Some of these accounts may be quite terrifying, reader discretion is advised.

    From ghosts of mind and spirit to exotic paranormal tales, each story in this volume has never before appeared in an anthology. Included are:The Silent Man, by Henry Fothergill ChorleyThe Strange Ormonds, by Leitch RitchieThe Mysterious Wedding: A Danish Story, by Heinrich SteffansThe Burial by Fire, by Louisa Medina HamblinThe Vampyre, by Elizabeth ElletThe Sleepless Woman, by William JerdanA Peep At Death, by Peter Von GeistKillcrop the Changeling, by Richard ThompsonCarl Bluven and the Strange Mariner, by Henry David InglisThe Prediction, by George Henry BorrowThe Story of the Unfinished Picture, by Charles HootenEule: The Emperor’s Dwarf, by John Rutter ChorleyThe Green Huntsman, by Joseph Holt IngrahamA Revelation of a Previous Life, by Nathaniel Parker WillisMoods of the Mind: The Old Portrait, by Emma EmburyA Night on the Enchanted Mountain, by Charles Fenno HoffmanThe Living Apparition, by G.P.R. JamesThe Three Souls, by Alexander Chatrian and Emile ErckmannThe Death Watch, by Luise MuhlbackAn Evening of Lucy Ashton’s, by Letitia Elizabeth LandonThe Haunted Homestead, by Henry William HerbertThe Withered Man, by William Leete StoneLa Malroche, by Louisa Stuart CostelloThe Three Visits, by Auguste VituLieutenant Castenac, by Erckman-ChatrianTorture by Hope, by Villiers de L’isle-AdamsThe Black Cupid, by Lafcadio HearnThe Bundle of Letters, by Moritz JokaiNissa, by Albert DelpitThe Dream, by John GaltAnd don't forget to search for "Megapack" in this ebook store for other volumes in the series, covering such subjects as ghost stories, vampire stories, science fiction, horror, adventure, and much, much more!

    When I'm there, sitting with those folks, listening and talking, he said to Coles, I'm part of that life, and I'm near it in my head, too.... Back here, sitting near this typewriter--its different. I'm a writer. I'm a doctor living in Rutherford who is describing 'a world elsewhere.' Williams captured the great difficulty in documentary writing--the gulf that separates the reality of the subject from the point of view of the observer . Now, in this thought-provoking volume, the renowned child psychiatrist Robert Coles, author of the Pulitzer Prize-winning Children in Crisis series, offers a penetrating look into the nature of documentary work. Utilizing the documentaries of writers, photographers, and others, Coles shows how their prose and pictures are influenced by the observer's frame of reference: their social and educational background, personal morals, and political beliefs. He discusses literary documentaries: James Agee's searching portrait of Depression-era tenant farmers, Let Us Now Praise Famous Men, and George Orwell's passionate description of England's coal-miners, The Road to Wigan Pier. Like many documentarians, Coles argues, Agee and Orwell did not try to be objective, but instead showered unadulterated praise on the noble poor and vituperative contempt on the more privileged classes (including themselves) for exploiting these workers. Documentary photographs could be equally revealing about the observer. Coles analyzes how famous photographers such as Walker Evans and Dorthea Lange edited and cropped their pictures to produce a desired effect. Even the shield of the camera could not hide the presence of the photographer. Coles also illuminates his points through his personal portraits of William Carlos Williams; Robert Moses, one of the leaders of the Student Non-Violent Coordinating Committee during the 1960s; Erik H. Erikson, biographer of Mahatma Gandhi and Martin Luther; and others. Documentary work, Coles concludes, is more a narrative constructed by the observer than a true slice of reality. With the growth in popularity of films such as Ken Burns's The Civil War and the controversial basketball documentary Hoop Dreams, the question of what is real in documentary work is more pressing than ever. Through revealing discussions with documentarians and insightful analysis of their work, complemented by dramatic black-and-white photographs from Lange and Evans, Doing Documentary Work will provoke the reader into reconsidering how fine the line is between truth and fiction. It is an invaluable resource for students of the documentary and anyone interested in this important genre.

    

    

     Katrina would do anything for her long-time friend and Queen, so when the newborn Prince is thrust into her arms she promises to protect him as she is rushed with Arthur to Merlin’s. When Morgana’s Demon Army attacks her carriage, Katrina is outnumbered and outmatched as she finds herself surrounded with nowhere to run. On his way home Bryan stumbled upon a turned carriage. His wolves take off following after the trail of what looks to be a small army of men. When he sees a giant painted man about to kill a small woman he rushes to help without thinking about the consequences. Riding his horse as fast as he dares, the woman in his arms lips are blue from the cold, the baby cries getting softer Bryan feels his panic rising. Who is she and how did she come to be traveling along with a baby that wasn’t hers? Will he be able to figure out before those men come back to try and finish the job? A fantasy King Arthur retelling.

    This is the new book by nationally syndicated Chicago Sun Times columnist Richard Roeper. It is a comprehensive, enlightening, and entertaining look at hundreds of such stories that have no basis in fact—no matter how many people will swear otherwise. Half the people who read Urban Legends will be delighted that a legitimate journalist has finally debunked some of the most maddeningly enduring modern myths of our times. The other half will be shocked that some of their favorite stories have been exposed.

    The town is so shut off from the rest of the world that it has earned the nickname “Neverglades” from its longtime residents. The Neverglades are no stranger to bizarre and inexplicable events, and Hannigan has seen plenty of things on the police force that seem to defy earthly explanation. Enter the Inspector. A mysterious figure always seen with a cigar and fedora, this otherworldly detective knows more about the workings of the Neverglades than any human being rightly should. There’s a rip in reality around Pacific Glade, he says, making it a breeding ground for the strange and supernatural, and the Inspector is just one of many entities who have managed to slip through. In these nine interwoven stories, Hannigan and the Inspector traverse the haunted grounds of the Neverglades, where it's going to take everything they've got to make it out alive. Time paradoxes, pocket universes, giant dream-weaving crabs and star-snuffing leviathans - it's a lot for one measly little human to handle. But with an eldritch abomination by his side, Hannigan just might stand a chance.

    Over the course of the twentieth century this piece of music, perhaps more than any other, worked its way into the collective consciousness to seemingly define a mythical concept of the English countryside: babbling brooks, skylarks, hayricks. But the birth and legacy of the composition are much more complex than this simplified pastoral vision suggests. The landscape we celebrate as unsullied and ripe with mystique is a living, working, and occasionally rancorous environment - not an unaffected idyll - that forged a nation's musical personality, and its dissenting traditions.On a chronological journey that takes him from postwar poets and artists to the late twentieth century and the free party scene which emerged from acid house and travelling communities, Richard King explores how Britain's history and identity has been shaped by the mysterious relationship between music and nature. From the far west of Wales to the Thames Estuary and the Suffolk shoreline, taking in Brian Eno, Kate Bush, Boards of Canada, Dylan Thomas, Gavin Bryars, Greenham Common and The Kinder Scout Mass Trespass, The Lark Ascending listens to the land and the music that emerged from it, to chart a new and surprising course through a familiar landscape.

    In one of the most original books of poetry to appear in the last decade, Jackself spins a kind of 'fictionalized autobiography' through nursery rhymes, riddles and cautionary tales, and through the many 'Jacks' of our folktale, legend, phrase and fable - everyman Jacks and no one Jacks, Jackdaw, Jack-O-Lantern, Jack Sprat, Cheapjack and Jack Frost. At once playful and terrifying, lyric and narratively compelling, Jackself is an unforgettable exploration of an innocence and childhood lost in the darker corners of Reiver country and of English folklore, and once more shows Polley as one of the most remarkable imaginations at work in poetry today.

    Now 25 years later, the Order has been diminish to a mere handful of Knights and stands on the break of extinction but not all hope is lost when a young boy is selected to join the ranks of the legendary Dragon Knights. Thrown into a world of politics, fighting and constant threats to his life, Alexander Kerm must learn the ways of the Dragon Knights in order to survive the challenges that wait him at the Central Academy and his future life as a Knight. But when an old enemy stirs in the east his life will become the focus of powers beyond his control.

    It includes hundreds of whimiscal superstitions as well as folk cures, charms, and chants practiced by the early settlers of Appalachia.

    . . these are great things. Every field should have a hare.’The hare, a night creature and country-dweller, is a rare sight for most people. We know them only from legends and stories. They are shape-shifters, witches’ familiars and symbols of fertility. They are arrogant, as in Aesop’s The Hare and the Tortoise, and absurd, as in Lewis Carroll’s Mad March Hare. In the absence of observed facts, speculation and fantasy have flourished. But real hares? What are they like?In The Private Life of the Hare, John Lewis-Stempel explores myths, history and the reality of the hare. And in vivid, elegant prose he celebrates how, in an age when television cameras have revealed so much in our landscape, the hare remains as elusive and magical as ever.

    In this truly fanciful work, author Lesley O’Mara has crafts a kaleidoscope of information which is sure to delight every cat lover. What happened when Charles Dickens discovered that his cat William was really a Williamina? How do you tell if your cat is truly fat? How long did it take one Florida housecat to track down his owners after they had moved to California? Filled with heartwarming tales, historical anecdotes, unique quotes, and so much more, Cats Miscellany is sure to satisfy human curiosity the whole year round. Delightfully illustrated and beautifully designed, this quirky and entertaining book is the perfect gift for pet lovers and “ailurophiles” of any age.

    It is simple to do, easily explained and works for both severe and mild problems from aged three to early teenage. Many, if not most, parents feel that their children may have missed out in some way during the early years. Offering a simple, relatively trouble-free self-help method for putting that right is what parents are waiting for. "This book is written in highly accessible language", assures Oliver James. "The method is explained as simply as possible, illustrated with cases". "Love Bombing is a very simple technique which helps most children from aged three to early teenage. Because so many parents are, or have had, periods of living very busy or miserable or complicated lives, most of us need to reconnect with our children from time to time. Love Bombing does the job," explains James.