Poet Laureate for 2004-2006, Ted Kooser is one of America's masters of the short metaphorical poem. Dana Gioia has remarked that Kooser has written more perfect poems than any poet of his generation. Long admired and praised by other poets, Kooser is also accesible to the reader not familiar with contemporary poetry.

    The semi-autobiographical book is divided into two parts and takes place between two countries; Part I, “is a cloud a living thing?”, takes place during the Author’s tumultueuse teen years with tropical Florida as a backdrop. Part II, “Inside my Shell”, explores themes of transformation as the Author creates a new life in Paris, France. ​The poems in this collection explore the surreal rollercoaster of youth, the performance of identity, being an outsider and the tension between romantic idealism and the dystopic world in which the author finds herself. Her approach to her work as a visual artist is mirrored in her poetry style, which is accompanied by all original illustrations by the Author.

    Bringing together all of Viorst's best-loved poetry, this collection includes many of the poet's previously out-of-print favorites.

    After Ikkyu is the first collection of Harrison's poems that are directly inspired by his many years of Zen practice.

    He sleeps in a real bed and eats real food and only jumps into Neuroma to work. All he wanted was to log in, work and log out and live in general obscurity. Getting the attention of a CEO, meeting a stranger in real life, and forced to play in a secret game of corporations were not penciled into his calendar. While that was bad, he started to question whether Odditek was still in control, or had their complacency created the noose tightening around their neck. Bran was not yet aware of the choice before him. He could no longer stand back and watch, and he had to pick a side and fight before he lost the ability to choose. Would he recognize the inevitable in time? Was it possible to make a ‘correct’ choice, or had the lines blurred so much that hero and villain were indistinguishable? This novel is part of an Odditek series and is a LitRPG novel. I realize it’s the first Odditek series, but more are coming. This series started as a companion series to a book called Lantern Online. I wanted a way to build up the world as it now exists, and to explain what Odditek is. Neuroma and Nerves are mentioned in Lantern Online, and I felt all that information was taking away from my story and is mostly not relevant, but good to know information. I took a lot of it out and added it to this series. Anyway, out of that came Office Wars. I hope it's different than most LitRPG you will read, and brings another dimension to the genre. Explicit language! I will not lie, there is a satirical nature to this story, and a lot of the language and scenarios are morally questionable on purpose. In this story and I use a lot of curse words and controversial commentary. Just look on Facebook or any half a dozen social media sites, and you will see similar language, conversations, and other nonsense. If we all moved into a digital world, this is how I view that world.

    It was lust at first sight, and Rhapsody isn't going to let young Malcolm leave her presence without a promise to fulfill her fantasy.Malcolm had no idea when he accepted Rhapsody's invitation to her bedroom that he was selling his soul to the devil. Malcolm thinks he can bed Rhapsody and simply walk away, but she is not one to settle for a one night stand. Rhapsody goes to desperate measures to keep her cub extremely close to her. Gifting Malcolm a very expensive SUV, filling his belly with home cooked meals and funding a trip to Cancun are just a few of the tactics that Rhapsody uses to ensure that Malcolm spends his nights in her bed and no one else's. However, when Rhapsody finds a mysterious package on her doorstep containing proof of Malcolm's betrayal and deception, she seeks revenge and seals her own fate.

    Simplest thing in the world to send for mail-order brides - minimum of fuss, only a marginal expense, and everyone's happy with the end result. Jack Milton agrees with Sully's reasoning and agrees to be one of the grooms. When he meets his prospective bride, he's more than pleased with the match - but that's short-lived when the girls arrive at the ranch. Wynonna Westcott and her friends agreed to become mail-order brides only after signing some very specific contracts and receiving guarantees of their happiness. When things turn out to be the exact opposite of what they've been promised, they must figure out their next step - or be stranded in Kansas forever. This is book one of a new comedic sweet Western romance series by popular author Amelia C. Adams.

    Mike Czuchry. Told in three acts, these pages of youth, death, philosophy, spirituality, and love are used to tap into the universal connectedness we all share when experiencing the complexities of our individual lives. Each piece is what you need. Each piece is what you see. All in an effort to unlock the dreams and imagination of that child within. What will you uncover about your own life when tapping into the essence of the collective?

    But [Flenniken] also wrote them to honor the people she grew up with." " - Seattle Times"The poems in "Plume" are nuclear-age songs of innocence and experience set in the "empty" desert West. Award-winning poet Kathleen Flenniken grew up in Richland, Washington, at the height of the Cold War, next door to the Hanford Nuclear Reservation, where "every father I knew disappeared to fuel the bomb," and worked at Hanford herself as a civil engineer and hydrologist. By the late 1980s, declassified documents revealed decades of environmental contamination and deception at the plutonium production facility, contradicting a lifetime of official assurances to workers and their families that their community was and always had been safe. Plume, written twenty years later, traces this American betrayal and explores the human capacity to hold truth at bay when it threatens one's fundamental identity.

    It is filled with dozens of humorous tales of musician antics and concert meltdowns. Outsiders are rarely allowed such access, but at last you can have your own personal tour of the mystical and magical realm of professional orchestras and the people who play in them. "Real Men Don't Rehearse" was written by Justin Locke, who spent 18 seasons as a professional freelance double bassist in Boston. He played with the Boston Symphony and the Boston Pops, as well as for ballets, operas, and Broadway shows. He is also well known in the symphonic world as the author of "Peter VS. the Wolf" and "The Phantom of the Orchestra," which are internationally acclaimed programs for orchestra family concerts. This is the perfect gift for your favorite music lover! This is a book no musical library should be without!

    To enter into these poems one must be fully committed, as the poet is, to seeing this world as it is, to staying with it, moment by moment, day by day. Yet these poems hold a dark promise: this is how you can do it, but you must be fully engaged, which means you must be fully awake, you must wake up inside it. As we proceed, the how-to of the beginning poems subtly transform, as the animals (or, more specifically, the livestock) we are engaging begin to, more and more, become part of us, literally and figuratively we enter inside of that which we devour.--Nick FlynnThis is the book you want with you in the cellar when the tornado is upstairs taking your house and your farm. It's the book you want in the bomb shelter, and in the stalled car, in the kitchen waiting for the kids to come home, in the library when the library books are burned. Its instructions are clear and urgent. Rebecca Gayle Howell has pressed her face to the face of the actual animal world. She remembers everything we have forgotten. Read this! It's not too late. We can start over from right here and right now.--Marie HoweIn every one of these haunting and hungry poems, Howell draws a map for how to enter the heat and dew of the human being, naked and facing the natural world, desperate to feel. I did not realize while reading RENDER how deeply I was handing everything over.--Nikky Finney

    Sixty! She feels half that age, even if the mirror tells her otherwise. Hubby Keith promises her a birthday to remember, and doesn’t let her down, but packing his suitcase to shack up with a forty-something isn’t quite the memory Annie wants to make. Suddenly she’s single and – as an empty nester – very, very alone. The Bucket List she and Keith had promised to work their way through is but a dream, until besties Bella and Caz rally around Annie and whisk her away for a trip that will be remembered for ever. Dubai. But it’s not all skyscrapers, bling, sand dunes and sheikhs. As the sun sinks over the horizon of Jumeirah Beach… might there also be love?

    With fewer people and resources than any of the top competitors, the only way they were going to win was to push the limit, go for broke, and hope for more than a little luck. By the time they got to the racetrack, they knew: In the fog of fierce competition, whether you win or lose, you learn the hardest lessons about engineering, teamwork, friendship, and yourself.

    The Weary Blues announced the arrival of a rare voice in American poetry. A literary descendant of Walt Whitman ("I, too, sing America," Hughes wrote), he chanted the joys and sorrows of black America in unprecedented language. A gifted lyricist, he offered rhythms and cadences that epitomized the particularities of African American creativity, especially jazz and the blues. His second volume, steeped in the blues and controversial because of its frankness, confirmed Hughes as a poet of uncompromising integrity. Then in the 1930s came Dear Lovely Death (1931) and the radical A New Song (1938). Poems such as "Good Morning Revolution" and "Let America Be America Again" made his pen one of the most forceful in America during the Great Depression.

    At last, just in time for his 99th birthday, a powerful overview of one of America's most beloved poets: New Directions is proud to present a swift, terrific chronological selection of Ferlinghetti's poems, spanning more than six decades of work and presenting one of modern poetry's greatest achievements.