It is 1943 in Nazi-occupied Denmark. Anett and her parents are hiding a Jewish woman and her son, Carl, in their cellar until a fishing boat can take them across the sound to neutral Sweden. The soldiers patrolling their street are growing suspicious, so Carl and his mama must make their way to the harbor despite a cloudy sky with no moon to guide them. Worried about their safety, Anett devises a clever and unusual plan for their safe passage to the harbor. Based on a true story.

     Inspired by the countless young people who took a stand against the forces of injustice, two Coretta Scott King Honorees, Angela Johnson and Eric Velasquez, offer a stirring yet jubilant glimpse of the youth involvement that played an invaluable role in the Civil Rights movement.

    I am the darker brother.They send me to eat in the kitchenWhen company comes,But I laugh,And eat well,And grow strong.Langston Hughes was a courageous voice of his time, and his authentic call for equality still rings true today. Beautiful paintings from Barack Obama illustrator Bryan Collier accompany and reinvent the celebrated lines of the poem “I, Too,” creating a breathtaking reminder to all Americans that we are united despite our differences.

    Illustrated with a blend of historic photographs and eloquent watercolors by Paul Bacon.

    When Sylvia and her brothers are not allowed to register at the same school Aki attended and are instead sent to a “Mexican” school, the stage is set for Sylvia’s father to challenge in court the separation of races in California’s schools. Ultimately, Mendez vs. Westminster School District led to the desegregation of California schools and helped build the case that would end school segregation nationally.Through extensive interviews with Sylvia and Aki—still good friends to this day—Winifred Conkling brings to life two stories of persistent courage in the face of tremendous odds.

    With that achievement he forever changed how his country treats people with disabilities, and he shows us all that one person is enough to change the world.

    An American sailor courts a young Japanese woman and each tries, in secret, to learn the other's way of eating.

    But, as World War II rages and people of Japanese descent are forced into incarceration camps, Mitsi is separated from Dash, her classmates, and life as she knows it. The camp is a crowded and unfamiliar place, whose dusty floors, seemingly endless lines, and barbed wire fences begin to unravel the strong Kashino family ties. With the help of a friendly neighbor back home, Mitsi remains connected to Dash in spite of the hard times, holding on to the hope that the war will end soon and life will return to normal. Though they've lost their home, will the Kashino family also lose their sense of family? And will Mitsi and Dash ever be reunited?

    It's 1942, after the attack on Pearl Harbor, and Manami and her family are Japanese American, which means that the government says they must leave their home by the sea and join other Japanese Americans at a prison camp in the desert. Manami is sad to go, but even worse is that they are going to have to give her dog, Yujiin, to a neighbor to take care of. Manami decides to sneak Yujiin under her coat, but she is caught and forced to abandon him. She is devastated but clings to the hope that somehow Yujiin will find his way to the camp and make her family whole again. It isn't until she finds a way to let go of her guilt that Manami can accept all that has happened to her family.

    A school where kids in patkas, hijabs, and yamulkes play side-by-side with friends in baseball caps. A school where students grow and learn from each other's traditions and the whole community gathers to celebrate the Lunar New Year. All Are Welcome lets young children know that no matter what, they have a place, they have a space, they are welcome in their school.

    But to fall in love in a place like Minidoka, a place built to make people feel like they weren’t human—that was miraculous.After the bombing of Pearl Harbor, Tama is sent to live in a War Relocation Center in the desert. All Japanese Americans from the West Coast—elderly people, children, babies—now live in prison camps like Minidoka. To be who she is has become a crime, it seems, and Tama doesn’t know when or if she will ever leave. Trying not to think of the life she once had, she works in the camp’s tiny library, taking solace in pages bursting with color and light, love and fairness. And she isn’t the only one. George waits each morning by the door, his arms piled with books checked out the day before. As their friendship grows, Tama wonders: Can anyone possibly read so much? Is she the reason George comes to the library every day? Beautifully illustrated and complete with an afterword, back matter, and a photo of the real Tama and George—the author’s grandparents—Maggie Tokuda-Hall’s elegant love story for readers of all ages sheds light on a shameful chapter of American history.

    Mama and child are riding where they?re supposed to?way in the back of the bus. The boy passes the time by watching his marble roll up and down the aisle with the motion of the bus, until from way up front a big commotion breaks out. He can?t see what?s going on, but he can see the policeman arrive outside and he can see Mama?s chin grow strong. ?There you go, Rosa Parks,? she says, ?stirrin? up a nest of hornets. Tomorrow all this?ll be forgot.? But they both know differently. With childlike words and powerful illustrations, Aaron Reynolds and Coretta Scott King medalist Floyd Cooper recount Rosa Parks? act of defiance through the eyes of a child?who will never forget.

    The story aims to answer children's questions about such traumatic events, and to help children identify and counter racial injustice in their own lives.Includes an extensive Note to Parents and Caregivers with guidelines for discussing race and racism with children, child-friendly definitions, and sample dialogues. Free, downloadable educator materials (including discussion questions) are available at APA's website.

    Martin Luther King Jr. An extraordinary picture-book biography, Martin's Big Words consists of Rappaport's own words interwoven with quotes from Dr. King...all powerfully brought to life by Collier's striking, glorious art. Rappaport's spare, gripping text and Collier's distinctive collage-and-watercolor illustrations depict King's life journey with reverence and dignity -- beginning with his childhood experience of seeing "White Only" signs throughout his hometown, presenting his efforts as a civil rights crusader, and ending abruptly with his assassination. The front cover of the book immediately conveys King's power and spiritual strength, consisting entirely of a lifelike portrait of him -- the title and the author's and illustrator's names are relegated to the back cover. As Collier says in his illustrator's note, he "tried to push [the imagery] to an emotional level that allows the reader to bring his or her own experience to it, without actually losing the intensity or the intention of the story." His technique is utterly effective. By using simple, direct language -- much of it King's -- the text offers young readers an accessible yet profound introduction to King's legacy. It explains that as a child, he listened to his minister father's "big words" and vowed to inspire others with such words when he grew up. The book's final sentence: "His big words are alive for us today," testifies to King's success -- and to the timeless importance of this great leader's ideals. As further inspiration for interested readers, Martin's Big Words includes a list of significant dates as well as a bibliography of resources for them to explore. (Jamie Levine)

    She sees the passage of the Fifteenth Amendment and her great-grandfather voting for the first time. She sees her parents trying to register to vote. And she sees herself marching in a protest from Selma to Montgomery. Veteran bestselling picture-book author Jonah Winter and Coretta Scott King Illustrator Award winner Shane W. Evans vividly recall America’s battle for civil rights in this lyrical, poignant account of one woman’s fierce determination to make it up the hill and make her voice heard.