Emerson's Inferno delights on many levels: as an ingenious translation of classic verse; an effortlessly readable introduction to a complex poem; a delicious crib for anxious Dante students; and as a warm tribute from the master of one art form to the grand master of another. Hunt's cartoon is followed by Kevin Jackson's essay on Dante. Wildly clever and witty, but essentially reverent, it is a wonderful treat for anyone who already loves Dante.

    Now, the consequences of their actions are coming to light.Balfre, son of Aimery, Duke of Harcia, is his father's heir. But he has dreams of a crown, not a coronet. He dreams himself the king of a Harcia re-united, but his brother Grefin, their father's favorite, stands in his way. Harald, debauched Duke of neighboring Clemen, is feared and despised by his nobles. He thinks he can trust his bastard-born cousin Ederic ... but Ederic fears for the duchy and will do what he must to save it.And caught between dangers is Harald's infant son, Liam. Stolen by his nurse, vanished into the lawless Marches, he is the spark that will grow to set the world on fire.

    The misunderstandings caused by language recur throughout the book: contemplating what "yes" means in different cultures; watching Nickelodeon's "Nick at Nite" with a husband who grew up in the Philippines and never saw The Patty Duke Show; misreading another poet's title "The Difference Between Pepsi and Coke" as "The Difference Between Pepsi and Pope" and concluding that "Pepsi is all for premarital sex. / The Pope won't stain your teeth." Misunderstandings also abound as characters mingle with others from different classes. In "Cockroaches," a father-in-law refers to budget-minded American college students backpacking in Europe as cockroaches, not realizing his daughter-in-law was once, not so long ago, such a student/roach herself.With welcome levity and refreshing irreverence, The Star-Spangled Banner addresses issues of ethnicity, class, and gender in America.

    

    Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.

    From her mother's diary, Etta Jean will learn to love the mother she never knew. And from the same diary, a mother will finally give of herself.

    Who better to guide a wagon train from San Antonio to California than Jake Moran, the Hero of Chapultapec in the Mexican War? Trouble is, Jake's not really a hero, though he's the only one who knows it. Fifteen hundred miles of forbidding desert make Jake want to turn down the position, but the emigrants of the California Company are depending on him, and he can't let them down. The company faces thirst, cholera, and Comanche raids. In addition, Jake confronts the enmity of Tyler Hampton, wealthy promoter of the California Company, the man whose leadership position has been taken away and given to Jake. Jake may not be a hero when the company pulls out, but he better become one if they're going to survive.

    Henry Graham is a ten year-old boy whose father has just left home for good. When the two meet in 1971 at a downtown Pittsburgh bus stop, all they seem to have in common is their love of baseball. But that is enough to begin a life-long friendship that, eventually, enables both men to confront old enemies and heal old wounds. Philip Beard's third and most accomplished novel swings between two narratives the way John Kostka swings through life. The result is a multifaceted meditation on childhood heroes, the beauty of baseball and the power of love to heal a family in crisis. "SWING is at once heartbreaking, uplifting and emotionally resonant. In a word, it’s beautiful." –Pittsburgh Magazine "It wouldn't be fair or accurate to call SWING a sports book. It's too rare for that." –The Sporting News ​"SWING is richly rewarding...a tight, poignant coming of age novel...[that] will stay with you long after you put this book down." –Sports Illustrated “Every character—the absent father, the troubled sister, the mysterious wonder that is John Kostka—feels alive due to Beard‘s skillfully simple prose and dialogue. With SWING, Beard has hit it out of the park.” –Foreword Reviews ". . . just about perfect.” – The Pittsburgh Post-Gazette

    Yet famine, war, and an encroaching night leave the Eastern Empire trending towards ruin.Faint hope arises as a new dynasty ascends to the throne of Caesar. Bearing witness to such events is Varus, a young Herulian slave to the aging yet powerful Justin, who unveils a bold plan held by two generations of Romans – to retake the West and reclaim their homeland.Following Justin’s dream, Varus enlists with the Roman Army and discovers the carnage of 6th Century warfare. As a mysterious horde of black-shielded invaders devastates the Empire’s northern provinces, Varus’ unit is called upon to defend under the leadership of Belisarius, one of Justin’s most promising commanders.As Varus prepares for the sacrifices to come, however, he begins to question Justin’s secrets, seeking answers regarding his true identity and place as a pivotal figure in the Empire’s survival.

    

    But when he is called back into service to combat a plague of monstrous beasts known as abominations, he meets a fate worse than death and is condemned to a life of anguish, solitude, and remorse.She is a fierce young warrior, raised among an elite order of knights. Driven by a dark secret from her past, she defies her controlling father and sets out on a dangerous quest to do what none before her ever have—hunt down and kill an abomination, alone.When a chance encounter sets these two against one another, an incredible twist of fate will lead them toward a salvation they never thought possible—and prove that the power of love, mercy, and forgiveness can shine a hopeful light even in history’s darkest age.

    Abandoned by his own mother, rejected by all but his loving father, Billy B is thrust into a silent hell alone, branded a freak and a misfit. Billy becomes the ultimate life spectator in a game of survival. Who can he count on to save him, when all seems lost?