A fierce gale beaches an American sail ship off the English coast, injuring an African slave below decks and eventually disgorging 300 head of cattle and rowdy American sailors into a hardscrabble fishing village. The same storm drives into port a steamer, bearing one Aymer Smith, the well-intentioned but foolish prig who will deprive the town of its livelihood, free the African slave, and set into motion a whole series of unforeseeable, tragicomic events. One of the most seductive and surprising novelists at work today, Jim Crace once again creates a richly strange and believable world; one uncannily familiar to our own.

    For that is what it is: the story of a young English girl's growth towards maturity in the 1930s. We see Mary at school in Kensington and on holiday in Somerset; her attempt at drama school; her year in Paris learning dressmaking and getting engaged to the wrong man; her time as a secretary and companion; and her romance with Sam. We chose this book because we wanted to publish a novel like Dusty Answer, I Capture the Castle or The Pursuit of Love, about a girl encountering life and love, which is also funny, readable and perceptive; it is a 'hot-water bottle' novel, one to curl up with on the sofa on a wet Sunday afternoon. But it is more than this. As Harriet Lane remarks in her Preface: 'It is Mariana's artlessness, its enthusiasm, its attention to tiny, telling domestic detail that makes it so appealing to modern readers.' And John Sandoe Books in Sloane Square (an early champion of Persephone Books) commented: 'The contemporary detail is superb - Monica Dickens's descriptions of food and clothes are particularly good - and the characters are observed with vitality and humour. Mariana is written with such verve and exuberance that we would defy any but academics and professional cynics not to enjoy it.'

    So Rose gave Ned her promise never to leave him, and she never didNearly fifty years later, the newly widowed Rose, thought by all to be "not the sort of girl" to stray from her "perfect" marriage, looks back on a life during which she kept faith with Ned - and with her lover, Mylo. This is her story of constancy, passion, humor, and delight - all the verities and ambiguities of love.

    Set in both the windswept countryside of Norfolk and the violent townships of South Africa, this is a story of what happens when trust is broken, secrets become buried and lives torn apart.

    Pitted against him are the sea, the sun, the night cold, and the terror of his isolation. At the core of this raging tale of physical and psychological violence lies Christopher Martin’s will to live as the sum total of his life.

    While visiting his parents' stately home as a paying guest, Edith meets Charles, Earl Broughton, and heir to the Marquess of Uckfield, who runs the family estates in East Sussex and Norfolk. To the gossip columns he is one of the most eligible young aristocrats around.When he proposes. Edith accepts. But is she really in love with Charles? Or with his title, his position, and all that goes with it?One inescapable part of life at Broughton Hall is Charles's mother, the shrewd Lady Uckfield, known to her friends as "Googie" and described by the narrator---an actor who moves comfortably among the upper classes while chronicling their foibles---"as the most socially expert individual I have ever known at all well. She combined a watchmaker's eye for detail with a madam's knowledge of the world." Lady Uckfield is convinced that Edith is more interested in becoming a countess than in being a good wife to her son. And when a television company, complete with a gorgeous leading man, descends on Broughton Hall to film a period drama, "Googie's" worst fears seem fully justified.

    With them is Mary McCarthy and her volatile son, Liam. All is well until the arrival of Siobhan’s husband George. A man of strong views and even stronger temper, he browbeats his gentle wife, belittles his daughter Christine and treats Liam like a servant…A year later, on a visit to Ireland, Liam unexpectedly comes face to face with the father he has never known. Liam wants nothing to do with him, but when George Clough throws him out, he has little choice but to enter his father’s dangerous world of Irish politics…As the Clough children grow up they each react to their domineering father in different ways, and his daughter Christine finds herself attracted to the man her father would disapprove of above all others, the wild card Liam McCarthy… Perfect for fans of Emily Gunnis, Fiona Valpy and Santa Montefiore, The Wild Card is an intensely gripping and unforgettable read.

    It also explores the redeeming power of love.

    But Angela's sister Olivia isn't so sure. Olivia wonders why the neighborhood children—the “sparrows” she sometimes watches from the window of her house —have to be locked out of the garden. Don't they have a right to enjoy the place, too? But neither Angela nor Olivia has any idea what sent the neighborhood waif Lovejoy Mason and her few friends in search of “good, garden earth.” Still less do they imagine where their investigation of the incident will lead them—to a struggling restaurant, a bombed-out church, and at the heart of it all, a hidden garden.

    . .While their men are at war the women of Great Paxford have fought hard to keep the home fires burning, but a new arrival threatens everything . . .Pat Simms has a secret she needs to keep, but the close scrutiny of her husband is near impossible to escape.Frances Barden has overcome every challenge these troubled times have thrown at her, but a new threat, one very close to home, has arisen.Steph Farrow made a vow, she promised to protect her farm and family while her husband was at war, but she never imagined this . . .Meanwhile, Teresa faces a tragedy she's powerless to stop.Even during the hardest times the women of the WI have prevailed, finding new love, happiness and purpose, but can they survive the enemy at their door?Don't miss any part of the story. Keep the Home Fires Burning - Part One: Spitfire Down! is available now. Search 9781785763588.The story's not over. An all-new novel is coming in 2018! To pre-order your copy now search 9781785764295.Perfect for fans of Call the Midwife, Granchester and Foyles War. If you adore the novels of Nadine Dorries, Diney Costello and Daisy Styles then this is an unmissable series for you.

    The photograph is in an envelope marked "DON'T OPEN - DESTROY." But Kath's husband does not heed the warning, embarking on a journey of discovery that reveals a tight web of secrets: within marriages, between sisters, and at the heart of an affair. Kath, with her mesmerizing looks and casual ways, moves like a ghost through the memories of everyone who knew her - and a portrait emerges of a woman whose life cannot be understood without plumbing the emotional depths of the people she touched.Propelled by the author's signature mastery of narrative and psychology, The Photograph is Lively at her very best, the dazzling climax to all she has written before.

    Now, however, he has been seriously rattled by Barry Unsworth's Losing Nelson, a gripping study of the dark side of heroism and hero worship. In the basement of his large, anonymous North London house, Charles Cleasby obsessively reenacts the admiral's every military maneuver: "Usually when we fought these battles I had a feeling of fulfilment, they brought me closer to him..." Cleasby's admiration also extends upstairs--to his life's work, a biography of the great man. His only assistant in his heroic struggle is Miss Lily (real name, Lilian Butler), a hired secretary who carefully transcribes his painstaking pages. Cleasby wants nothing better than to rescue Nelson from the revisionist clutches of unpatriotic academic cynics. Alas, his passion soon reveals a sinister side, as he declares that he is in fact the admiral's twin: I will say what I think angels are. They can be dark or bright, but they all have the gift of spontaneity, of creating themselves anew. This is a pure form of energy, and Horatio was winged with it. All the same, angels are not complete, they need their counterparts, the dark needs the bright, the hidden needs the open, and vice versa. Sometimes they meet and recognize each other. Sometimes, as with Horatio and me, the pairing occurs over spaces of time or distance. He became a bright angel on February 14, 1797, during the Battle of Cape St. Vincent. I became his dark twin on September 9, 1997, when I too broke the line. As the book builds to its inexorable climax--and Cleasby's only solace is his amanuensis--Losing Nelson confirms Unsworth as one of England's most elegant, understated novelists. His historical grasp of Nelson is outstanding. But his book really excels, and also profoundly disturbs, in its exploration of the tarnished angels of patriotism. --Jerry Brotton

    In America, anybody can become president. In 1920, anybody did. Harding was a strikingly handsome man, a high school graduate of impenetrable ignorance whose only two qualifications for the presidency were that he looked and sounded presidential--provided you didn't look or listen too closely. Ohio's "favorite son" at the nominating convention, he recognized his deficiencies, did not want such high office, and never expected to be nominated, no less elected. But his destiny was to become the first packaged candidate, elected largely on the strength of a carefully crafted image. Thus began 12 years of Republican rule that fostered unbridled capitalism and willful isolation, leading to the Great Depression and the rise of European dictatorships, which set the stage for World War II. Greatly complicating things was the relationship between Harding and Nan, who shared a deeper intimacy and hotter sex than anything enjoyed by more contemporary White House occupants. But woven around and through their furtive couplings is the tapestry of corruption and scandal generated by a half-dozen uniquely odious presidential cronies. But this tale is not unremittingly bleak. After having been content all of his life to just slide by, Harding reinvented himself in his last year, proving that nobility can triumph over selfishness, that listening to your heart may be more reliable than listening to your head, and that love which is pure can transcend death itself.

    One secret. Will they be able to keep it under wraps?It was a stormy evening in 1920s London. When newly qualified almoner, Alice, stepped into the home of Charlotte, a terrified teenager who had just given birth out of wedlock, she did not expect to make a pact that would change her life forever. Thrown into secrecy after an unexpected turn, Alice was determined to keep bewildered Charlotte and her newborn baby safe. But when a threatening note appeared, she realised that Charlotte may need more protection than she first thought. But from who?Based on extensive research into the archive material held at the London Metropolitan Archives, and enriched with lively social history and excerpts from newspaper articles, LETTERS FROM ALICE is a gripping and deeply moving tale, which brings the colourful world of 1920s London to life. Full of grit, mystery and hope, it will have readers enthralled from the very first page.

    On his watch.It is early 1915 and he had been looking forward to joining the Grand Fleet at Scapa Flow. Now he must accept a posting to obscurity or volunteer for hazardous duty. To save his career, he joins the Blimps of the Royal Naval Air Service – he becomes a Balloonatic.Sat in a flimsy cockpit under 70,000 cubic feet of inflammable hydrogen with a crew of one, a Lewis Gun, and a single bomb, he potters out every day to chase submarines in the English Channel. Occasionally, he catches one.Onshore, he juggles the demands of Josephine, a young English rose, and Charlie, much more of a hothouse flower, while he decides just what his future shall be.