This irreverent and hilarious guide to all that's loud, vulgar, fast, violent, pissed-off, and adolescent in the music of the last forty years—the first book to prefigure the emerging "alternative" culture of the 1990s—has now been updated with the hundred best metal albums of the decade.

    It isn’t another exposé about how they broke up. It isn’t a history of their gigs or their gear. It is a collection of essays telling the story of what this ubiquitous band means to a generation who grew up with the Beatles music on their parents’ stereos and their faces on T-shirts. What do the Beatles mean today? Why are they more famous and beloved now than ever? And why do they still matter so much to us, nearly fifty years after they broke up?As he did in his previous books, Love is a Mix Tape, Talking to Girls About Duran Duran, and Turn Around Bright Eyes, Sheffield focuses on the emotional connections we make to music. This time, he focuses on the biggest pop culture phenomenon of all time—The Beatles. In his singular voice, he explores what the Beatles mean today, to fans who have learned to love them on their own terms and not just for the sake of nostalgia.Dreaming the Beatles tells the story of how four lads from Liverpool became the world’s biggest pop group, then broke up—but then somehow just kept getting bigger. At this point, their music doesn’t belong to the past—it belongs to right now. This book is a celebration of that music, showing why the Beatles remain the world’s favorite thing—and how they invented the future we’re all living in today.

    The secret history of rock and roll is the story of lesser-known artists whose work has shaped modern rock. Investigating 15 separate genres and influences, this book discusses, identifies and annotates the most significant, if not the most celebrated, rock and roll talents of all time.

    Ward and Ken Burns vividly bring to life the story of the quintessential American music—jazz. Born in the black community of turn-of-the-century New Orleans but played from the beginning by musicians of every color, jazz celebrates all Americans at their best.Here are the stories of the extraordinary men and women who made the music: Louis Armstrong, the fatherless waif whose unrivaled genius helped turn jazz into a soloist's art and influenced every singer, every instrumentalist who came after him; Duke Ellington, the pampered son of middle-class parents who turned a whole orchestra into his personal instrument, wrote nearly two thousand pieces for it, and captured more of American life than any other composer. Bix Beiderbecke, the doomed cornet prodigy who showed white musicians that they too could make an important contribution to the music; Benny Goodman, the immigrants' son who learned the clarinet to help feed his family, but who grew up to teach a whole country how to dance; Billie Holiday, whose distinctive style routinely transformed mediocre music into great art; Charlie Parker, who helped lead a musical revolution, only to destroy himself at thirty-four; and Miles Davis, whose search for fresh ways to sound made him the most influential jazz musician of his generation, and then led him to abandon jazz altogether. Buddy Bolden, Jelly Roll Morton, Dizzy Gillespie, Art Tatum, Count Basie, Dave Brubeck, Artie Shaw, and Ella Fitzgerald are all here; so are Sidney Bechet, Coleman Hawkins, Lester Young, John Coltrane, Ornette Coleman, and a host of others.But Jazz is more than mere biography. The history of the music echoes the history of twentieth-century America. Jazz provided the background for the giddy era that F. Scott Fitzgerald called the Jazz Age. The irresistible pulse of big-band swing lifted the spirits and boosted American morale during the Great Depression and World War II. The virtuosic, demanding style called bebop mirrored the stepped-up pace and dislocation that came with peace. During the Cold War era, jazz served as a propaganda weapon—and forged links with the burgeoning counterculture. The story of jazz encompasses the story of American courtship and show business; the epic growth of great cities—New Orleans and Chicago, Kansas City and New York—and the struggle for civil rights and simple justice that continues into the new millennium.Visually stunning, with more than five hundred photographs, some never before published, this book, like the music it chronicles, is an exploration—and a celebration—of the American experiment.From the Hardcover edition.

    In 1936, Shostakovitch, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, executed on the spot), Shostakovitch reflects on his predicament, his personal history, his parents, various women and wives, his children—and all who are still alive themselves hang in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, for decades to come he will be held fast under the thumb of despotism: made to represent Soviet values at a cultural conference in New York City, forced into joining the Party and compelled, constantly, to weigh appeasing those in power against the integrity of his music. Barnes elegantly guides us through the trajectory of Shostakovitch's career, at the same time illuminating the tumultuous evolution of the Soviet Union. The result is both a stunning portrait of a relentlessly fascinating man and a brilliant exploration of the meaning of art and its place in society.

    What next? The professional marketplace is flooded with outstanding musicians, forced to compete for a shrinking number of ""traditional"" opportunities. The Savvy Musician helps balance three overriding aspects of your professional musical life: (1) building a career, (2) earning a living, and (3) making a difference. Filled with clearly articulated concepts, detailed strategies, and 165 vignettes about actual musicians working to create a meaningful and prosperous career, this book examines critical elements often overlooked or misunderstood by musicians, and helps you take control of your career. Discover how to build an immediately recognizable ""brand,"" capitalize on technology—from Internet tools to the new recording paradigm, expand your network, and raise money to fund your dreams. The Savvy Musician is an invaluable resource for performers, composers, educators, students, administrators, industry employees, and others interested in a thriving musical future.

    Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group's history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself.Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast-West Coast rivalry that threatened to destroy the genre, and some record labels' shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact. Whether he's remembering The Source magazine cover announcing the Tribe's 1998 breakup or writing personal letters to the group after bandmate Phife Dawg's death, Abdurraqib seeks the deeper truths of A Tribe Called Quest; truths that--like the low end, the bass--are not simply heard in the head, but felt in the chest.

    Together these two volumes form the most comprehensive books available on Dylan's words. Clinton Heylin is the world's leading Dylan biographer and expert, and he has arranged the songs in a continually surprising chronology of when they were actually written rather than when they appeared on albums. Using newly discovered manuscripts, anecdotal evidence, and a seemingly limitless knowledge of every Bob Dylan live performance, Heylin reveals hundreds of facts about the songs. Here we learn about Dylan's contributions to the Traveling Wilburys, the women who inspired "Blood on the Tracks "and "Desire," " "the sources Dylan "plagiarized" for "Love and Theft "and "Modern Times," " "why he left "Blind Willie McTell" off of "Infidels "and "Series of Dreams" off of "Oh Mercy," " "what broke the long dry spell he had in the 1990s, and much more. This is an essential purchase for every true Bob Dylan fan.

    This edition spans the years between 1973's Can't Buy a Thrill and their 2000 comeback Two against Nature.

    As he tells this extraordinary story, journalist John Marchese shares the rich lore of this beloved instrument and illuminates an art that has barely changed since the Renaissance.Marchese takes readers from start to finish as Zygmuntowicz builds the violin, from the first selection of the wood, to the cutting of the back and belly, through the carving of the scroll and the fingerboard, to the placement of the sound peg. Though much of the story takes place in the craftsman's museum–like Brooklyn workshop, there are side trips across the river to the rehearsal rooms of Carnegie Hall and Lincoln center, and across the world. Stops on the itinerary include Cremona, Italy, the magical city where Antonio Stradivari (and a few of his contemporaries) achieved a level of violin–making perfection that has endured for centuries, as well as points in France and Germany integral to the history of the violin.A stunning work of narrative nonfiction that's also a finely crafted, loving homage to the instrument that most closely approximates the human voice.

    The drum kit just about fit into the room, the lead guitarist was playing a homemade guitar, the bassist could barely play at all and nobody wanted to sing. Over thirty years later, Bono, The Edge, Adam Clayton and Larry Mullen Jr are still together, bound by intense loyalty, passionate idealism and a relentless belief in the power of rock and roll to change the world.In a epic journey that has taken them from the clubs of Dublin to the stadiums of the world, U2 have sold over 130 million albums, been number one all over the world, revolutionized live performance, spearheaded political campaigns and made music that defines the age we live in.From the anarchic days of their Seventies punk origins through their Eighties ascent to superstardom with the epic rock of 'The Joshua Tree', the dark post-modern ironies of 'Achtung Baby' in the Nineties and their 21st-Century resurgence as rock's biggest and boldest band, this is a tale of faith, love, drama, family, birth, death, survival, conflict, crises, creativity . . . and a lot of laughter.Told with wit, insight and astonishing candour by the band themselves and manager Paul McGuinness, with pictures from their own archives, 'U2 by U2' allows unprecedented access into the inner life of the greatest rock band of our times.

    Rock music was flying off in every direction, just as America itself seemed about to split at its seams. Following the circumscribed grooves and ambiance of In A Silent Way; coming off a tour with a burning new quintet-called 'The Lost Band'-with Wayne Shorter, Chick Corea, Dave Holland and Jack DeJohnette; he went into the studio with musicians like frighteningly talented guitarist John McLaughlin, and soulful Austrian keyboardist Joe Zawinul. Working with his essential producer, Teo Macero, Miles set a cauldron of ideas loose while the tapes rolled. At the end, there was the newly minted Prince of Darkness, a completely new way forward for jazz and rock, and the endless brilliance and depth of Bitches Brew.Bitches Brew is still one of the most astonishing albums ever made in either jazz or rock. Seeming to fuse the two, it actually does something entirely more revolutionary and open-ended: blending the most avant-garde aspects of Western music with deep grooves, the album rejects both jazz and rock for an entirely different idea of how music can be made.

    You won't be able to put it down once you get started."- Chris Jericho, Talk is Jericho (Westwood One)"Fink is one of, if not the foremost authority on all things AC/DC… [Bon: The Last Highway] reads as a cross between an Agatha Christie–like novel and CSI–influenced approach to dissecting the physical evidence and outstanding questions related to the public story revolving around Bon’s death. I cannot recommend this book enough. Whether you love AC/DC, just like them or are just interested in rock ’n’ roll in general this is an amazing story."- Metal Geezers"Bon: The Last Highway by Jesse Fink is one of the most impressive biographies I've ever read. It is an absolute masterpiece that features more sources and research than most college textbooks. I was floored by the amount of effort and research that Jesse poured into this project."In the case of Bon Scott, both his tragic death and (potentially) his greatest lyrical work have been totally distorted for the sake of the legends that surround AC/DC. Jesse's book is one long re-examination of those legends, and he makes mince-meat out of most of the band's official stories... his work here is profoundly impressive."- Play That Rock’n’Roll "After being made aware of the previous poor attempts to tell Bon's story, I decided to read Bon: The Last Highway. Fink's book deserves 10 out of 10 for effort in gathering all the information possible.... Theory Two [about how Bon died] could not be any closer to the truth. I know, because I was there."- Joe Fury, Bon Scott's friend who went to the hospital in London when Bon was declared dead-on-arrivalBooks of the Year - Planet Rock (UK)Books of the Year - Herald Sun (Australia)Books of the Year - Loud Online (Australia)Books of the Year - All Music Books (USA)Books of the Year - InQuire, University of Kent (UK)Praise for Bon: The Last Highway by Jesse Fink:"A fascinating portrait of a troubled man with a serious alcohol addiction... the literary equivalent of a road movie." - Ronan McGreevy, Irish Times"One of 2017's most essential rock reads." - al.com (Alabama)"Over the years Bon Scott has become an untouchable rock god; but this book digs deeper. It's something that hasn't really been done before... it's a whole new look on the troubled frontman and a fine biography." - Jyrki "Spider" Hamalainen, Vive Le Rock (UK)"After being made aware of the previous poor attempts to tell Bon's story, I decided to read Bon: The Last Highway. Fink's book deserves 10 out of 10 for effort in gathering all the information possible.... Theory Two [about how Bon died] could not be any closer to the truth. I know, because I was there." - Joe Fury, Bon Scott's friend who went to the hospital in London to identify Bon's body"Hand-on-heart clarity and the haze of memory merge here to do justice to what is both a celebratory and cautionary tale... you will learn much on this road trip. You already know the soundtrack."- RTE (Republic of Ireland)"Jesse Fink is a very courageous writer... a fact-rich, exciting book that reads in places like a crime story. Investigative journalism at its best." - Metal Glory (Germany)"Just like the object of his desire (it is his second book on AC/DC), Fink is prone to perfectionism. He meticulously dedicates himself to the last three years in the life of Ronald Belford Scott ... Fink's book is a real gift for the fans of the tragically and much too early deceased singer." - Classic Rock (Germany)"Of the 20-plus books written about AC/DC, this one comes closest to the truth about how former singer Bon Scott died and his uncredited legacy as a songwriter... not just for fans, this is equal parts cautionary tale and meticulously researched document." - Courier Mail (Australia)"Fink's book meticulously explores the man and the many myths about Scott's life and death, and his hell of a ride in between." - Herald Sun (Australia)"A literary masterpiece." - Soundanalyse (Germany)"One of the most important publications on AC/DC... Fink has become something of an AC/DC detective and shines light on parts of the AC/DC story which have always been dimly lit. Music fans around the world have been waiting for this book - and it does not disappoint." - Denis Gray, Australian Rock Show"I read this book in seven hours, with a 20-minute break for dinner, and put it down almost breathless at the non-biased, staggering research. Bon: The Last Highway is probably one of the best books I've ever read - on anything! And I read a lot. This book goes up to 11! Extremely well done. A magnificent book." - Paul Chapman, guitarist, UFO"Crossing continents and tracking key figures down, Fink's work is impressive; his book is exhaustively investigative and engrossing." - Exclaim "Painstakingly researched." - Dangerous Minds"Phenomenal." - Sirius XM VOLUME "Debatable""Brilliant writing, many revelations. A must-read. Astonishingly good reporting." - Lori Majewski, SiriusXM VOLUME "Feedback""A great page-turner... a riveting read." - The Rockpit (Australia)"Jesse Fink is not the first writer to suggest there's something fishy about the official version of [Bon] Scott's death and its aftermath, but no one else has offered such a plausible or exhaustively researched alternative theory... vindicating old-school journalistic rigour, Fink compiled a vast testimony from multiple sources and invites the reader to decide where the truth lies, Rashomon-style. This is no easy task: key witnesses are either dead, like [Alistair] Kinnear, or their memories are clouded by the fog of war, like UFO's Paul Chapman and Pete Way. But as with his previous book, the absence of co-operation from the AC/DC inner circle has been to Fink's benefit... [he has] effectively undertaken the detective work that wasn't conducted at the time. It's a dense, tangled tale but Fink reveals the humanity behind the myth: Bon was a flawed, conflicted character, trapped in a persona, who ultimately chose the path he took and got unlucky." - Keith Cameron, MOJO"The most extensively researched book on AC/DC ever... it's outstanding. If you thought you knew Bon Scott, think again. This is as close as anyone is ever gonna get to the complete truth behind the legend, warts and all." - B.J. Lisko, Canton Repository, Ohio"The most in-depth investigation into what happened to Bon Scott on the night of his death you'll ever read." - Rich Davenport, Rich Davenport's Rock Show"This one-man investigation, born of respect for the truth and for Scott as a human being, blazes a new trail." - Joe Bonomo, author of AC/DC's Highway To Hell (33 1/3 Series)"Jesse Fink has done rock fans a great service. He dispels the many myths about how AC/DC's Bon Scott lived and died, and in doing so, brings to life one of the most influential, memorable, and complex figures in rock history." - Greg Renoff, author of Van Halen Rising"Fink leaves no stone unturned in this deep biography of Bon Scott." - Publishers Weekly "Amazing... the most in-depth researched book on Scott's final years ever written. The story of Bon's last days on earth has never been properly told...until now. This book is good enough it has me waiting for the movie." - Classic Rock Revisited

    Cohen is also a man of complexities and seeming contradictions: a devout Jew, who is also a sophisticate and a ladies' man, as well as an ordained Buddhist monk whose name, Jikan—"ordinary silence"—is quite the appellation for a writer and singer whose life has been anything but ordinary.I'm Your Man is the definitive account of that extraordinary life. Starting in Montreal, Cohen's birthplace, acclaimed music journalist Sylvie Simmons follows his trail, via London and the Greek island of Hydra, to New York in the sixties, where Cohen launched his career in music. From there she traces the arc of his prodigious achievements to his remarkable retreat in the mid-nineties and his reemergence for a sold-out world tour almost fifteen years later. Whether navigating Cohen's journeys through the backstreets of Mumbai or his countless hotel rooms along the way, Simmons explores with equal focus every complex, contradictory strand of Cohen's life and presents a deeply insightful portrait of the vision, spirit, depth, and talent of an artist and a man who continues to move people like no one else.

    But the Album was more than just a ten-track collection of songs written by five musicians from Oxfordshire, more than the weird follow-up to the critics' fashionable go-to record of choice OK Computer, more than what the Village Voice described as the biggest, warmest recorded go-fuck-yourself in recent memory. Kid A was an event. By pulling Kid A from its canonical status and grounding the album in various contexts, Marvin Lin explains not only why Radiohead suddenly adopted a new songwriting methodology, but also how properties like genre and authenticity distracted us from understanding our reactions to it. From bovine growth hormones and neurological impulses to Dada poetry and bandwidth throttling, the book articulated the politics behind both Radiohead's music and our listening experiences. But in a period of socio-political unrest, is listening to Kid A a waste of time? In and through the album, Lin seeks to answer this question by examining what Kid A does to us over time, what Kid A tells us about the future, and whether it's possible (or even desirable) to use Kid A to transcend time altogether.