Ken Richmond hits his breaking point when he puts a gun to his head and pulls the trigger. When his plan misfires—literally—he interprets the failed suicide as his calling to a higher purpose. Fueled by long-simmering hatred, Ken sets out on a murderous mission—but in order to get away with it, he’ll have to leave a trail of blood through the city.Detectives Dick Van Endel and Phil Nelson start chasing Ken toward a special spot in hell. But can the detectives put an end to the fiend’s sprees for good, before more bodies pile up?

    Until she discovers the dangerous secret he kept from her. One that threatens to ruin their marriage and the stability of a happy home for their two little girls.When his siblings suggest a way to gain back Shannon's love and trust, they embark on a seven-day journey to do so. Can Flynn win back her love before it's too late?Along with their focus on Flynn, the family is also helping plan Cymbeline's wedding to Viktor. Will Emerson Pass's favorite tomboy embrace a traditional wedding with all the trimmings? Her sisters are determined to make sure she does.Join the Barnes family for this bonus novella in the bestselling Emerson Pass Historicals. Christmas joy abounds as the family does what they do best, stick together no matter what happens. Don't miss this surprise holiday gift from USA Today Bestselling author Tess Thompson.

    Here is the incredible story of an imprisoned pedophile who is drawn into an erotically charged correspondence with a nineteen-year-old suburban coed. As the two reveal—and revel in—their obsessive desires, Homes creates in The End of Alice a novel that is part romance, part horror story, at once unnerving and seductive.

    Disco is over, but punk never happened. They don't have cable. They don't really have pop culture, unless you count grain prices and alcoholism. People work hard and then they die. They hate the government and impregnate teenage girls. But that's not nearly as awful as it sounds; in fact, sometimes it's perfect.Mitch Hrlicka lives in Owl. He plays high school football and worries about his weirdness, or lack thereof. Julia Rabia just moved to Owl. She gets free booze and falls in love with a self-loathing bison farmer who listens to Goats Head Soup. Horace Jones has resided in Owl for seventy-three years. He consumes a lot of coffee, thinks about his dead wife, and understands the truth. They all know each other completely, except that they've never met.Like a colder, Reagan-era version of The Last Picture Show fused with Friday Night Lights, Chuck Klosterman's Downtown Owl is the unpretentious, darkly comedic story of how it feels to exist in a community where rural mythology and violent reality are pretty much the same thing. Loaded with detail and unified by a (very real) blizzard, it's technically about certain people in a certain place at a certain time...but it's really about a problem. And the problem is this: What does it mean to be a normal person? And there is no answer. But in Downtown Owl, what matters more is how you ask the question.

    . . and vanished.Missing persons investigator Brenna Spector has a rare neurological disorder that enables her to recall every detail of every day of her life. A blessing and a curse, it began in childhood, when her older sister stepped into a strange car never to be seen again, and it’s proven invaluable in her work. But it hasn’t helped her solve the mystery that haunts her above all others—and it didn’t lead her to little Iris. When a local woman, Carol Wentz, disappears eleven years later, Brenna uncovers bizarre connections between the missing woman, the long-gone little girl . . . and herself.

    Her body was discovered days later, her beautiful face bashed in with a rock. Police determine her brutal death to be a mugging gone wrong and drop the matter into their cold case files.Over a year later, Tracy’s sister, Sondra, still can’t come to grips with what happened. She throws herself into her work as a documentary filmmaker to try and forget the cruelty of her sister’s death. However, a chance encounter with a man from Tracy’s past rips the wound open and sends Sondra on a desperate search for answers about the secrets from her sister’s life that may have led to her death.As Sondra struggles to uncover what happened to Tracy, she’s launched into a tangled web of deceit and danger that put her on a collision course with life and death…

    From this intimate perspective we see New York’s humble beginnings as a tiny Indian fishing village, the arrival of Dutch and British merchants, the Revolutionary War, the emergence of the city as a great trading and financial center, the convulsions of the Civil War, the excesses of the Gilded Age, the explosion of immigration in the late nineteenth and early twentieth centuries, the trials of World War II, the near demise of New York in the 1970s and its roaring rebirth in the 1990s, and the attack on the World Trade Center. A stirring mix of battle, romance, family struggles, and personal triumphs, New York: The Novel gloriously captures the search for freedom and opportunity at the heart of our nation’s history.

    My name is Lincoln Delabar. I was born without a face. Yes, you heard that right. Smooth, clear skin from my forehead to my chin.I see the world differently, yet it is still a place that holds wonder. At least most of the time. With my uniqueness comes a burden. My mind is powerful. Very powerful. And I have an obligation, a purpose, to see things in my own special way. Some of the things I see are frightening. The evil in this world is beyond anyone’s control. Or so you might think. There is a violence in me. I’m not afraid. I can control it. But should I?

    As he looks into what seems to be a simple, tragic accident, the ante is raised when more people start to die or disappear, and Amos uncovers a world of treachery and hurt that shakes a large L.A. Jewish community to its core.

    Set mostly in Paris and Manhattan in the desperately glittering 1980s, it has the timeless depth and moral power of a fairy tale.As a teenager on the streets of San Francisco, Alison is discovered by a photographer and swept into the world of fashion-modeling in Paris and Rome. When her career crashes and a love affair ends disastrously, she moves to New York City to build a new life. There she meets Veronica—an older wisecracking eccentric with her own ideas about style, a proofreader who comes to work with a personal “office kit” and a plaque that reads “Still Anal After All These Years.” Improbably, the two women become friends. Their friendship will survive not only Alison’s reentry into the seductive nocturnal realm of fashion, but also Veronica’s terrible descent into the then-uncharted realm of AIDS. The memory of their friendship will continue to haunt Alison years later, when she, too, is aging and ill and is questioning the meaning of what she experienced and who she became during that time. Masterfully layering time and space, thought and sensation, Mary Gaitskill dazzles the reader with psychological insight and a mystical sense of the soul’s hurtling passage through the world. A novel unlike any other, Veronica is a tour de force about the fragility and mystery of human relationships, the failure of love, and love’s abiding power. It shines on every page with depth of feeling and formal beauty.

    In the process she is dragged into the black market world of erotica and shady, infatuated men, where a cat-and-mouse chase for an erotic film rumored to 'star' Adolf Hitler leads to trickery, maneuvering, and bloodshed. With streamlined prose and a thriller's narrative pace, Running Dog is a bright star in the modern master's early career.

    The first half of this posthumously published novel describes George's evolution from small-town southern boy to struggling New York novelist and attempts to answer the brooding protagonist's question, "What is it that a young man wants?" The second half is devoted to his tempestuous affair with a sophisticated married woman. Ultimately, George, repulsed by the frivolous lifestyle of his wealthy mistress and her circle, retreats to Europe. But, once again, his idealism is shattered as Hitler rises to power in Germany. Disillusioned, George dreams of returning to the South of his childhood but realizes that "you can't go home again."

    Betrayed by his employer and left for dead, Kovac decides to lie low in Tokyo.His plan? Revenge...But when a young woman asks him to protect her from the yakuza, Kovac feels duty-bound to help. She’s a victim of abuse, and long experience tells him if he doesn’t step in tonight she’ll be a corpse before dawn.As Kovac works to uncover the truth of his last job, he finds himself drawn into a conspiracy which goes well beyond the yakuza to a new and terrifying multinational cartel. One that will stop at nothing to control the global drug trade.The kingpins are certain they’ve covered all bases. They're well-funded and utterly ruthless. But they’ve failed to account for one man – John Kovac.SHADOW KILL is the first in a fast-paced, unflinching thriller series that won't in any way shortchange you on action. Perfect for fans of Lee Child, Mark Greaney and Mark Dawson.

    Holder of the Medal of Honor. Devoted family man. Servant of his country. But for the past twenty-eight years, Fitzgerald has been leading a double life as the CIA's most deadly assassin. And only days before his retirement from the CIA, he comes across an enemy who, for the first time, even he cannot handle. The enemy is his own boss - Helen Dexter - the director of the CIA. Dexter's stranglehold on the agency is threatened by one decision, and her only hope of survival is to destroy Fitzgerald. Meanwhile, on the other side of the world, a formidable new foe is threatening the United States: a ruthless hard-line Russian president, who is determined to force a new military confrontation between the two superpowers.From emergency meetings in the Oval Office to a Russian mafya boss's luxurious hideaway outside St. Petersburg, The Eleventh Commandment sweeps readers off their feet from the first paragraph. As in Jeffrey Archer's previous bestsellers, The Eleventh Commandment features enough plot-twisting ingenuity, exotic characterization, and narrative surprise to take the art of thriller writing to a new level. In his latest novel, Jeffrey Archer is at the peak of his page-turning powers.

    It’s a sweeping narrative about fathers and sons, the movie business, and the sundry sea changes that have shaped Hollywood and, by extension, American life.Beau Rosenwald—overweight, not particularly handsome, and improbably charismatic—arrives in Los Angles in 1962 with nothing but an ill-fitting suit and a pair of expensive brogues. By the late 1970s he has helped found the most successful agency in Hollywood. Through the eyes of his son, we watch Beau and his partner go to war, waging a seismic battle that redraws the lines of an entire industry. We watch Beau rise and fall and rise again, in accordance with the cultural transformations that dictate the fickle world of movies. We watch Beau's partner, the enigmatic and cerebral Williams Farquarsen, struggle to contain himself, to control his impulses and consolidate his power. And we watch two generations of men fumble and thrive across the LA landscape, learning for themselves the shadows and costs exacted by success and failure. Mammalian, funny, and filled with characters both vital and profound, American Dream Machine is a piercing interrogation of the role—nourishing, as well as destructive—that illusion plays in all our lives."Specktor's book deserves a special space in the L.A. canon, somewhere looking up at Pynchon and Chandler. Even as the narrator searches through his past to uncover the truth about his family, the author is searching, too."—LA Weekly"...Matthew Specktor's American Dream Machine [is] a big and generous novel that functions both as elegy for a recent past and fictional anthropology . . . .it evokes a world with casual ease and unexpected tenderness, recalling and referencing lots of other fiction (both Hollywood and non) while contriving to establish its unique authority."—LA Review of Books "With coolness and precision, Specktor comes across as a West Coast Saul Bellow in this sweeping narrative, but his energetic, pop-infused prose is markedly his own."—Booklist