Readers have shared with author Jacqueline Winspear how Maisie’s stories have resonated with them or helped them through difficult times. Fans have been inspired by the heroine’s resilience and endurance, repurposing her strength in their own lives in a way perhaps best embodied by the phrase “What Would Maisie Do?”Anchored by thirty of Maisie's most timeless quotes, coupled with Jacqueline Winspear’s inspiration for each nugget of wisdom, these reflections offer readers additional insight into the world of Maisie Dobbs and invite them to reflect on favorite moments and memories. Here are just a few:On the value of respect: “Liking a person we are required to have dealings with is not of paramount importance. But respect is crucial, on both sides, as is tolerance and a depth of understanding of those influences that sculpt a character.”On grieving: “Grief is a pilgrimage along a path that allows us to reflect upon the past from points of remembrance held in the soul. At times the way is filled with stones underfoot and we feel pained by our memories, yet on other days the shadows reflect our longing and those happinesses shared.”On the importance of departure: “Leaving that which you love breaks your heart open. But you will find a jewel inside, and this precious jewel is the opening of your heart to all that is new and all that is different, and it will be the making of you—if you allow it to be.”The perfect supplement to the Maisie Dobbs series, What Would Maisie Do? also features the iconic jacket art that has graced the series, as well as period photographs and prompts for readers' own observations and inspiration—making this a unique journal that fans will turn to and treasure for years to come.

    Star of BBC's Supersizers and hugely popular Times columnist's works through his anger about everything from dogs to cycle helmets.

    Meanwhile, Bill Butler is roused from his bed and, together with his Knock team, must try to outwit the devious smugglers. Part of the Storycuts series, this short story was previously published in the collection The Veteran.

    Told in eloquent, honest prose, Art’s Cello is a story about coming to terms with the past and letting go of the failures we allow to define us — and, in the process, honoring the lives of those we’ve lost. Jim McKean is an international award-winning violinmaker, author, and corresponding editor of Strings Magazine. He is a graduate of the first violinmaking school in America and the former president of the American Federation of Violin and Bow Makers. His novel, Quattrocento, was published in 2002. Cover design by Evan Twohy.

    When their only way out was into the magic-infested chaos of the Pelagir Hills, Tarma was worried, but then Kethry's enchanted sword Need led them to their new employer, and things got truly strange.From Crossroads & Other Tales of Valdemar.

    Far from stopping there, The Legend of Zelda series has continued to release top-shelf games adored by critics and fans alike. Zelda, like all of our greatest fairy tales, legends and myths, presents that elusive and exclusive kind of enlightenment that only the fantastic can provide. In this collection, various contributors explore the connections between this cultural zeitgeist and theology.

    Topics include the logistics of the restaurant at the end of the universe, how the Internet is creating the real Hitchhiker's Guide, an assessment of Vogon poetry, and an analysis of computing. The essays are written by both science fiction greats, such as Cory Doctorow, Lawrence Watt-Evans, Stephen Baxter, Jacqueline Carey, and Alastair Reynolds, and up-and-coming writers.

    Grab your copy of Secret Hollywood and start gossiping!

    

    James, and H.P. Lovecraft. The result is a thorough study of the art, craft, philosophy, and aesthetics of an enduring genre of fantastic literature.

    Have you ever wondered what it would be like to be a fly on the wall of a creative agency? No? Well, that’s fine as well. You wouldn’t know you were in an agency anyway; flies have no concept of that kind of thing. All they’re interested in is standing in poo then walking around the rim of your coffee mug.

    It is a book about the delicacy and bluntness of American life, about how pop culture sticks its finger deeply into the ethical dilemmas of our time, and how to negotiate between the old and the new, the high and the low, the global and the local, the sacred and the profane. At the heart of these reflections lies a central question: What should you do when you don't know what to do?Taken together, these essays comprise a guide for the overhaul of "the administrativersity" of contemporary American life, a bureaucratic prison where the brain needn't work anymore. These pieces investigate the writer's own way of thinking—putting forth new ideas, questioning them, and urging the reader to adopt the same spirit of critical reexamination.

    But the new government is weak and divided, its unpopular leader embattled in the House of Commons. A group of eminent figures from the party’s past see an opportunity to re-establish their grip over its future by replacing the prime minister with a figurehead they can manipulate to their own ends. But who will they choose?Two possible candidates emerge from the recent intake of MPs: David Petrie, a self-made Scot with a working-class background and a troubled personal history; and Caroline Phillips, a high-flying Londoner whose complicated private life could be either her greatest handicap, or her greatest asset. Against a backdrop of intrigue and betrayal at the Palace of Westminster, both must struggle with the sacrifices and compromises they will have to make if they are to seize the greatest political prize of all.In his second novel, Andrew Marr draws on his unrivalled inside knowledge of British politics to expose the foibles, duplicities and absurdities of those we elect to govern us.

    Tender and joyous, it is a celebration of art's power to transform the darkest of human experience and give voice to the grandest of human hopes.

    Characters contemplate the meaning of home, love, despair, family, and friendship against the backdrop of brutality. From Cairo to the Gaza Strip, from Benghazi to Budapest, religious men have their faith challenged, and people under the duress of war or traumatic personal memories deal with the feelings that emerge. Often they seem to suppress these feelings . . . but, no, not quite.  Set in countries the author has reported from or lived in, these stories are all told from different perspectives, but always with the individual at the center: the mother, the soldier, the martyr, the religious man, the journalist, and so on. They form a kaleidoscope of miniworlds, of moments, of decisions that together put a face, an emotion, a thought behind humans who confront war and conflict. Although they are fiction, they could have all happened exactly as they are told. Each story leaves a powerful visual image, an unforgettable image you conjure up again and again.  Jászberényi is able to do all this so convincingly, in part, because he himself is not a "helicopter journalist" but rather lives in a residential Cairo neighborhood. He is, moreover, from a corner of Eastern Europe where cynicism almost equates with survival, and yet his writing evinces not only wry humor but great sensitivity and a profound sense of beauty. He speaks Arabic (in addition to English and his native Hungarian) and immerses himself in the society he reports on. But, in doing so, he still remains a reporter, and as such the stories are approached with the clinical, observant eye of an outsider. Whether addressing the contradictions of international humanitarian work or the moral dilemmas faced by those who seek to improve the health and lives of women and girls, he does so in a singularly provocative and yet intelligent manner.