Berry's sentences and stories deliver a great payload of edifying entertainment, which I hungrily consume, but it is the bass note of morality thumping through his musical phrases that guides me with the most constant of hands upon my plow." —Nick Offerman, New York Times bestselling author of Paddle Your Own Canoe"Read [Berry] with pencil in hand, make notes and hope that somehow our country and the world will soon come to see the truth that is told here." —The New York Times"He is unlike anybody else writing today…" —Andrew Marr, New Statesman"The rarest (and highest) of literary classes consist of that small group of authors who are absolutely inimitable… One of the half-dozen living American authors who belongs in this class is Wendell Berry." —Los Angeles TimesWendell Berry began his life in post-war America as the old times and the last of the old-time people were dying out, and continues to this day in the old ways: a team of work horses and a pencil are his preferred working tools. The writings gathered in The World-Ending Fire are the unique product of a life spent farming the fields of rural Kentucky with mules and horses, and of the rich, intimate knowledge of the land cultivated by this work. These are essays written in defiance of the false call to progress and in defense of local landscapes, essays that celebrate our cultural heritage, our history, and our home.With grace and conviction, he shows that we simply cannot afford to succumb to the mass-produced madness that drives our global economy—the natural world will not survive it.Yet he also shares with us a vision of consolation and of hope. We may be locked in an uneven struggle, but we can and must begin to treat our land, our neighbors, and ourselves with respect and care. As Berry urges, we must abandon arrogance and stand in awe.

    Here, in this compelling assembly of writings, Pulitzer Prize-winning author Annie Dillard explores the world of natural facts and human meanings.

    Here refugees listen to relaxation tapes that create an Arcadia out of tires and bleach. Here the alphabet spells out disaster and devours children. Here plate tectonics birth a misery rift, spinning loved ones away from each other across an uncaring sea. And here the cosmos--and Cosmos, as Carl Sagan's hopeful words are fissured by erasure--yawns wide.Wilder is grimly visceral but also darkly sly; it paints its world in shades of neon and rust, and its apocalypse in language that runs both sublime and matter-of-fact. "Some of us didn't have lungs left," writes Wahmanholm. "So when we lay beneath the loudspeaker sky--when we were told to pay attention to our breath--we had to improvise." The result is a debut collection that both beguiles and wounds, whose sky is "black at noon, black in the afternoon."

    The book is categorized into four parts, LOST, FOUND, HOPE and Short Stories. In an age of lesser readers and short attention spans, she hopes this book could stir ideas in the most efficient way possible; through really short, melodious writing. Awards- Award-Winning Finalist in the “Poetry” category of the 2017 International Book Awards- Award-Winning Finalist in the “Best Cover Design: Fiction” category of the 2017 International Book Awards- MPH Best Paperback Fiction Nominee 2016Get it on Amazon Kindle:http://amzn.to/2AHkNzT

    By the time he died in 1991 he was truly the king of his remarkable wilderness, and internationally celebrated for his unique lifestyle.

    Included are his Pulitzer Prize and National Book Award winners The Walking, Words for the Wind, and The Far Field.

    Most extraordinary of all, perhaps, through, is the haunting perfection, sentence by sentence, paragraph by paragraph, of the writing itself. Who is this Angela Pelster and where has she been all our lives?"-Lawrence WeschlerAngela Pelster's startling essay collection charts the world's history through its trees: through roots in the ground, rings across wood, and inevitable decay. These sharp and tender essays move from her childhood in rural Canada surrounded by skinny poplar trees in her backyard to a desert in Niger, where the "Loneliest Tree in the World" once grew. A squirrel's decomposing body below a towering maple prompts a discussion of the science of rot, as well as a metaphor for the ways in which nature programs us to consume ourselves. Beautiful, deeply thoughtful, and wholly original, Limber valiantly asks what it means to sustain life on this planet we've inherited.Angela Pelster's essays have appeared in Granta, the Gettysburg Review, Seneca Review, the Globe and Mail, Relief Magazine, and others. Her children's novel The Curious Adventures of India Sophia won the Golden Eagle Children's Choice award in 2006. She has an MFA from the University of Iowa's nonfiction writing program and lives with her family in Baltimore, Maryland, where she teaches at Towson University.

    

    This edition of his selected poems includes classics like: - " The Lady of Shalott" - " Charge of the Light Brigade" - " Maud" - " Morte d'Arthur" - " Ulysses" - " The Lotus Eaters" Elegantly packaged with a ribbon marker, this volume is the perfect addition to any poetry library.

    Rod McKuen's most personal book of poetry.

    Engaging and secretive, provocative and profound, Ryan s poems have generated growing excitement with their appearances in The New Yorker and other leading periodicals. Sometimes gaudily ornamental, sometimes Shaker-plain, here is verse that is compact on the page and expansive in the mind."

    Whether she is exhuming the bizarre ("Cryptozoology" and "A Short History of Unusual Fish"), exorcising her demons, ("Hog Butcher of Workshop Table" and "On Why I Shouldn't Read Books") or celebrating the uncelebrated oddballs of the world ("Little Heard True Stories of Benjamin Franklin" and "Crack Squirrels"), Aptowicz's poetry sings and singes. Everything is Everything illuminates the dark corners of the curiosity cabinet, shining the light on everything that is utterly strange, wonderfully absurd and 100% true.

    Marvin's haunting, passionate poems explore themes of loss, of the vulnerability of womanhood in a world hostile to it, and of the fraught, strangely compelling landscape of adolescence.

    This probing of the changes in the American psyche through the 1970s is carried forward in the second part, Landscapes of Living Dying (1979)—a work originally hailed by Library Journal as "Ferlinghetti's strongest work since his 1957 A Coney Island of the Mind. . . . [He] pursues his disheveled muse with the innocent passion of a young beatnik, hiding his authentic erudition behind a comfortable guise of spontaneous composition."

    And I have nothing against my dad, given the same set of conditions. In a fit of questionable judgment, consummate indoorsman John Sellers tags along on a journey to search for snakes with his eccentric, aging father—an obsessive fan of Bob Dylan, a giver of terrible gifts, a drinker of boxed wine, a minister- turned-heretic, and, most importantly, the self-designated guardian of the threatened copperbelly water snake.The quest is their fumbling attempt to reconnect. Decades of bitterness, substance abuse, acrimonious divorce, and divergent opinions about personal hygiene have conspired to make the two estranged. Sellers has just begun to develop a new appreciation for the American wilderness, and all the slithering creatures that populate it, when his father’s deteriorating health thwarts their mission and disturbs their tentative peace. Determined to finish what they started, he ventures back into the swamp— alone, but more connected to his dad than ever. With big-hearted humor and irreverence, The Old Man and the Swamp tells the story of a father who always lived on his own terms and the son who struggled to make sense of it all.