Campbell explores the life of Sam Houston and his important role in the development of the Southwest. Governor of two states, president of an independent republic, and for thirteen years a United States senator, Sam Houston forged a life of great adventure, frequent controversy, and lasting achievement. Within the historical context of the emerging West, Houston's story is not only one of courage and fortitude, but also aids in understanding of the possibilities and limitations of leadership in a Democratic society. The titles in the Library of American Biography Series make ideal supplements for American History Survey courses or other courses in American history where figures in history are explored. Paperback, brief, and inexpensive, each interpretive biography in this series focuses on a figure whose actions and ideas significantly influenced the course of American history and national life. In addition, each biography relates the life of its subject to the broader themes and developments of the times.

    She shows us that this most intellectual of poets is in fact the most personal of poets; that his words are not devoted to epistemological questions alone but are also "words chosen out of desire."

    His captain, Lieutenant Johnson, has previously withheld a recommendation for command – Richard is too ill at ease with his men and too fond of his Bible. Just as Johnson changes his opinion, the submarine is involved in a tragic accident and sinks, leaving Johnson dead and the survivors trapped on the seabed with a diminishing air supply. It’s a race against time for Richard to save his men. In March 1912, Richard’s cousin, Elizabeth Miller, is an activist in the Women’s Social and Political Union, standing alongside the Pankhursts to gain the vote for women. When Elizabeth faces arrest and is later imprisoned, Richard comes to her aid and the two become engaged, to the disapproval of his mother. War is brewing, and no one knows what the future brings. After her father dies and her brother goes off to fight, Elizabeth is left to run Miller’s Shipyard, building submarines and ships for the Navy, whilst Richard takes command of a submarine and heads off to war. The fight for women’s equality takes a backseat to the war effort, but Elizabeth knows where women can do the most good – in her shipyard. Set in the dying days of the Edwardian era, and the violence and heartache of World War I, The Custom of the Trade is filled with rich, historical details of the hazards of life in early submarines, the successful submarine campaign in the Dardanelles and women’s own battles against prejudice to gain the vote.

    High Art Lite provides a sustained analysis of the phenomenal success of YBA, young British artists obsessed with commerce, mass media and the cult of personality Damien Hirst, Tracey Emin, Jake and Dinos Chapman, Marcus Harvey, Sarah Lucas, among others. In this fully revised and expanded edition, Julian Stallabrass explores how YBA lost its critical immunity in the new millennium, and looks at the ways in which figures such as Hirst, Emin, Wearing and Landy have altered their work in recent years.

    --The Baroque side --What becomes of the signifier --Outcomes of the text --Reading Brillat-Savarin --An idea of research --Longtemps, je me suis couche de bonne heure ... --Preface to Renaud Camus's Tricks --One always fails in speaking of what one loves --Writers, intellectuals, teachers --To the seminar --The indictment periodically lodged ... --Learning the movie theater --The image --Deliberation

    Organized in six parts (Childhood; Youth; Early Marriage and Bachelorhood; Teaching and Work; Fiction; Politics, Religion, Movies, Books, Cities; The Style of Middle Age) Getting Personal tells two stories: the development of Lopate's career as a writer and the story of his life.

    Is this normal?" "Yesterday my seventh grader was all sunshine. Today she's wearing black and won't leave her room." "I'm worried my teenager may have an eating disorder."In today's complex world, parenting a girl is harder than ever. It takes more than love. It takes insight into the things that make your daughter tick as she grows from childhood to young adulthood.Drawing on the authors' fifty-plus years of combined counseling experience, Raising Girls takes you inside the mind and soul of your girl. You'll obtain seasoned, expert insights onYour daughter's different stages of development from ages zero to nineteenHow you can effectively relate to her at each stageWhat is normal behavior, what isn't, and when and how to interveneHow to deal with self-destructive behavior such as eating disorders, cutting, or experimentation with alcohol. . . and much moreSpiced with stories, humor, and much reassurance, Raising Girls will help you encourage your daughter, challenge her, love her, and help her discover who God is creating her to be.

    In Why We Need Love, Simon Van Booy curates an enlightening collection of excerpts, passages, and paintings, presenting works by Geoffrey Chaucer, William Shakespeare, John Donne, William Blake, George Eliot, Emily Dickinson, O. Henry, W. B. Yeats, James Joyce, E. E. Cummings, Anaïs Nin, Marc Chagall, J. Krishnamurti, and others.Provocative and eye-opening, Why We Need Love is one of three slim selections of philosophical texts and excerpts—along with Why We Fight and Why Our Decisions Don’t Matter—introduced and contextualized by acclaimed author Simon Van Booy (Love Begins in Winter, The Secret Lives of People in Love).

    In MILLENNIUM, Hakim Bey both sustains and expands the ideas of his groundbreaking work, THE TEMPORARY AUTONOMOUS ZONE. Here, Bey suggests that mere detachment from (or even outright rejection of) the monolith of global capital is not enough; that either we accept ourselves as the 'last humans,' or else we accept ourselves as the opposition. The book also contains an illuminating interview with Bey, in which he discusses his body of work and assesses our collective position at the turn of the millennium.

    He invites his congregation to walk out of mass in protest with him. This fails. No one listens to his sermons, and he's too old and far too embarrassed to start over.Three days later Father Pete wakes in a hospital suffering from amnesia after attempting suicide. He finds a notebook he doesn't remember filling, with entries referring to himself as Saint Peter. His entries are so outlandish he knows he's insane, but the other patients begin joining him in prayers. They thank him, claiming he's better therapy than any of the doctors. He can't figure it out. Is he crazy or is it actually his destiny to change the church? The only flock he has now are his fellow patients. Here he begins his journey to retrieve what he has forgotten--those crazy religious beliefs in his notebook entries, which look less and less crazy to him, the details of his attempted suicide, and the real Father Pete.

    Responding to Tarby's questions, Badiou takes us on a journey that interrogates and explores the four conditions of philosophy: politics, love, art and science. In all these domains, events occur that bring to light possibilities that were invisible or even unthinkable; they propose something to us. Everything then depends on how the possibility opened up by the event is grasped, elaborated and embedded in the world - this is what Badiou calls a 'truth procedure'. The event creates a possibility but there then has to be an effort - a group effort in the case of politics, an individual effort in the case of love or art - for this possibility to become real and inscribed in the world. As he explains his thinking on politics, love, art and science, Badiou takes stock of his major works, reflects on their central themes and arguments and looks forward to the questions he plans to address in his future writings. The book concludes with a short introduction to Badiou's philosophy by Fabien Tarby. For anyone wishing to understand the work of one of the most widely read and influential philosophers writing today, this small book will be an indispensable guide.

    Throughout his life, neglectful men were the rule—his own dad struggled with drug addiction and infidelity—a cycle that, inevitably, wrought Vidal with insecurity. At age twenty-six, with only a bare grip on life, what lessons could he possibly offer a kid? Determined to alter the course for his child, Vidal did what he’d always done when confronted with life’s challenges. He turned to the counterculture. “The counterculture took the place of a father I could no longer touch. Since things like school and church couldn’t get through to me, I was being trained up outside of organized institutions. What I gravitated to were these movements that not only felt redeeming, but also freeing. They were almost everything I needed.” In Rap Dad, the musician-turned-journalist takes a thoughtful and inventive approach to exploring identity and examining how we view fatherhood in a modern context. To root out the source of his fears around parenting, Vidal revisits the flash points of his juvenescence, a feat that transports him, a first-generation American born to Colombian parents, back to the drug-fueled streets of 1980s–90s Miami. It’s during those pivotal years that he’s drawn to skateboarding, graffiti, and the music of rebellion: hip-hop. As he looks to the past for answers, he infuses his personal story with rap lyrics and interviews with some of pop culture’s most compelling voices—plenty of whom have proven to be some of society’s best, albeit nontraditional, dads. Along the way, Vidal confronts the unfair stereotypes that taint urban men—especially Black and Latino men—in today’s society. An illuminating journey of discovery, Rap Dad is a striking portrait of modern fatherhood that is as much political as it is entertaining, personal as it is representative, and challenging as it is revealing.

    A. Rogers the Author of Nature Knows No Colour Line has engaged continuously in research on the Afrikan Race since 1915. Published himself his first book From Superman in 1917 after it was refused by establish Publishers He has since published 7 others good books about Afrikan People and their contribution to world civilization J.A. Rogers has left us a rich legacy Nature Knows No Colour Line is one of the legacies.

    A raucous eruption of language and a showcase for the best essayists of our time, The Outlaw Bible of American Essays chronicles American history and measures the boundlessness of dissident thought.

    By analyzing four examples of escape artists—a young girl who hides from others by closing her eyes; a grown man incapable of a relationship; Emily Dickinson, recluse extraordinaire; and Harry Houdini, the quintessential master of escape—Phillips enables readers to identify the escape artists lurking within themselves. Lucid, erudite, and audacious, Houdini's Box is another scintillating and seminal work by one of the world's most dazzlingly original thinkers.