"His stories, which deluge us with feeling, make feeling more intelligent; more magnanimous. He is an artist of our moral maturity." This volume presents forty-two of Chekhov's later short stories, written between 1888 and 1903, in acclaimed translations by Constance Garnett and chosen by Shelby Foote. Among the most outstanding are "A Dreary Story," a dispassionate tale that reflects Chekhov's doubts about his role as an artist. Thomas Mann deemed it "a truly extraordinary, fascinating story . . . unlike anything else in world literature." "The Darling," a delightful work highly admired by Tolstoy, offers comic proof that life has no meaning without love. And in "The Lady with the Dog," which Vladimir Nabokov called "one of the greatest stories ever written," a chance affair takes possession of a bored young woman and a cynical roué, changing their lives forever. Also included in this collection are the famous trilogy, "The Man in a Case," "Gooseberries," and "About Love," as well as "Sleepy," "The Horse-Stealers," and "Betrothed." "The greatest of Chekhov's stories are, no matter how many times reread, always an experience that strikes deep into the soul and produces an alteration there," wrote William Maxwell. "As for those masterpieces 'The Lady with the Dog,' 'The Horse-Stealers,' 'Sleepy,' 'Gooseberries,' 'About Love'—where else do you see so clearly the difference between light and dark, or how dark darkness can be?" Shelby Foote has provided an Introduction for this edition.

    

    the 16 does not refer to the volume number of the original work.

    But to do this they need to outwit the evil General Woundwort.

    Many have large casts and an equal mix of boy and girl parts. In this dramatization of Barry Hines's novel, 15-year-old Billy trains a kestrel for whom he learns to feel great affection.

    A man sits on a bench in front of his old school remembering the place where one particular day changed his life and those of many others dramatically years earlier.

    Bigotry, poverty, social injustice, and sexual squalor in the Deep South—hallmarks of one of the most daring and phenomenally popular bestselling novelists of the twentieth-century. Here, in one volume, are three of his best-known works. “None of [his] characters would be caught dead in a novel by John Steinbeck, Carson McCullers, or Eudora Welty” (The Daily Beast).  Tobacco Road: The Great Depression compromises the morals of a poor farming family in Georgia. This classic, a Modern Library 100 Best Novels selection, was adapted for the stage in 1933 and made into a 1941 film directed by John Ford.  God’s Little Acre: Desperation takes its toll on a deluded Southern farmer obsessed with sex, violence, and the promise of gold. Banned in Boston, censored in Georgia, and prosecuted by the New York Society for the Suppression of Vice, this international bestseller was adapted into a film in 1958.  A Place Called Estherville: In the pre-civil-rights-era South, a biracial brother and sister move to a small segregated town to care for their aunt, only to be subjected to systematic racism, sexual violence, and prejudice.   “What William Faulkner implies, Erskine Caldwell records,” said the Chicago Tribune of the author who earned his reputation by writing about sex, racism, and religious hypocrisy when no one else was. Caldwell remains one of the most widely translated American authors of all time.  This ebook features an illustrated biography of Erskine Caldwell including rare photos and never-before-seen documents courtesy of the Dartmouth College Library.

    Poe and his work appear throughout popular culture in literature, music, films, and television.

    A full bibliography is included.

    This series features classic tales retold with color illustrations to introduce literature to struggling readers. Each 64-page eBook retains key phrases and quotations from the original classics. You'll be kept in suspense with these four Edgar Allan Poe short stories! The Pit and the Pendulum, The Fall of the House of Usher, The Cask of Amontillado, The Murders in the Rue Morgue.

    He falls in love with Jane, the oldest Bennet girl. Everything goes well—for a while. Then the handsome bachelor’s proud best friend, Mr. Darcy, ruins everything.Elizabeth Bennet has never hated anyone as much as she hates Mr. Darcy. How could she ever forgive the man who has ruined her sister’s happiness? She knows everything she needs to know about him. He is proud, hateful, conceited, and horrid—and he wants to marry her.Elizabeth and Darcy’s memorable, witty battle of hearts and minds has made Pride and Prejudice a readers’ favorite for almost two hundred years.Readability Note: This Townsend Library Classic has been carefully edited for clarity and readability.Source: townsendpress.com

    Scott's source, which he acknowledged in the 'Magnum Opus' edition of Chronicles of the Canongate (1831), was George Constable (1719 - 1803), a friend of his father and the model for Jonathan Oldbuck in The Antiquary. It has not been established to date whether Constable's anecdote refers to a historically verifiable case.

    The work of Yagyῡ Munenori from 1632 concerns martial arts and military science. It is translated by Thomas Cleary and can be found tucked behind Miyamoto Musashi‘s “the Book of five rings” from 1643. Both these texts analyse conflict between two men armed with swords and scale this up bigger battles. These important treaties on swordsmanship, and have been taken as giving lessons on life in general.

    Some of the natural history lore is antiquated, but keen intelligence and good humor express themselves in a readable and enjoyable manner.

    Though abridged, the book maintains the drama and continuity of the original novel and is heavily illustrated with more than 200 original photographs and more than 150 paintings, drawings, engravings and artifacts. The selection of art represents some of the most important 19th-century marine painters and American fine art collections. Many images are drawn from logbooks, journals and scrimshaw belonging to mid-19th century whaler-artists. Rare photographs depict the port of New Bedford, whaling ships, life at sea, whaling methods, and items involved inthe business of whaling, which Melville researched and described in full detail. The pictures in "Moby Dick: A Picture Voyage" are accompanied by short captions and compendia that feature quotes from the novel, information about the artwork, reflections of Melville's real-life whaling experiences, and biographical anecdotes. The majority of images chosen for the book were obtained from the New Bedford Whaling Museum and the museum's new Kendall Institute, the largest repository of whaling prints and artifacts in the world. Images were also obtained from private collections, rare books, old films and libraries. "Moby-Dick: A Picture Voyage" will be the first version of the American classic to give readers a colorful look inside the real world of whaling as it was so eloquently described in Melville's own words. Noted Melville historian Laurie Robertson-Lorant, author of Melville: A Biography, has written the Introduction to the book. Editorial consultants include staff and curators at the New Bedford Whaling Museum and Kendall Institute.