Colorful sidebars and numerous photographs highlight key information and provide extra training tips that every owner will appreciate.

    An exceptionally accessible book+audio (CD) course for beginning-level learners of Korean, helping them gain practical communication skills.

    Until now.Jan Dougherty has owned a residential cleaning company for six years and has come to the conclusion that the art of housecleaning has all but been lost. “I believe I may be the only survivor who knows how to clean and therefore I have a duty and responsibility to pass on my wisdom (and share the pain) before it’s too late. Most people don’t like cleaning their house because they simply don’t know how.” Jan will show you that with three inexpensive products and a few tools how you too can clean your house and everything in it. She will explain “The PATH”, which is a method to get in, get it clean and get out of a room. Whether you’re doing maintenance cleaning or deep cleaning; “The PATH” is always the same.Her style is funny and entertaining. So even if you don’t want to clean your house you’ll have a good laugh.This is not a book of helpful hints. There are enough books out there that will explain how to clean puke or coffee or puked up coffee. This is a book on how to clean the house and everything in it. After you’ve finished cleaning a room it will sparkle, after you’ve finished cleaning the whole house the shine will be seen from the space station. Moms send copies to your children, if they read it you may not have to spend your next visit cleaning, like you always do. Kids send a copy to your mom, maybe on her next visit she’ll get more done before she leaves. Read it for entertainment! Read it for inspiration! Read it because it really solves the mystery of “How to clean”. “Follow me my child and I will show you The PATH”. Jan Dougherty “The Head Rag Dragger”

    The F*ck It List is a hilarious middle-finger salute to all those absurd life goals that will ensure an anxiety-filled middle age will be followed by shame-filled golden years. It pokes a sorely needed pin into a bloated rite of passage that's ripe for deflation. Do you really need to firewalk or didn't Oprah and Tony Robbins take care of that for us? Swimming with sharks is a really dumb idea, so let's leave that with the gullible reality tv desperadoes, shall we? Kevin Pryslak has come up with a "to don't list" that will have you laughing out loud and leave you with lots more time to do the all the things YOU really want to do!

    She has written a stunningly original book of essays whose concerns range from the most minimal and personal subjects to the most encompassing matters of art and culture. The titles themselves speak to the volume's uniqueness: "On lice," "On sleeping in the theater," "On motherhood and stools (the furniture kind)," "Greek masks and Bell's palsy."100 Essays I Don't Have Time to Write is a book in which chimpanzees, Chekhov, and child care are equally at home. A vibrant, provocative examination of the possibilities of the theater, it is also a map to a very particular artistic sensibility, and an unexpected guide for anyone who has chosen an artist's life.

    Above all, "Drama" is a tribute to the most important influence in John Lithgow's life: his father, Arthur Lithgow. An actor, director, producer, and great lover of Shakespeare, Arthur brought theatre to John's boyhood, where performance and storytelling were a constant and cherished part of family life. Lithgow brings the theatre worlds of New York and London to life as he relives his collaborations with renowned performers and directors including Mike Nichols, Bob Fosse, Liv Ullmann, Meryl Streep, and Brian De Palma. Lithgow's ruminations on the nature of theatre, performance, and storytelling cut to the heart of why actors are driven to perform, and why people are driven to watch them do it. At once hilarious and reflective, "Drama" pulls back the curtain on the making of one of our most beloved actors.“John Lithgow’s memoir is both unflinching and irresistible. It captures the long, hard road to the stage for any actor, or for virtually anyone trying to make it in New York, and shows how putting all of your hopes into the one thing you love isn’t so crazy after all.” —Gay Talese"A memoir as finely crafted as one of Lithgow’s performances."—Steve Martin“John Lithgow’s memoir of his training as an actor is more than an insider’s view of his craft. Lithgow likens acting to storytelling, and he’s a wonderful writer. The portrait of his father is as finely articulated as it is heartfelt, and the account of the young actor’s struggles with his too-young, too-early first marriage is both moving and candid. I loved this book.” — John Irving“This book has all the drama we’ve come to expect from John Lithgow, the alternately dark, tender, romantic, dangerous, deranged actor we find in Drama, which is also a family tale of the richest variety. A great read.” — Mary Karr