Founder and long-time general director of the acclaimed American Conservatory Theatre, Bill Ball engages his audience in a wide-ranging discussion of the director's process from first reading through opening night. Speaking as a director's director, Ball offers a candid, personal account of his method of working including the choice of a play's essential elements, preproduction homework, casting, and rehearsal techniques. Throughout, his discovering and insights guide the director in building the world of the play and bringing it to life.

    It was first articulated by choreographer Mary Overlie, who broke down the two dominant issues performers deal with—space and time—into six categories. Since that time, directors Anne Bogart and Tina Landau have expanded her notions and adapted them for actors to function together spontaneously and intuitively and to generate bold, theatrical work.The Viewpoints are a set of names given to certain principles of movement through time and space—they constitute a language for talking about what happens on stage. Coupling this with Composition, which is the practice of selecting and arranging the separate components of theatrical language into a cohesive work of art, provides theatre artists with an important new tool for creating and understanding their art form.Primarily intended for the many theatre artists who, in the last several years, have become intrigued with Viewpoints yet have had no single source to refer to in their investigations. It can also be used by anyone with a general interest in collaboration and the creative process, whether in art, business or daily life.Anne Bogart is Artistic Director of the SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992. She is the recipient of two OBIE Awards and a Bessie Award, and is an associate professor at Columbia University. Her recent works include Alice’s Adventures; Bobrauschenbergamerica; Small Lives, Big Dreams; Marathon Dancing; and The Baltimore Waltz.Tina Landau, noted director and playwright, whose original work includes Space (Time magazine 10 Best), Dream True (with composer Ricky Ian Gordon) and Floyd Collins (with composer Adam Guettel), which received the Lucille Lortel Award for Best Musical, an OBIE Award and seven Drama Desk nominations. She has been an ensemble member of the Steppenwolf Theatre Company since 1997.

    Princess Pocahontas and the Blue Spots is a satire of colonization that celebrates Native women as creators and healers. It has become a classic in Canadian theatre since it was first published in 1991 and is now widely studied at universities and colleges across North America and around the world.The remarkable radio play Birdwoman and the Suffragettes: A Story of Sacajawea, first produced or CBC Radio Drama's Vanishing Point: Adventure Stories for Big Girls, is also included.

    Franklin J. Hildy contributes his scholarship and experience throughout the book and, in particular, to a discussion of English Theatre/Shakespeare (Ch. 5). Reorganized with more uniform chapter lengths and a clearer chronology, the ninth edition continues to provide the most thorough and accurate assessment of theatre history available. For anyone involved with, or interested in, the theatre.

    Here, for the first time in English, and in Lecoq's own words, are his philosophy and his teaching methods - probably the greatest influence on world theatre over the last thirty years. In chapters entitled Personal Journey, The World and its Movements, The Road to Creativity, & New Perspectives, Lecoq sets out his unique architecture of the body in space and explains his most famous techniques such as neutral mask, acrobatics, bouffons and the grotesque and play, and discusses the actor's approach to situation, character, environment, emotion, physical and vocal preparation and of course movement."In life I want students to be alive, and on the stage I want them to be artists." Jacques Lecoq

    blu, steeped in poetic realism and contemporary politics, challenges us to try to imagine a time before war.Selected as the winner of the 2010 Yale Drama competition from more than 950 submissions, Virginia Grise's play blu takes place in the present but looks back on the not too distant past through a series of prayers, rituals, and dreams. Contest judge David Hare commented, "Virginia Grise is a blazingly talented writer, and her play blu stays with you a long time after you've read it." Noting that 2010 was a banner year for women playwrights, he added, "Women's writing for the theatre is stronger and more eloquent than it has ever been."

    As relevant as when it was first published in 1968, groundbreaking director and cofounder of the Royal Shakespeare Company Peter Brook draws on a life in love with the stage to explore the issues facing a theatrical performance—of any scale. He describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht’s revolutionary alienation technique to the free form happenings of the 1960s, and from the different styles of such great Shakespearean actors as John Gielgud and Paul Scofield to a joyous impromptu performance in the burnt-out shell of the Hamburg Opera just after the war. Passionate, unconventional, and fascinating, this book shows how theatre defies rules, builds and shatters illusions, and creates lasting memories for its audiences.

    In fate. Or in soul mates. But I believe in Hawke. My life has never been whole since my parents left forever. I have my brother, someone I can barely tolerate most of the time, and I have my best friend, Marie. And I have myself. But when Hawke walks into my life, there’s an immediate connection. Our eyes lock and an unspoken conversation is exchanged. For the first time in my life, I actually feel something. But he doesn’t. He keeps me at arm’s length and pretends there’s nothing between us when there clearly is. I’m not the kind of girl to wait around for any guy, so I don’t. But that doesn’t mean he isn’t in the back of my mind. Our paths cross again in a way neither one of us expect and it changes everything. Was it destiny that made it happen? Was it fate? Or was it something else? TUESDAY Getting over Hawke is the hardest thing I’ve ever had to do. I couldn’t breathe, sleep, or eat. Every day was more agonizing than the one that followed. But somehow, after two years of suffering, I finally got back on my feet. And I moved on. Now I’m living in the city and running my own bakery. Life is good again. I’m surrounded by good friends that I love, and every day is even better than the last. Until everything changes. Now I have to face him after two years of silence. I have to look him in the eye and act like he has no effect on me. I have to hold my head high and pretend he didn’t shatter me into a million pieces. I have to act like he doesn’t mean a damn thing to me. Can I fool him? Can I fool myself? WEDNESDAY It took me a long time to forgive Hawke—a very long time. But now that I have, I feel nothing but unbridled joy. Everything is exactly as it should have been two years ago. He’s just what I need, and not just now, but forever. Until disaster strikes. We promised each other forever, but will Hawke honor that promise when his world comes crumbling down? When the ground cracks below his feet, will we still stand? Or will we fall?

    For animals, there's nothing she won't do.  Feisty Agent Poppy McVie travels the world--from the steamy jungles of Costa Rica to the high seas of Norway to the deep forests of Alaska--fighting wildlife crime.Box-Set includes Operation Tropical Affair, Operation Orca Rescue, and Operation Grizzly Camp

    For more than thirty years, Simon's wry and astute observations on life, love, and the human condition have been making audiences laugh uproariously even as his beautifully realized characters touch their hearts. These five plays, including the Pulitzer- and Tony-award-winning Lost in Yonkers, show Simon at the pinnacle of his extraordinary career. Rumors Lost in Yonkers Jake's Women Laughter on the 23rd Floor London Suite Including the author's introduction: "How to Stop Writing and Other Impossibilities"

     Dan, a wise-cracking excessive drinker, is haunted by the memory of his dead wife. Short after the two won the lottery and purchased a small beach bungalow in the Florida Keys, her life was taken in a car accident. Soon after his wife's death, Dan relocated to the Keys with his wife's dog, whom he blames for her death. In Sleeping Dogs Lie, Dan Coast, an unlicensed private detective of sorts is hired to find the missing boyfriend of a woman who herself soon ends up missing. When someone from the woman's past unexpectedly shows up at Dan's home, with a story of faked deaths and missing life insurance money; Dan along with his side kick Red set out to find the money, and the woman.

    It includes over 130 theater games, plus exercises and instructional strategies. First developed by Spolin, the originator of modern improvisational theater techniques, these games have been tried and tested for over fifty years.

    Although her children are now grown, she remains the main carer for her highly destructive youngest daughter Leonie.When ex-husband Harry, for his own manipulative reasons, gifts the mother and daughter with a winter cruise, Grace accepts despite her reservations, hoping that a change of scene will do them both good.Ben, a novelist whose career is in freefall, is also on the cruise. Captivated instantly by Leonie's beauty, he wastes no time in getting to know her - and Grace along with it. As the older woman grapples with unexpected feelings the encounter awakens within her, it is discovered that Leonie has gone missing. And the scene is set for a dramathat will change the course of lives.Grace in Winter is a compelling story of the struggle between duty and self, and of a feeling that never ages in a woman fighting to reclaim her own life.

    It chronicles Taylor's two-year apprenticeship as a stockman and backcountry packer in the Frank Church Wilderness in Idaho. Working with land and river outfitters, he tapped into a collective consciousness; a way of thinking that valued a curious and adventurous spirit above all things material and mundane. It is the second book in a 3-part series on 'the 21st Century Mountain Man'.I spent my adult life pursuing all types of adventure all over the world; shark-diving in Burma, caving in Borneo, alpine adventures on big rock and ice, and 'social adventure'​, too. It started in the Marine Corps, blossomed in the international oilfield scene, and matured in the mountains on long solo treks.I crossed the Rocky Mountains alone on foot in the winter of 2013. I spent the next two years immersed in the mountain man way-of-life. I became a stockman and backcountry packer, and learned to leverage my alpine experience to become a self-sufficient trapper. I spent the winter of 2016 alone in an old cabin in the the Frank Church Wilderness, and finished the adventure in early March by walking 33 miles up & over the mountains with nothing more than a tarp, a sleeping bag, and a few bags of instant oatmeal.Leaving my business life behind, I have committed to a life of adventure. I have become an author of non-fiction adventure books. I share my adventures hoping to inspire my peers to challenge themselves and embrace adventure in their lives, too.Patrick Taylor'The Texas Yeti'taylor@thetexasyeti.comThe Texas Yeti is Patrick Taylor, who writes non-fiction adventurestories. He is a former Marine and technology entrepreneur with a treasure chestof memories from a lifetime of adventure all over the world. Nowretired, he is an author and adventurer, most recently credited with walking across the Rocky Mountains alone in the winter of 2013. He writes to inspire others to embrace adventure in their lives. However they define it.

    A sympathetic werewolf, a vampire and an Egyptian princess brought to life when her tomb is opened make this a comedy that has everything."Far and away the funniest two hours on a New York stage....What more meaningful gift could Ludlam bequeath [audiences