A poignant story of a resourceful Nigerian woman who overcomes strict tribal domination of women and countless setbacks to achieve an independent life for herself and her children.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    For the most part, it concerns itself with the mercurial and irresponsible moods of a girl called Sally Bowles. When we first meet her, she is a creature of extravagant attitudes, given to parading her vices, enormously confident that she is going to take life in her stride. She is fond of describing herself as an 'extraordinary interesting person,' and she is vaguely disturbing. As we get to know her, as we watch her make frightened arrangements for an illegal operation, seize at the tinseled escape offered by a rich and worthless American playboy, attempt to rehabilitate herself and fail ludicrously, we are more and more moved, more and more caught up in the complete and almost unbearable reality of this girl. [The author has] placed a character named Mr. Isherwood on the stage He serves both as narrator and as principal confidant to Sally Bowles. He is the camera eye of the title, attracted to Sally, yet dispassionate about her." Though Sally is the chief point of interest, the plight of the Jew in Germany in the early '30s is brought within focus in a few touching scenes.

    Aanappooda2. Manthracharadu3. Balayugam Pradhinidhikal!4. Valsarajan5. Ente nylon kuda6. Aashupathriyile maranam7. Oru bhaaryayum bharthavum

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Savage has been left ten million dollars by her husband and wants to make the best use of it, in spite of the efforts of her grown-up stepchildren to get their hands on it. These latter, knowing that the widow's wealth is now in negotiable securities, and seeing they cannot get hold of it, commit her to a "sanatorium" hoping to "bring her to her senses." But Mrs. Savage is determined to establish a fund to help others realize their hopes and dreams. In the sanatorium she meets various social misfits, men and women who just cannot adjust themselves to life, people who need the help Mrs. Savage can provide. In getting to know them, she realizes that she will find happiness with them and plans to spend the rest of her life as one of them. But when the doctor tells her there is no reason why she should remain, she hesitates to go out into a hard world where people seem ready to do anything for money. The self-seeking stepchildren are driven to distraction by their vain efforts to browbeat Mrs. Savage, but she preserves her equanimity and leads them on a merry chase. At last her friends conspire to get rid of her stepchildren, and through their simple belief in the justice of her cause, they enable Mrs. Savage to carry out her plans. The last scene, a farewell party, is a delightful fantasy where each "guest" in the sanatorium realizes at last some hopeless dream for something he was never able to realize. The dominant mood is high comedy, and the audience is left with a feeling that the neglected virtues of kindness and affection have not been entirely lost in a world that seems motivated at times only by greed and dishonesty.

    It is "one of the most brilliantly original and entertaining new plays I have seen in years: wild, weird and funny, serious, compassionate and shocking, blasphemous and reverential, intellectual and frivolous, a factual fantasy, a demented farce, a black nightmare." (Sunday Times)

    The book is a prelude to the Rwandan genocide and unfolds behind the closed doors of the school, in the interminable rainy season. Friendships, desires, hatred, political fights, incitation to racial violence, persecutions... The school soon becomes a fascinating existential microcosm of the true 1970s Rwanda.

    She comes to Europe, to a land of towering mountains and low grey skies and tries to make sense of it all. What is she doing here? Why aren't the natives friendly? And what will she do when she goes back home?Ghanaian writer Ama Ata Aidoo's brilliantly conceived prose poem is by turns bitter and gentle, and is a highly personal exploration of the conflicts between Africa and Europe, between men and women and between a complacent acceptance of the status quo and a passionate desire to reform a rotten world. Of her own writing, Ama Ata Aidoo says, "I write about people, about what strikes me and interests me. It seems the most natural thing in the world for women to write with women as central characters; making women the centre of my universe was spontaneous."

    Winner of the Dylan Thomas Award, this collection of short stories contains wry and defiant statements on the power and the beautiful transience of youth.

    the novel thus touches on concerns of deeper relevance to the politics of race and migration in the twenty first century. Unexpected Joy at Dawn received a commendation in the Best First Book Prize, Africa Region, of the Commonweath Writers Prize.

    An eminent—and initially unsympathetic—QC takes on the case, and the boy has to withstand the full might of the Royal Naval Establishment seeking to discredit him.

    Although he published over 45 books of poetry, hundreds of his poems were kept by him and his publisher for posthumous publication, This is the first collection of these unique poems.

    Much to the dismay of her students, Mohumagadi hires Father Bill as a teacher, resulting in a battle of wills and wits for the hearts and minds of the children living in the shadow of revolution and change. Entertaining and thought-provoking, this unique account offers insight into the workings of African culture.

    This English edition includes the plays Caligula, The Misunderstanding (Le Malentendu), State of Siege (L'État de siège), and The Just Assassins (Les Justes).