely vulnerable one at that. The flash of a gamma-ray burst or the blast of a nearby supernova could, at any moment, reduce our cherished home to nothing but ashes.It can be terrifying to contemplate the end of our world and stories that describe such destruction can be disturbing. At the same time however, they can leave us feeling not only entertained, but exhilarated and inspired. Maybe, they can even give us a chance to renew our love of life. Most stories found in the “The Wandering Earth” collection take us to a sci-fi vision of Earth's end. But here, there are no Hollywood aliens, descending from the depths of space to blow up our cities. In these futures, the dangers humanity faces are much stranger and whimsical than that. The unexpected calamities that befall his richly detailed worlds are only eclipsed by humanity's epic, but always plausible, attempts to escape destruction.In all this peril and doom, Liu Cixin always feels for humanity. His stories are full of a deep love for all of Earth's peoples. But even this love does not escape reflection and even ridicule when viewed through his unrelenting cosmic lens. No matter how dearly one loves the Earth, humanity and all its cultures, there is no avoiding the cold, hard truth that they mean absolutely nothing when viewed against the vastness of the universe. But even an infinite universe could not change the simple fact that we are worthy of love, that we need love. It is this twist that lies at the very heart of the stories in this collection.Table of Contents 1 The Wandering Earth 2 Mountain 3 Of Ants and Dinosaurs 4 Sun of China 5 The Wages of Humanity 6 Curse 5.0 7 The Micro-Age 8 Devourer 9 Taking Care of Gods 10 With Her Eyes 11 The Longest Fall

    It was featured in the episode "The Angels Take Manhattan", with The Doctor reading it.The story of "The Angels Take Manhattan" is formed in The Angel's Kiss: A Melody Malone Story.Synopsis:On some days, New York is one of the most beautiful places on Earth.This was one of the other days…Melody Malone, owner and sole employee of the Angel Detective Agency, has an unexpected caller. It’s movie star Rock Railton, and he thinks someone is out to kill him. When he mentions the ‘kiss of the Angel’, she takes the case. Angels are Melody’s business…At the press party for Railton’s latest movie, studio owner Max Kliener invites Melody to the film set of their next blockbuster. He’s obviously spotted her potential, and Melody is flattered when Kliener asks her to become a star. But the cost of fame, she’ll soon discover, is greater than anyone could possibly imagine.Will Melody be able to escape Kliener’s dastardly plan – before the Angels take Manhattan?