He believes his five-week old granddaughter is Gerry Adams.His family keep telling him to stop living in the past and fighting old battles that nobody cares about anymore, but his cultural heritage is under siege. He must act.David Ireland's black comedy takes one man's identity crisis to the limits as he uncovers the modern day complexity of Ulster Loyalism.Cyprus Avenue was first performed at the Abbey Theatre, Dublin, on 11 February 2016, before transferring to the Royal Court Theatre, London in April 2016.

    The adventurous and sometimes shocking later works of playwright Tennessee Williams, from 1957 to 1980, are collected in this volume, which includes "Orpheus Descending, Suddenly Last Summer", and "The Night of the Iguana".

    Vaclav Havel gives us the comically absurd and seemingly autobiographical account of Professor Leopold Nettes, a revered but reluctant revolutionary whose most recent book has irked the totalitarian government in power. The authorities demand a retraction; his friends and fans clamor for heroic defiance. Besieged by onslaught of internal demons, whining lovers, suffocating followers, and ineffectual government thugs, the professor sinks nearer and nearer to crisis, unable to confront the conflicting demands that rule his life and leave him tormented by neurotic inertia. One of Havel's best-known plays, Largo Desolato vividly dramatizes the multiple contradictions of the intellectual trapped in a totalitarian nightmare.

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    In the play, Martin—a hugely successful architect who has just turned fifty—leads an ostensibly ideal life with his loving wife and gay teenage son. But when he confides to his best friend that he is also in love with a goat (named Sylvia), he sets in motion events that will destroy his family and leave his life in tatters.The playwright himself describes it this way: “Every civilization sets quite arbitrary limits to its tolerances. The play is about a family that is deeply rocked by an unimaginable event and how they solve that problem. It is my hope that people will think afresh about whether or not all the values they hold are valid."

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    A farce with a hilarious drunk scene for two stylish comediennes.

    Nancy, Dee, Kev and Celia - each has their own secret story, unknown to their fellow passengers. And of course Tom himself has his own reasons for returning home so regularly...Once again, Maeve Binchy has conjured up a cast of very human characters with real joys and real sadnesses, portrayed with her trademark wit, compassion and warmth.

    Edited by Holly Stevens, it includes some poems not printed in his earlier Collected Works.

    Yeats, Lady Gregory, J.M. Synge, Bernard Shaw, Sean O'Casey, Brendan Behan, Samuel Beckett, and Brian Friel. The texts are fully annotated with explanatory notes on Anglo-Irish usage, place names, historical figures, and literary allusions. "Backgrounds and Criticism" contains almost fifty texts relevant to the twelve plays represented. Included are prefaces by the authors, reports by spectators on original productions, memoirs concerning playwrights and performances, and recent critical assessments by American, British, and Irish scholars. From its collection of documents relevant to the origin of the Irish Literary Revival in the midst of Ireland's republican revolution to the recent formation of the Field Day Company in Northern Ireland, Modern Irish Drama charts the rise and development of one of the most powerful national dramas of the twentieth century. A Chronology and Selected Bibliography are also included.

    He browbeats his flatmate, terrorizes his wife, and is not above sleeping with her best friend-who loathes Jimmy almost as much as he loathes himself. Yet this working-class Hamlet, the original Angry Young Man, is one of the most mesmerizing characters ever to burst onto a stage, a malevolently vital, volcanically articulate internal exile in the dreary, dreaming Siberia of postwar England.First produced in 1956, Look Back in Anger launched a revolution in the English theater. Savagely, sadly, and always impolitely, it compels readers and audiences to acknowledge the hidden currents of rottenness and rage in what used to be called "the good life."

    In the background are key figures in his life, and they move in and out of his narrative. The narration shades into scenes, little and big. They are revelations and illuminations. They remind Quentin of an awkward young girl whom he made proud of herself. They bring the tortured image of his mother's death and another of his mother's fury with his father, who lost all in trying to save a floundering business. They crisscross through his relations with a number of women the first wife who wanted to be a separate person, the second who drove him into a separateness and a possible third who knew, as a German raised in a furnace of concentration camps, that 'survival can be hard to bear.' These intertwining images bring back the memories of inquisition when men were asked to name names of those who had joined with them in a communism that they mistook for a better future AFTER THE FALL is a pain-wracked drama; it is also Mr. Miller's maturest For to sit in Mr. Miller's theater is to be in an adult world concerned with a search that cuts to the bone."

    Closer is hailed as one of the best plays of the nineties, and as the London Observer noted, it "has wired itself into the cultural vocabulary in a way that few plays have ever done."

    A moving and hilarious account of a spring day in a small Welsh coastal town, Under Milk Wood is "lyrical, impassioned and funny, an Our Town given universality" (The New Statesman and Nation).

    S. Eliot's verse dramatization of the murder of Thomas Becket at Canterbury, winner of the Nobel Prize for LiteratureThe Archbishop Thomas Becket speaks fatal words before he is martyred in T. S. Eliot's best-known drama, based on the murder of the Archbishop of Canterbury in 1170. Praised for its poetically masterful handling of issues of faith, politics, and the common good, T. S. Eliot's play bolstered his reputation as the most significant poet of his time.