Featuring two centuries of women's short fiction, ranging from established Queens of the short story like Alice Munro and Angela Carter, to contemporary rising stars like Miranda July and Chimamanda Ngozi Adichie, this is the biggest and most beautiful collection in print today.Handpicked by one of the nation's favourite novelists, Victoria Hislop - herself a great writer of, and champion for, short stories - and divided thematically into collections on love, loss and the lives of women, there's a story for every mood, mindset and moment in life.CONTRIBUTORS INCLUDE: Margaret Atwood, Angela Carter, Emma Donoghue, Daphne Du Maurier, Stella Duffy, Susan Hill, Doris Lessing, Penelope Lively, Katherine Mansfield, Hilary Mantel, Lorrie Moore, Alice Munro, Ali Smith, Muriel Spark, Alice Walker, Jeanette Winterson, Virginia Woolf.

    Held captive by regret, 23 year-old trauma RN, Tori Sales, has seen the reality of many nightmares. But there is one nightmare she will never wake from—her last memory of Anna. Her efforts to save the little girl were not enough; she was not enough. After a year of living alone, Tori is forced to return home—a place where heartache, loss, and broken relationships lurk around every corner. Isolation is her only solace; running is her only escape. But she cannot outrun the truth forever. When a handsome, compassionate stranger enters her world, Tori is inspired to deal with her past and focus on the future—one she never believed possible. But before her quest for closure is complete, a new revelation surfaces, tainting her world yet again. Will she accept the recovery she so desperately needs? Or will she choose the escape she knows best...

    Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We're Briefly Gorgeous is as much about the power of telling one's own story as it is about the obliterating silence of not being heard.With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

    He hurts no one. He helps no one. But his very refusal to join a clan puts him in danger from the often vicious blood families. When a nearby clan sends a hunting party to convert or kill him, he encounters the deadly and beautiful Tahlia. The sparks immediately fly between the two vampires, leading to a final confrontation that could put them both at risk.- Falling for an Angel (Angel at Large, Book 1)Adrian is a messenger angel. He loves nothing better than zipping through the realms, dodging the enemies who try to keep him from doing his duty. He is fast and swift and as dedicated as they come. But he’s a fun loving individual. Even though he likes being an angel, he is lonely and can’t help wondering what it would be like to have someone that belongs to him, and that he belongs to. So when his best friend, the guardian angel Cassel falls in love with his mortal and he finds out that the only hope is for him to also find love, he embraces the challenge in his usual fun loving way. How hard can it be to find a mortal who will love him? He’s good looking, smart and can show her a good time. Unfortunately, he meets and is instantly attracted to Melissa, the only mortal woman in the world who is not impressed either by his good looks, his wit or his charm. To win her heart, he will have to reach deep into himself to discover what she really wants.- Christmas Choices (When Naughty Becomes so Nice, Book 1)When Andie Nichols breaks up with her controlling boyfriend Evan Harrington just before the big Christmas party, she dreads going and having to see him there. Still, she doesn’t want to give him the satisfaction of knowing that she didn’t go just to avoid him, so she takes up residence at the free bar, just hoping to avoid him That’s when she meets Ryan Miller and kisses him to show off to Evan. Ryan is shocked, but likes it. They leave the party together, and Ryan reveals a shocking secret of his own. He likes a woman who isn’t afraid to demand what she wants and offers to be her sex slave. The choice is all hers, but if she is willing to be a little naughty, he promises to make her feel oh so very nice.- It's Not Enough (The Clover Leaf Café, Book 1)Jeff Masterson is a cynical businessman. He has no time for love and no time for women except in the bedroom. Lisa Smith is vulnerable when her long term boyfriend dumps her for a man. She felt an instant attraction to Jeff but working in The Clover Leaf Café, she had heard of his reputation as a one night stand man and agrees to go off with Jeff but it will only be one night. What she does not count on though is the flood of feelings that night releases in her. She can’t seem to get Jeff out of her mind. She knows she is just another one night stand but the way Jeff keeps coming at her, she is beginning to think he might see her as more. But she’s not sure she is ready to trust again so soon.

    Savannah Bondurant, a marriage and relationship columnist for the Savannah Sun Times, just signed her divorce papers. Brody McAlister, the elusive and smoking hot gym boy, has finally recovered from his divorce three years ago. Be it spurred by loneliness or sheer attraction, the two slip into the sheets for a memorable one-night stand. Savannah's pesky ex-husband continues to try and worm his way back into her life, insisting they remain friends, even though he is living with his jealous new girlfriend. An up-and-coming woodworker artist, Brody has every socialite cougar in town promising him success and riches, for a price, of course. With two advice-giving older sisters, one fiercely single and one seemingly happily married, Savannah learns her parents' long and successful relationship does not come without its own secrets. Why should she believe in happily ever after? Her constant overanalyzing and skepticism bodes well in her profession as a journalist, but proves counterproductive in her personal life. Divorce, guilt, suspicion, holding on to the past—can Savannah trust in Brody to help her Let It Go...

    Parker (Seafire), and many more. Edited by Dhonielle Clayton (The Belles).In the fourth collaboration with We Need Diverse Books, fifteen award-winning and celebrated diverse authors deliver stories about a princess without need of a prince, a monster long misunderstood, memories that vanish with a spell, and voices that refuse to stay silent in the face of injustice. This powerful and inclusive collection contains a universe of wishes for a braver and more beautiful world.AUTHORS INCLUDE: Samira Ahmed, Libba Bray, Dhonielle Clayton, Zoraida Córdova, Tessa Gratton, Kwame Mbalia, Anna-Marie McLemore, Tochi Onyebuchi, Mark Oshiro, Natalie C. Parker, Rebecca Roanhorse, Victoria Schwab, Tara Sim, Nic Stone, and a to-be-announced debut author/short-story contest winner

    Then out of nowhere…an affair. What would you do if you realized the life you created wasn’t right for you? You think you know the answer? Think again. Follow Chrissy as she lies and cheats and ultimately learns to tell the truth to herself and those that she loves.At twenty-eight, Chrissy has been steadily checking off the boxes on her life list as she mocks the style and life choices of everyone around her. She’s got it all—or so everyone thinks. Her life begins to fall apart when she unexpectedly meets a much younger man, Leo, who makes her question just how perfect her “perfect life” really is. With the help of her no-nonsense therapist, Dr. Maria, Chrissy learns more about herself than she anticipates. But it isn’t until she stares an untimely death in the face that Chrissy is catapulted into an overdue reality check. Only then does she scramble to correct the mistakes of her past…trying to figure out if it’s her husband Kurt, her lover Leo, or both that she has to leave behind to make everything right.Women of all kinds will be able to relate to the pressure of constructing the ideal life, only to fall short. Not everyone will agree with Chrissy Anderson’s decisions, but all will pause as they follow along on her journey to ask, “What would I do if I were her?”

    With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters' lives in a way that allows them to speak to larger issues of race, culture, and history. She introduces us to Black and multiracial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief—all while exploring how history haunts us, personally and collectively. Ultimately, she provokes us to think about the truths of American history—about who gets to tell them, and the cost of setting the record straight.In "Boys Go to Jupiter," a white college student tries to reinvent herself after a photo of her in a Confederate-flag bikini goes viral. In "Richard of York Gave Battle in Vain," a photojournalist is forced to confront her own losses while attending an old friend's unexpectedly dramatic wedding. And in the eye-opening title novella, a black scholar from Washington, DC, is drawn into a complex historical mystery that spans generations and puts her job, her love life, and her oldest friendship at risk.

    In “Rivers,” a free Jim meets up decades later with his former raftmate Huckleberry Finn; “An Outtake” chronicles an escaped slave’s fate in the American Revolution; “On Brazil, or Dénouement” burrows deep into slavery and sorcery in early colonial South America; and in “Blues” the great poets Langston Hughes and Xavier Villaurrutia meet in Depression-era New York and share more than secrets.

    In "The New Daughter," a father comes to suspect that a burial mound on his land hides something very ancient, and very much alive; in "The Underbury Witches," two London detectives find themselves battling a particularly female evil in a town culled of its menfolk. And finally, private detective Charlie Parker returns in the long novella "The Reflecting Eye," in which the photograph of an unknown girl turns up in the mailbox of an abandoned house once occupied by an infamous killer. This discovery forces Parker to confront the possibility that the house is not as empty as it appears, and that something has been waiting in the darkness for its chance to kill again.

    He lives for the moment each day when the window of his dungeon cell shines a bit of light onto his bearded face.But everything changes when he gets a new neighbor--a young girl with a voice as beautiful as the springrise.They both know the rules: No singing. No speaking. Voices are dangerous. But they can't help themselves. And soon enough, Errik begins to remember himself, why he's here in this dark place, and why his captors will stop at nothing to ensure his silence.

    You learn too much. And you learn to move quietly through your own small domain. You also know when the men are gone. No more boots stomping above, no more football games turned up too high, and, best of all, no more front doors slamming before dawn as they trudge out for their early formation, sneakers on metal stairs, cars starting, shouts to the windows above to throw them down their gloves on cold desert mornings. Babies still cry, telephones ring, Saturday morning cartoons screech, but without the men, there is a sense of muted silence, a sense of muted life. There is an army of women waiting for their men to return in Fort Hood, Texas. Through a series of loosely interconnected stories, Siobhan Fallon takes readers onto the base, inside the homes, into the marriages and families-intimate places not seen in newspaper articles or politicians' speeches. When you leave Fort Hood, the sign above the gate warns, You've Survived the War, Now Survive the Homecoming. It is eerily prescient.

    . . Hilarious and poignant."--Entertainment Weekly Bream Gives Me Hiccups: And Other Stories is the whip-smart fiction debut of Academy Award-nominated actor Jesse Eisenberg. Known for his iconic film roles but also for his regular pieces in the New Yorker and his two critically acclaimed plays, Eisenberg is an emerging literary voice.Taking its title from a group of stories that begin the book, Bream Gives Me Hiccups moves from contemporary L.A. to the dorm rooms of an American college to ancient Pompeii, throwing the reader into a universe of social misfits, reimagined scenes from history, and ridiculous overreactions. In one piece, a tense email exchange between a young man and his girlfriend is taken over by his sister, who is obsessed with the Bosnian genocide (The situation reminds me of a little historical blip called the Karadordevo agreement); in another, a college freshman forced to live with a roommate is stunned when one of her ramen packets goes missing (she didn't have "one" of my ramens. She had a chicken ramen); in another piece, Alexander Graham Bell has teething problems with his invention (I've been calling Mabel all day, she doesn't pick up! Yes, of course I dialed the right number - 2!).United by Eisenberg's gift for humor and character, and grouped into chapters that open with illustrations by award-winning cartoonist Jean Jullien, the witty pieces collected in Bream Gives Me Hiccups explore the various insanities of the modern world, and mark the arrival of a fantastically funny, self-ironic, and original voice.

    Each of them at a different stage in life, each of them away from home, and each of them striving -- in the suburbs of Prague, in an overdeveloped Alpine village, beside a Belgian motorway, in a dingy Cyprus hotel -- to understand what it means to be alive, here and now. Tracing a dramatic arc from the spring of youth to the winter of old age, the ostensibly separate narratives of All That Man Is aggregate into a picture of a single shared existence, a picture that interrogates the state of modern manhood while bringing to life, unforgettably, the physical and emotional terrain of an increasingly globalized Europe. And so these nine lives form an ingenious and new kind of novel, in which David Szalay expertly plots a dark predicament for the twenty-first-century man.Dark and disturbing, but also often wickedly and uproariously comic, All That Man Is is notable for the acute psychological penetration Szalay brings to bear on his characters, from the working-class ex-grunt to the pompous college student, the middle-aged loser to the Russian oligarch. Steadily and mercilessly, as this brilliantly conceived book progresses, the protagonist at the center of each chapter is older than the last one, it gets colder out, and All That Man Is gathers exquisite power. Szalay is a writer of supreme gifts -- a master of a new kind of realism that vibrates with detail, intelligence, relevance, and devastating pathos.

    Spanning Korea and the United States, from the postwar era to contemporary times, Krys Lee's stunning fiction debut, Drifting House, illuminates a people torn between the traumas of their collective past and the indignities and sorrows of their present. In the title story, children escaping famine in North Korea are forced to make unthinkable sacrifices to survive. The tales set in America reveal the immigrants' unmoored existence, playing out in cramped apartments and Koreatown strip malls. A makeshift family is fractured when a shaman from the old country moves in next door. An abandoned wife enters into a fake marriage in order to find her kidnapped daughter. In the tradition of Chang-rae Lee's Native Speaker and Jhumpa Lahiri's Interpreter of Maladies, Drifting House is an unforgettable work by a gifted new writer.