Now I'm known as the girl who got stabbed. I was once invisible, now I cant stop the stares and whispers. I'm no longer the girl I once was, I've changed. I'm hurt, I'm angry, and that anger is pushing the ones close to me away. One person I shouldn't be close to is the person who helps me forget, who doesn't treat me like I'm broken. I'm trying to move forward, but does moving forward mean leaving the person I love behind? Even though part of me blames him? Am I willing to move on to someone else? New adult contemporary romance with mature content. Recommended for 17+ due to mature language and adult situations

    So when the British Secret Service asks him to become their ‘man in Havana’ he can’t afford to say no. There’s just one problem…he doesn’t know anything! To avoid suspicion, he begins to recruit nonexistent sub-agents, concocting a series of intricate fictions. But Wormold soon discovers that his stories are closer to the truth than he could have ever imagined… In Clive Francis’ adaptation, Graham Greene’s classic satirical novel becomes a wonderfully funny and fast-moving romp.

    But while rumors run wild and everyone forms an opinion, Scarlett just stays silent.With roles for up to twenty-four young female actors (though it can also be performed by a smaller cast), the play is perfect for any schools, youth theatres or drama groups looking to tackle a contemporary subject in a theatrically exciting way.Specially commissioned by Birmingham Repertory Theatre, Theatre Royal Plymouth and West Yorkshire Playhouse, Girls Like That was developed through work with young people from the three theatres and first performed by their youth theatre companies in 2013."[Tackles] strong, relevant issues... a well-written, immaculately crafted and brave piece of energetic theatre." - A Younger Theatre"An urgent, powerful and haunting examination... I can see this play becoming a very popular resource for 16+ groups and that will be no bad thing." National Drama MagazineEvan Placey is a Canadian-British playwright. His other work includes Mother of Him, Holloway Jones, which won the Brian Way Award for Best Play for Young People, and Pronoun, commissioned as part of the 2014 National Theatre Connections Festival.

    71 pages of chapter summaries, quotes, character analysis, themes, and more – everything you need to sharpen your knowledge of The Boleyn Inheritance. This detailed literature summary also contains Topics for Discussion and a Free Quiz on The Boleyn Inheritance by Philippa Gregory.

    The following book description contains spoilers for the first book.After confessing to the police that she witnessed a murder, college student Courtney Hartford has relocated to what she hopes is a safe place. Hanging over her head is her commitment to testify against Dylan, the gang member she witnessed killing a man, as well as Baldy, a gang member who tried to kill her to keep her from testifying.In addition, her budding relationship with Tyler, who was beaten because of her, has been interrupted. Missing him, but worried about putting him in danger, she wars with herself over whether to convince him to move to where she is now living, or to stay far, far away as his parents advise him.Will Courtney be able to move past the fear she's been living with, or will the gang members track her down and silence her for good?Retribution does not contain any profanity or sexual content.

    With the warmth of Marian Keyes and the energy of Patricia Scanlan, this sparkling novel is A Midsummer Night's Dream brought completely up to date.

    She's just biding her time until graduation when she has an unusual encounter with Matty, the all-American boy next door. When Matty and Laila start to talk, he shares a secret with her. He's a part of a clinical study for a medication called effugium and it can really transport him to other places and times. Will Laila trust Matty enough to try the effugium?

    It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.Undoubtedly one of Australia's favourite plays, the One Day of the Year explores the universal theme of father-son conflict against the background of the beery haze and the heady, nostalgic sentimentality of Anzac Day. It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.

    The Light in the Piazza has ravishing power. It’s as if Guettel were determined to capture the golden light of Tuscany in a bottle. His lyrics are remarkable, and the book, written by Craig Lucas, is written with characteristic empathy and humor. Brilliant.” –Frank Rich“The Light in the Piazza beautifully captures the eternal allure of Italy. . . . The story wraps itself around your heart.”—Chicago Sun-Times“Sumptuous and romantic. Guettel’s music and lyrics represent a genuine expense of spirit. The Light in the Piazza offers a complex contemplation of the well-defended emptiness of every man and woman. It doesn’t want theatergoers to feel good; it wants to make them feel deeply. And it does.” –New YorkerComposer Adam Guettel, best known for his Floyd Collins, has teamed with Prelude to a Kiss playwright Craig Lucas to create a passionate and soaring new musical. Based on Elizabeth Spencer’s 1960 novella, The Light in the Piazza is the story of a young American woman whose chance encounter with a charming young Italian man in a Florentine piazza sets off a whirlwind romance, with an unsettling revelation.Craig Lucas is a playwright, screenwriter and director. His plays include Prelude to a Kiss, Reckless, Blue Window, God’s Heart, The Singing Forest and Small Tragedy. His screenplays include Longtime Companion, The Secret Lives of Dentists and The Dying Gaul, which he also directed. Mr. Lucas’ awards include the L.A. Drama Critics Award, an OBIE Award for Best Play and Best Director, and the Excellence in Literature Award from the American Academy of Arts and Letters.Adam Guettel is a composer/lyricist living in Seattle, where he is Artist in Residence at the Intiman Theatre. His other work includes Floyd Collins and Saturn Returns (recorded by Nonesuch Records as Myths and Hymns). Mr. Guettel’s awards include the Stephen Sondheim Award, the ASCAP New Horizons Award, and the American Composers Orchestra Award.

    A scandalous affair. One unique love story. Anne is condemned to a life of loneliness. Until one day, through a massive crowd in London's Cheapside, she sees a man who instantly makes her heart flutter. Their eyes meet in a unique passionate moment... and then she is forced to flee.Overwhelmed by the hardships of her life, Anne is certain that she won't see him again. But fate had other, more sinister plans. When her dear friend Katharine introduces her new intended, Henry, Anne recognizes him immediately...What follows for Anne and Henry is a tale of forbidden passion, friendship, heartbreak, and danger. The closer these two get together, the more they put themselves and everyone they love at risk. The forbidden fruit never tasted sweeter...

    Afraid her mother will die in childbirth, Cordelia runs away, heading for Westport, Missouri, and her aunt, the only person who might be able to save her mother. Disguising herself as a boy, she sets out on foot to make the 150-mile trip down the Kansas River. She hitches rides with a variety of travelers going east, facing setbacks along the way while learning lessons about the world and her place in it.Cordelia's Journey is the first book in the Pierce Family Saga, a series of historical novels that follow Cordelia and her family through the latter half of the nineteenth century.

    Jon's new film is being shown at a festival in Lansing, Michigan, and Vince has come from Oakland to see it. Over the course of the evening, Vince finally gets Jon to admit that ten years ago he date-raped Amy Randall, a girl whom they both dated in high school only then to reveal that he's taped their entire conversation. And not only that, he's invited Amy to have dinner with them that night. Beneath its suspenseful, high-stakes surface, TAPE examines questions of motive, memory, truth and perception.

    

     This complete series box set includes The Chase, Volumes 1 through 4. The Chase, Volume 1 735 to 1. 735 = number of notches on his belt. 1 = the notch he couldn’t get. Who is he? Dean Chase. He loves the thrill. He loves the women. And above all, he loves the chase. But the one thing he doesn’t love is being tied down by a woman. To him, once the chase is over, it’s time to pull up his boxers and move on to the next target. That is until he meets Blair Parker. Blair is unlike any of the women under Dean’s belt. She’s confident, mysterious, and sassy. In Dean’s world, she’s the wicked curved ball he couldn’t figure out. She’s the first woman who always seems to be out of reach no matter how hard he chases. So when it comes to Blair, Dean couldn’t move on. Dean will need to change his ways in order to chase Blair down to make her the 736th notch on his belt. But will chasing after Blair become Dean’s undoing and end his love of the chase once and for all? The Chase, Volume 2 736 = the number of notches on my belt. 736 = the notch I can't get out of my head. 736 = the notch who leaves me wanting more than I’m prepared to give back. Who is 736? Blair Parker. She is unlike any women I have met before. She's powerful. She's feisty. She's headstrong. And above all, she’s the one I had to break my one and only rule to chase down. But there’s just one problem. She wants nothing to do with me before and after our night together. If that’s not enough, life then throws me another curve ball. I’m offered an opportunity of a lifetime. It’s an opportunity to achieve the success I’ve worked so hard for. It’s an opportunity anyone in my position would kill for. It’s an opportunity that I’d be crazy to say no to. But there is a catch. There is a price to pay. There is something I need to do in exchange for this opportunity. To be the youngest partner at the most prestigious international law firm, I need to make Blair the casualty of my success. The Chase, Volume 3 When the Blonde Bitch broke my heart ten years ago, I had vowed two things. One: I would never waste my time on loving someone again. Two: I would never have anything to do with the Blonde Bitch again. When I met my 736th notch, I broke that first vow. The minute I saw Blair, the second our eyes met, the microsecond I tasted her in my mouth, I knew that was the one vow I had to break. But the second vow, that I would keep. That vow I had control over. That vow I would take to my grave. But I couldn’t have been more wrong. Because Fate had other plans in mind. Fate was in on a cruel joke, and I was its target. The Chase, Volume 4 No one told me things would turn out this way. No one told me that to be honest with Blair, I had to break her heart.