The pressures of war threaten to tear apart two sisters traumatised by their mother's murder by their father.With her new husband Will, a merchant seaman, deployed on dangerous Atlantic convoy missions, Hannah needs her younger sister Judith more than ever. But when Mussolini declares war on Britain, Judith's Italian sweetheart, Paolo is imprisoned as an enemy alien, and Judith's loyalties are divided.Each sister wants only to be with the man she loves but, as the war progresses, tensions between them boil over, and they face an impossible decision.A heart-wrenching page-turner about the everyday bravery of ordinary people during wartime. From heavily blitzed Liverpool to the terrors of the North Atlantic and the scorched plains of Australia, Sisters at War will bring tears to your eyes and joy to your heart.

    But her marriage to James I saw her become key to the legacy of the Stuarts. From her homeland of Denmark, Anne travelled to Scotland – a place she had heard tales about of ruthless and bloodthirsty people – and met her betrothed. A teenage Anne was infatuated with her match. They married and bore children, but as the Princess grew to womanhood in the turbulent court of Scotland, she was subject to the unpredictable behaviour of her husband. When Queen Elizabeth I died, James inherited the crown of England and was the first ruler to call himself ‘King of Great Britain’, and Anne the first queen. The Danish Queen tells the story of a woman who crossed the sea and found love and power, but was fated to watch the tragic demise of her children, all of whom were to be haunted by the tragic destiny of the Stuarts. It is a dramatic and enlightening account of the early years and marriage of a queen whose place in history is little known, and is perfect for fans of Anne O’Brien, Elizabeth Chadwick and Alison Weir. Lynda M. Andrews, who also writes as Lyn Andrews, is the Sunday Times Number One bestselling author of over 34 sagas, and one of the top 100 bestselling authors in the UK. She was born and raised in Liverpool, which serves as the inspiration for many of her novels. She now divides her time between Merseyside and the Isle of Man, where she has lived for several years.

    Everyone knows it, from her dearest friends within the Spinsters’ Sewing Circle to her most distant acquaintances within the parish.So when the beloved new curate turns up dead the night before Valentine’s Day, stabbed through the heart with Lydia’s own knitting needle, not even Lydia’s closest friends expect her to do more than cry and perhaps arrange a luncheon after the funeral service. After all, the tragedy was only a robbery gone wrong, and how could any vicar’s daughter hope to bring the long-gone thief to justice?
But Lydia can’t shake the feeling that this crime was somehow personal. The clues suggest the curate was murdered for some terrible purpose, and everyone at the house party seems to have a motive. Was it the high-born lady whose charitable endeavors are at risk? The beautiful young lady of the house who's hiding an agonizing secret? Her mother, who had every reason to want the curate gone? Or even the butler, whose private life is more scandalous than it seems?
And that’s to say nothing of handsome Mr. Pemberton, a notorious gambler and infuriating flirt from London who seems equally likely to have killed the curate and to drive Lydia to commit a murder herself.
This cozy, romantic Regency murder mystery—full of strong female friendships, gripping twists and turns, and witty repartee sharper than a knitting needle—is sure to delight fans of Jane Austen, Lynn Messina, and Patricia C. Wrede.

    Medve is six foot three and living with her family in a crumbling art deco hotel on a small island, off the coast of England. She is "single-minded, oestrogen-fuelled and cunning", with a foul mouth and scattershot approach to story telling. Medve means bear in Hungarian and she gives the novel all the bite, ferocity and feral charm of her namesake.Five Miles From Outer Hope is a compact book but, as usual, Nicola Barker manages to compress an awful lot in under 200 pages. Her work is darkly comic--weird, furtive and slightly rude. Her characters are unlikely, sometimes unlikeable, but they pack a huge punch. Medve is a roiling mass of hormones, her sister, Christobel, has swapped her "lovely breasts ... tiny chocolate-button-tipped conches, soft as a moth's wing, pale as a priest's kiss" for "tits like torpedoes"; brother Feely, age four, is obsessed by the melancholy death of Shiro Chan, Queen of the Deer of Nara, and plump pre-pubescent Patch, the youngest girl, is knowledgeable and secretive. Into this family affair comes 19-year-old La Roux, a deserter from the South African army (The Sauce) with ginger hair, "very bad skin and even worse instincts". Medve and La Roux embark on a barbed flirtation, full of simmering sexuality and bad intentions, which ends in the very destructive "Operation Vagina" involving crochet knickers and a "five inch, red-coloured, jelly-textured, thirty-seven-scraggy-legged centipede." Things are never the same again. Nicola Barker's superb sixth book is sly and subversive --Eithne Farry

    A genius of social satire delivered with a very dry wit, Powell builds his comedies on the foibles of British high society between the wars, delving into subjects as various as psychoanalysis, the film industry, publishing, and (of course) sex. More explorations of relationships and vanity than plot-driven narratives, these slim novels reveal the early stirrings of the unequaled style, ear for dialogue, and eye for irony that would reach their caustic peak in Powell’s epic A Dance to the Music of Time.  From a View to a Death takes us to a dilapidated country estate where an ambitious artist of questionable talent, a family of landed aristocrats wondering where the money has gone, and a secretly cross-dressing squire all commingle among the ruins.   Written from a vantage point both high and necessarily narrow, Powell’s early novels nevertheless deal in the universal themes that would become a substantial part of his oeuvre: pride, greed, and what makes people behave as they do. Filled with eccentric characters and piercing insights, Powell’s work is achingly hilarious, human, and true.

    A German pilot is shot down over the English Channel and rescued by the British. It is discovered that he is a high ranking ace, and one of several royal princes flying for the Luftwaffe. His capture also opens a whole new avenue for British and American intelligence to determine the effectiveness of their counterintelligence activities to deceive Adolf Hitler as to Allied intentions for an invasion of Europe. Operation Gemini is launched and is one of the most successful spy operations of the war. Although this is a work of fiction, many of the characters were real and worked in the positions portrayed in the story. The main characters are fictitious. Wars are replete with secrets, deceptions and lies, prompting Winston Churchill to have famously said, and oft-quoted, “In wartime, truth is so precious that she should always be attended by a bodyguard of lies.” This tale could be one such lie. Chinese philosopher Sun Tzu said, All warfare is based upon deception. So are novels. 575 Pages.

    Yet even the happiest relationship can be sabotaged easily--and quickly, too, if the wrong person should come along.

    Young Lily Bright works long hours on a market stall, selling furniture and bric-a-brac in order to make ends meet. When a handsome stranger approaches in search of a bargain, It's love at first sight. Swept off her feet, Lily falls for the debonair Charles Grey - only to discover, too late, that he is not what he seems. Pregnant, Lily turns for comfort to her childhood friend Ben James, but as World War II looms, Lily must find the courage to seize control of her own destiny, confront her past mistakes and win true love...

    Winifred Holtby affectionately observes the foibles of human nature in this sparkling satire, first published in 1931 and Clifton Johnson, a seedy American scenario writer on the make.

    

    There is Victoria, a Pre-Raphaelite beauty intent on marriage; Maurice, shaking his fist at the injustices of the world; Stanley, a follower of Ruskin ad Morris, doing good as radical fashion dictates; Irving, a lusty young capitalist, and Una, born for happy marriage and maternity. All are watched from the sidelines by their sister Rome. Detached, intelligent, urbane, she observes three generations of her family strut and fret their hour upon the stage. To her their sound and fury signify nothing -- but to us the memory of Rome's one brief love affair strikes the final note of truth, defiantly affirming that it is better to have loved and lost...

    And in the great glass tower of Eldorado TV they are getting ready to cut and edit a major series that will outshine "Brideshead" and "The Jewel in the Crown".

    Nominated for England's prestigious Booker Prize.

    His manifesto included public control of finance and the dismantling of the newspaper monopolies. As MI5 conspires with the press barons to bring him down, Harry finds himself caught up in a no-holds-barred battle for survival.

    It ends with a promise. On her deathbed Frances extracts it from her three daughters—the utterly capable homemaker Alice; the recalcitrant Allegra, a recovering alcoholic; and bohemian Edie, who shrinks in the face of any commitment: their promise to “look after Libba.” As if the formidable, tough-minded Libba Charles, author of ten books, a literary celebrity, needed looking after. Yet when they are summoned by Libba to Creek Cabin, their mother’s summer hideaway in the Blue Ridge Mountains of North Carolina, they go. None of them is prepared, though, for what they will discover there—about their mother, about Libba, about themselves—in this poignant, adroit rendering of reunions and farewells.