Editor Stephen Cope has made a judicious selection of Oppen's extant writings outside of poetry, including the essay "The Mind's Own Place" as well as "Twenty-Six Fragments," which were found on the wall of Oppen's study after his death. Most notable are Oppen's "Daybooks," composed in the decade following his return to poetry in 1958. iSelected Prose, Daybooks, and Papers is an inspiring portrait of this essential writer and a testament to the creative process itself.

    has dramatically changed. The legacies of establishment, benefactor approaches to mission, and the 'national church' ideal are no longer adequate for the challenges and opportunities facing the 21st century church. But if the Episcopal Church is no longer the Church of the Establishment and the benefactor model of church is dead, what is the heart of Episcopal mission and identity?Scholar and Episcopal priest Dwight Zscheile draws on multiple streams of Anglican thought and practice, plus contemporary experience to craft a vision for mission that addresses the church's post-establishment, post-colonial context. With stories, practices and concrete illustrations, Zscheile engages readers in re-envisioning what it means to be Anglican in America today and sends readers out to build new relationships within their local contexts.

    The "Handmaid's Tale" by Margaret Atwood (York Notes Advanced - NOT THE NOVEL)

    Professor Baker has also written two new chapters in which he discusses Hemingway's two posthumously published books, A Movable Feast and Islands in the Stream.CONTENTS: Introduction. I. The Slopes of Montparnasse. II. The Making of Americans. III. The Way It Was. IV. The Wastelanders. V. The Mountain and the Plain. VI. The First Forty-Five Stories. VII. The Spanish Earth. VIII. The Green Hills of Africa. IX. Depression at Key West. X. The Spanish Tragedy. XI. The River and the Trees. XII. The Ancient Mariner. XIII. The Death of the Lion. XIV. Looking Backward. XV. Islands in the Stream.

    Illustrated.

    Thank God for honest authors like Jami Amerine who are brave enough to write about life as it is.”  Paul Ellis, author of Stuff Jesus Never Said and Letters from Jesus  Candid, vulnerable, and raw, popular blogger Jami Amerine delivers a hilarious memoir of her search for an authentic relationship with Jesus in a sea of impersonators.    Raised in the Mormon church, Jami Amerine was excommunicated for apostasy before she was even old enough to be baptized. This experience left her curious about all things religious and set her on a path that would introduce her to many apparitions of Jesus over the years. It wasn’t until Jami stole a portrait of Jesus from a local YMCA storage closet and gave Him a home on her mantel that she began to ponder why the bad stuff of religion tends to stick the hardest. In Stolen Jesus Jami sets out to strip all her preconceived notions of Jesus to discover His genuine character.  In doing so she discovers the real Jesus when she stops trying to fit Him in a box and allows Him to be her all-in-all. Jami’s frank, tell-it-like-it-is writing style is full of the kinds of self-deprecating anecdotes that will have you laughing and crying all at the same time.

    Len Deighton, author of the classic espionage novel 'The Ipcress File', knew both sides intimately. An acquaintance of Ian Fleming’s (who had praised Deighton’s debut novel in the 'Sunday Times') Deighton was also close to the man who was to become Fleming’s nemesis – Kevin McClory, a veteran of the British film industry. The history of Bond’s development under the arc lights becomes, in Deighton’s expert hands, a saga-like story of inflated egos and poisonous vendettas, exotic locations and claustrophobic courtooms, all involving household names. As an eye witness to the protracted disputes that complicated Bond’s depiction both on screen and on the page, Deighton is in a unique position to tell what he saw. Candid, comical, always steely-eyed, this hefty slice of cinematic memoir reads with all the high-powered pace of a Len Deighton thriller.

    When Robert Creeley died in March 2005, he was working on what was to be his final book of poetry. In addition to more than thirty new poems, many touching on the twin themes of memory and presence, this moving collection includes the text of the last paper Creeley gave—an essay exploring the late verse of Walt Whitman. Together, the essay and the poems are a retrospective on aging and the resilience of memory that includes tender elegies to old friends, the settling of old scores, and reflective poems on mortality and its influence on his craft. On Earth reminds us what has made Robert Creeley one of the most important and affectionately regarded poets of our time.

    So when members of his squad set him up on a blind date with a normal they claim can keep up with him, he's clearly intrigued.And things are going great...until he spots someone at the bar who looks familiar. He goes to check out who the guy is (being ever the cop), but can't find him. When he returns to his date, he finds an empty chair. That's when Ian remembers the guy, and realizes she's been kidnapped. Ian knows him as Kidnap Jack, a vampire who has a history of kidnapping women, getting them to fall in love with him, and feeding on them. But this is the third time he's hijacked one of Ian's dates. The other two times were very long ago, which was why Ian couldn't quite place the face.Join Ian as he chases after Jack in order to get his date back safely. Then you'll learn the real reason this guy has been tormenting Ian all these years.

    W. Norton in 1993, now out of print. In Walking Light, Dunn discusses the relationship between art and sport, the role of imagination in writing poetry, and the necessity for surprise and discovery when writing a poem. Humorous, intelligent and accessible, Walking Light is a book that will appeal to writers, readers, and teachers of poetry.Stephen Dunn is the author of eleven collection of poetry. He teaches writing and literature at the Richard Stockton College in Pomona, New Jersey, and lives in Port Republic, New Jersey.

    But everything he writes has something to do with smoking; X20 (the title refers to the number of cigarettes in a pack) is the result -- a crisp, funny, and devastatingly stylish debut from an extraordinary new talent.In the first throes of withdrawal, Simpson writes in tense fits and starts, obsessing over lost loves and how cigarettes both blessed and doomed these relationships. As his ability to concentrate without cigarettes improves day-by-day, he reexamines his friendship with Dr. Barclay, a scientist forever on the verge of developing a safe cigarette, and with Julian Carr, an old friend and now a flack for a cigarette company.In Thank You for Smoking, Christopher Buckley gave us the tobacco company flacks. In Cigarettes Are Sublime, Robert Klein took on the actual cigarettes. In X20, Richard Beard presents the smoker himself, facing the same dilemma millions of smoking and ex-smoking Americans face every day: Gregory's life has been shaped by, even built from, his relationship with cigarettes. What, without them, now?

    With just your bare hands to mine with, you only have minutes to find food and shelter before darkness falls and the monsters come looking for you ...This annual celebrates the limitless possibilities of Minecraft. Packed with step-by-step instructions for exciting builds and projects, tips from the experts, including the game's creator Notch himself, cool things to make, games to test your brain power and codes to unravel, it's everything Minecraft fans have been waiting for.This might just be the one thing good enough to drag them away from their screens this year!

    Maybe they’re even suspicious of it. John Coltrane’s saxophonic flights of fancy, Jimi Hendrix’s feedback drenched guitar solos, Ravi Shankar’s sitar extrapolations—all these sounds seem like so much noodling or jamming, indulgent self-expression. “Just” improvising, as is sometimes said. For these music fans, it seems natural that music is meant to be composed. In the first book of its kind, John Corbett’s A Listener’s Guide to Free Improvisation provides a how-to manual for the most extreme example of spontaneous improvising: music with no pre-planned material at all. Drawing on over three decades of writing about, presenting, playing, teaching, and studying freely improvised music, Corbett offers an enriching set of tools that show any curious listener how to really listen, and he encourages them to enjoy the human impulse— found all around the world— to make up music on the spot.           Corbett equips his reader for a journey into a difficult musical landscape, where there is no steady beat, no pre-ordained format, no overarching melodic or harmonic framework, and where tones can ring with the sharpest of burrs. In “Fundamentals,” he explores key areas of interest, such as how the musicians interact, the malleability of time, overcoming impatience, and watching out for changes and transitions; he grounds these observations in concrete listening exercises, a veritable training regime for musical attentiveness. Then he takes readers deeper in “Advanced Techniques,” plumbing the philosophical conundrums at the heart of free improvisation, including topics such as the influence of the audience and the counterintuitive challenge of listening while asleep. Scattered throughout are helpful and accessible lists of essential resources—recordings, books, videos— and a registry of major practicing free improvisors from Noël Akchoté to John Zorn, particularly essential because this music is best experienced live.           The result is a concise, humorous, and inspiring guide, a unique book that will help transform one of the world’s most notoriously unapproachable artforms into a rewarding and enjoyable experience.

    All the essays in the collection focus on storytelling. Warm, funny and entertaining, they discuss Philip's own stories, the craft of writing, other storytellers and the importance of stories in our culture.

    Many of us know when we're not happy or fulfilled, but we may not know the reasons. God's Word is completely practical and gives us insight into how we were designed to live. When we approach it looking for answers, God reveals to us what's missing. Discover what's holding you back and develop the positive traits that will bring you what you were designed to receive. Since God is our Creator, He knows what we need to live happy and contented lives. Discover for yourself the secrets to living a blessed life -- the life you've yearned a lifetime for, but may not have known how to develop.