Guido plans to write poetry while Vincent feels confident he will win a Nobel prize for physics. When Guido spots Holly while exiting a museum, he can immediately sense that she will be difficult, quirky, and hard to live with. He loves her on sight. Vincent, open-minded and cheerful, meets Misty at work. Though she is a  bored and misanthropic brunette, he finds himself desperate to know her. Through courtship, jealousy, estrangement, and other perils, Happy All the Time follows four sane, intelligent, and good-intentioned people who manage to find love in spite of themselves.

    As the novel's perspective shifts to each of the four primary characters, four discrete stories take form, stories that Sorrentino further enriches by using a variety of literary methods--fantasies, letters, a narrative question-and-answer, fragments of dialogue and memory. Combining humor and feeling, balancing the details and the rhythms of experience, Aberration of Starlight re-creates a time and a place as it captures the sadness and value of four lives.

    'A Simple Tale' tells the story of Maria Poniatowski and her life. 'The Hunters' is the tale of an American doing research one summer in London and the relationship that she develops with her neighbour.

    Among them is Zoyd Wheeler who is preparing for his annual act of televised insanity (for which he receives a government stipend) when an unwelcome face appears from out of his past.An old nemesis, federal prosecutor Brock Vond, storms into Vineland at the head of a heavily armed strike force. Soon Zoyd and his daughter, Prairie, go into hiding while Vond begins a relationship with Zoyd's ex-wife and uses Prairie as a pawn against the mother she never knew she had.Part daytime drama, part political thriller, Vineland is a strange evocation of a twentieth-century America headed for a less than harmonic future.

    Here was a disgusted man. His name was Svevo Bandini, and he lived three blocks down that street. He was cold and there were holes in his shoes. That morning he had patched the holes on the inside with pieces of cardboard from a macaroni box. The macaroni in that box was not paid for. He had thought of that as he placed the cardboard inside his shoes.

    Repulsing and fascinating him at the same time, she becomes a mirror in which he not only sees himself but through which he is forced to face his own demons. Not only does she inadvertently supply him with material for his columns, she represents all Eugene considers to be wrong with contemporary America - a garish and dunce-filled Babylon that Theroux scorches with relentless satire.

    A seedy Depression-era boardinghouse in Chicago plays host to a game of emotional chairs (Guardian) in a novel initially condemned for its frank depiction of abortion, homosexuality, and life on the margins of American society."

    Three slaves infected with Dysaethesia Aethipica (a term coined in the nineteenth century for the disease that makes Negroes run away) escape from Virginia. Not satisfied with leaving slavery halfway, one of the trio has vowed to go the whole distance to Canada; his master, Arthur Swille, determined to recover his property, pursues, hot on Raven Quickskill's trail.With his myth-bending ingenuity, Reed merges history, fantasy, political reality, and high comedy as he parodies the fugitive slave narrative: the slave-poet Quickskill flees to Canada on a nonstop jumbo jet; Abe Lincoln waltzes through slave quarters to the tune of "Hello Dolly"; the plantation mistress lies in bed watching the Beecher Hour on TV. Flight to Canada's preposterous episodes leap out from the pages of history to reveal a keen sense of America past and present.

    Among its pages are a couple who becomes obsessed with their friend hearing them have sex, then seeing them have sex…until they can’t have sex without him; a ten-year-old whose birthday party takes a sinister turn when she wishes for “something mean”; a woman who finds a book of spells half hidden at the library and summons her heart’s desire: a nameless, naked man; and a self-proclaimed “biter” who dreams of sneaking up behind and sinking her teeth into a green-eyed, long-haired, pink-cheeked coworker.Spanning a range of genres and topics—from the mundane to the murderous and supernatural—these are stories about sex and punishment, guilt and anger, the pleasure and terror of inflicting and experiencing pain. These stories fascinate and repel, revolt and arouse, scare and delight in equal measure. And, as a collection, they point a finger at you, daring you to feel uncomfortable—or worse, understood—as if to say, “You want this, right? You know you want this.”Bad boy --Look at your game, girl --Sardines --The night runner --The mirror, the bucket, and the old thigh bone --Cat person --The good guy --The boy in the pool --Scarred --The matchbox sign --Death wish --Biter --Acknowledgments

    For now, he’s squatting in a collapsing house, working as a stone mason, driving a jacked up pickup truck that he crashes into everything. As a close friend Ods in his sleep, Lee falls into a three-way relationship with two college girls, June Doom and K Neon. F250 is a novel equal parts about growing up, and being torn apart."Bud Smith is Nick Hornby if you strapped him to a Tesla coil and launched him into a Sun made of Poetry." --Ben Loory, author of Stories for Nighttime and some for the Day

    He becomes a vagabond and philosopher, struggling with mortality and meaning.In the basement of a Boston bookstore, Firmin is born in a shredded copy Finnegans Wake, nurtured on a diet of Zane Grey, Lady Chatterley’s Lover, and Jane Eyre (which tastes a lot like lettuce). While his twelve siblings gnaw these books obliviously, for Firmin the words, thoughts, deeds, and hopes—all the literature he consumes—soon consume him. Emboldened by reading, intoxicated by curiosity, foraging for food, Firmin ventures out of his bookstore sanctuary, carrying with him all the yearnings and failings of humanity itself. It’s a lot to ask of a rat—especially when his home is on the verge of annihilation.A novel that is by turns hilarious, tragic, and hopeful, Firmin is a masterpiece of literary imagination. For here, a tender soul, a vagabond and philosopher, struggles with mortality and meaning—in a tale for anyone who has ever feasted on a book…and then had to turn the final page. First published by Coffee House Press in 2006. Republished by Delta, a division of Random House, in 2009.

    But when the community of Carthage joins a father's frantic search for the girl, they discover instead the unlikeliest of suspects-a decorated Iraq War veteran with close ties to the Mayfield family. As grisly evidence mounts against the troubled war hero, the family must wrestle with the possibility of having lost a daughter forever.Carthage plunges us deep into the psyche of a wounded young Corporal, haunted by unspeakable acts of wartime aggression, while unraveling the story of a disaffected young girl whose exile from her family may have come long before her disappearance.Dark and riveting, Carthage is a powerful addition to the Joyce Carol Oates canon, one that explores the human capacity for violence, love, and forgiveness, and asks if it's ever truly possible to come home again.

    Ginny befriends the young slaves Cleome and Zinnia who work at the farm—until Linus' attentions turn to them, and she finds herself torn between her husband and only companions. The events that follow Linus' death change all three women for life. Haunting, chilling, and suspenseful, Kind One is a powerful tale of redemption and human endurance in antebellum America.

     In 1950, Constantine Stassos, a Greek immigrant laborer, marries Mary Cuccio, an Italian-American girl, and together they produce three children: Susan, an ambitious beauty, Billy, a brilliant homosexual, and Zoe, a wild child. Over the years, a web of tangled longings, love, inadequacies and unfulfilled dreams unfolds as Mary and Constantine's marriage fails and Susan, Billy, and Zoe leave to make families of their own. Zoe raises a child with the help of a transvestite, Billy makes a life with another man, and Susan raises a son conceived in secret, each extending the meaning of family and love. With the power of a Greek tragedy, the story builds to a heartbreaking crescendo, allowing a glimpse into contemporary life which will echo in one's heart for years to come.

    A mammoth balloon is inflated over the city with much talk by the natives after the artifact; Indians storm the city in spite of the excellent hand-sanded table (birch veneer on black wrought iron legs); two emphatic creatures named Edward and Pia exist in instant replays and talk in stereo static: a tiny President (forty-eight inches tall at the shoulder) may or may not cause intermittent and mass unconsciousness; and Kellerman, "gigantic with gin, runs through the park at noon with his naked father slung under one arm." Meaning may emerge, blur forth, but in this glittering clatterbang of existence no overview is possible ("The moon hates us").With elegance and wicked glee, the author has produced hitherto buried delights in the "Isle of Vernacular." Each fragment has its visual and verbal surprise. Baffling, brilliant, and very special, this is Bertie Wooster's "Guernica."