But very few have ever heard of Sabbatai Zevi, who declared himself the Messiah in 1666. By proclaiming redemption was available through acts of sin, he amassed a following of over one million passionate believers, about half the world's Jewish population during the 17th century.Although many Rabbis at the time considered him a heretic, his fame extended far and wide. Sabbatai's adherents planned to abolish many ritualistic observances, because, according to the Talmud, holy obligations would no longer apply in the Messianic time. Fasting days became days of feasting and rejoicing. Sabbateans encouraged and practiced sexual promiscuity, adultery, incest and religious orgies.After Sabbati Zevi's death in 1676, his Kabbalist successor, Jacob Frank, expanded upon and continued his occult philosophy. Frankism, a religious movement of the 18th and 19th centuries, centered on his leadership, and his claim to be the reincarnation of the Messiah Sabbatai Zevi. He, like Zevi, would perform "strange acts" that violated traditional religious taboos, such as eating fats forbidden by Jewish dietary laws, ritual sacrifice, and promoting orgies and sexual immorality. He often slept with his followers, as well as his own daughter, while preaching a doctrine that the best way to imitate God was to cross every boundary, transgress every taboo, and mix the sacred with the profane. Hebrew University of Jerusalem Professor Gershom Scholem called Jacob Frank, "one of the most frightening phenomena in the whole of Jewish history".Jacob Frank would eventually enter into an alliance formed by Adam Weishaupt and Meyer Amshel Rothschild called the Order of the Illuminati. The objectives of this organization was to undermine the world's religions and power structures, in an effort to usher in a utopian era of global communism, which they would covertly rule by their hidden hand: the New World Order. Using secret societies, such as the Freemasons, their agenda has played itself out over the centuries, staying true to the script. The Illuminati handle opposition by a near total control of the world's media, academic opinion leaders, politicians and financiers. Still considered nothing more than theory to many, more and more people wake up each day to the possibility that this is not just a theory, but a terrifying Satanic conspiracy.

    Vivid and engaging examples further enhance this up-to-date examination of the main problems in contemporary philosophy. It is written for professors teaching a problems-oriented course.

    Partial Contents: Introduction to the study of Tarot; The General Key to the Tarot; The Sacred Word; Esotericism of Numbers; Key to the Minor and Major Arcana; Connection between the Major and Minor Arcana; Symbolism in the Tarot; History of the Symbolism of the Tarot; Androgony; Cosmogony; General Transition; Summary of the Symbolical Tarot; Key to the Applications of the Tarot; Astronomic Tarot; Initiative Tarot; Kabalistic Tarot; Authors who have interested themselves in the Tarot; Divining Tarot. Preface by A.E. Waite.

      The Kabbalah is divided into three branches—the theoretical, the meditative, and the magical. While many books, both in Hebrew and English, have explored the theoretical Kabbalah, very little has been published regarding the meditative methods of the various schools of Kabbalah. Aryeh Kaplan’s landmark work, reveals the methodology of the ancient Kabbalists and stresses the meditative techniques that were essential to their discipline, including:the use of pictures or letter designs as objects of meditationthe repetition of specific words or phrases, such as the divine names, to produce profound meditative stateIn addition, Meditation and Kabbalah presents relevant portions of such meditative texts as:The Grellier Hekhalot, Textbook of the Merkava SchoolThe works of Abraham AbulafiaJoseph Gikatalia's Gales of LightThe Glltes of HolinessGale of The Holy Spirit, Textbook of the Lurianic School

    Ancient paths include the Egyptian cult of Set, Hinduism, Buddhism, Zoroastrianism, the Yezidis, Neoplatonists and the Greeks, the Germanics, the Slavs, the Assassins, Dualist sects, the Faustian path, the Hellfire Club, de Sade, Marx and the sinister aspects of Bolshevism. A whole chapter is devoted to Hitler and Himmler and the occult practices of Nazism. Other modern individuals analyzed include Blavatsky, Gurdjieff, Crowley, Spare, Gregorius and Gerald Gardner.

    Positive, practical, and easy to use, Green Witchcraft brings together the best of both modern Wicca and the author's family heritage of herb craft and folk magic.Green Witchcraft explores the fundamentals of the Wiccan religion, providing magical training for the independent thinker. Step-by-step instructions on a wide variety of magical techniques as well as basic rules of conduct make this the ideal book to get you started. Green rituals for self-initiation, rites of passage, seasonal celebrations and activities provide an excellent foundation for your own magical tradition.Discover the fine art of spellcasting, the magical uses of herbs, divination with the tarot and more. Explore the Sabbats, Esbats, and other rituals attuned to the cycles of nature and the universal powers. Find out for yourself what this organic approach to Witchcraft is all about.

    And yet Thelemic Magick, separate from Crowley's admittedly polarizing exploits and personality, remains one of the most effective and well-documented systems of ritual magick available to modern spiritual seekers. Rodney Orpheus does a remarkable job presenting this magical system in a way that will have even neophytes practicing magick—and more importantly, understanding it—in no time. Abrahadabra covers the meditation, ritual, and philosophy that form the foundation of magical study in a fun and casual style and balances this theory with hands-on exercises. Abrahadabra is an excellent introduction to Crowley's form of magick, and it presents a workable system of magick for anyone interested in "The Science and Art of causing Change in accordance with the Will."

    *Includes Cagney's own quotes about his life and career. *Includes a bibliography for further reading. *Includes a table of contents. "You don't psych yourself up for these things, you do them...I'm acting for the audience, not for myself, and I do it as directly as I can." – James Cagney A lot of ink has been spilled covering the lives of history’s most influential figures, but how much of the forest is lost for the trees? In Charles River Editors’ American Legends series, readers can get caught up to speed on the lives of America’s most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known. When the American Film Institute assembled its top 100 actors of all time at the close of the 20th century, one of the Top 10 was James Cagney, an actor whose acting and dancing talents spawned a stage and film career that spanned over 5 decades and once compelled Orson Welles to call him "maybe the greatest actor to ever appear in front of a camera." Indeed, his portrayal of “The Man Who Owns Broadway”, George M. Cohan, earned him an Academy Award in the musical Yankee Doodle Dandy, and as famed director Milos Forman once put it, "I think he's some kind of genius. His instinct, it's just unbelievable. I could just stay at home. One of the qualities of a brilliant actor is that things look better on the screen than the set. Jimmy has that quality." Ultimately, it was portraying tough guys and gangsters in the 1930s that turned Cagney into a massive Hollywood star, and they were the kind of roles he was literally born to play after growing up rough in Manhattan at the turn of the 20th century. In movies like The Public Enemy (which included the infamous “grapefruit scene”) and White Heat, Cagney convincingly played criminals that brought Warner to the forefront of Hollywood and the gangster genre. Cagney also helped pave the way for younger actors in the genre, like Humphrey Bogart, and he was so good that he found himself in danger of being typecast. While Cagney is no longer remembered as fondly or as well as Bogart, he was also crucial in helping establish the system in which actors worked as independent workers free from the constraints of studios. Refusing to be pushed around, Cagney was constantly involved in contract squabbles with Warner, and he often came out on top, bucking the conventional system that saw studios treat their stars as indentured servants who had to make several films a year. American Legends: The Life of James Cagney examines the life and career of one of Hollywood’s most iconic actors. Along with pictures of important people, places, and events, you will learn about Cagney like never before, in no time at all.