In a sweltering New York City apartment, a group of Russian émigrés gathers round the deathbed of an artist named Alik, a charismatic character beloved by them all, especially the women who take turns nursing him as he fades from this world. Their reminiscences of the dying man and of their lives in Russia are punctuated by debates and squabbles: Whom did Alik love most? Should he be baptized before he dies, as his alcoholic wife, Nina, desperately wishes, or be reconciled to the faith of his birth by a rabbi who happens to be on hand? And what will be the meaning for them of the Yeltsin putsch, which is happening across the world in their long-lost Moscow but also right before their eyes on CNN? This marvelous group of individuals inhabits the first novel by Ludmila Ulitskaya to be published in English, a book that was shortlisted for the Russian Booker Prize and has been praised wherever translated editions have appeared. Simultaneously funny and sad, lyrical in its Russian sorrow and devastatingly keen in its observation of character, The Funeral Party introduces to our shores a wonderful writer who captures, wryly and tenderly, our complex thoughts and emotions confronting life and death, love and loss, homeland and exile.From the Hardcover edition.

    

    He spent his early childhood in Astrakhan where his father worked as a shipping agent, but when the boy was only five years old, his father died, and he was sent to live with his maternal grandparents. This was not a happy time for the young Gorky as conditions were poor and often violent. At the age of eight, the boy's grandfather forced him to quit school and apprenticed him to several tradesmen including a shoemaker and an icon painter. Fortunately, Gorky also worked as a dishwasher on a Volga steamer where a friendly cook taught him to read, and literature soon became his passion. At the age of twelve, Gorky ran away from home and barely survived, half starving, moving from one small job to the next. He was often beaten by his employers and seldom had enough to eat. The bitterness of these early experiences led him to choose the name Maxim Gorky (which means "the bitter one") as his pseudonym.

    Laidlaw knew him in his laboratory, was one man; but Mark Ebor, as he sometimes saw him after work was over, with rapt eyes and ecstatic face, discussing the possibilities of "union with God" and the future of the human race, was quite another. "I have always held, as you know," he was saying one evening as he sat in the little study beyond the laboratory with his assistant and intimate, "that Vision should play a large part in the life of the awakened man-not to be regarded as infallible, of course, but to be observed and made use of as a guide-post to possibilities-" "I am aware of your peculiar views, sir," the young doctor put in deferentially, yet with a certain impatience.

    She has been called “an American virtuoso of the short story form” (Salon) and “one of the quiet giants . . . of American fiction” (Los Angeles Times Book Review). Now, for the first time, Davis’s short stories will be collected in one volume, from the groundbreaking Break It Down (1986) to the 2007 National Book Award nominee Varieties of Disturbance. The Collected Stories of Lydia Davis is an event in American letters.

    Now I am about to go to Ticino once again, to live for a while as a hermit in nature and in my work." In 1920, after settling in the Ticino mountain village of Montagnola, he published Wandering, a love letter to this magic-garden world that can be read as a meditation on his attempt to begin a new life. His pure prose, his heartfelt lyricism, and his love for the old earth, for its blessings that renew themselves, all sing in this serene book. The first German edition of Wandering included facsimiles of fourteen watercolor landscapes. Hesse's painting had blossomed in the southern countryside and he even toyed with the idea "that I might still succeed in escaping literature entirely and making a living at the more appealing trade of painter." Unfortunately, his original pictures for Wandering have disappeared; this edition reproduces in black-and-white the full-color reproductions of the 1920 edition.

    A look at the absurdities of modern life.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    One of the results of its publication in the West was Pasternak's complete rejection by Soviet authorities; when he was awarded the Nobel Prize for Literature in 1958 he was compelled to decline it. The book quickly became an international best-seller.Dr. Yury Zhivago, Pasternak's alter ego, is a poet, philosopher, and physician whose life is disrupted by the war and by his love for Lara, the wife of a revolutionary. His artistic nature makes him vulnerable to the brutality and harshness of the Bolsheviks. The poems he writes constitute some of the most beautiful writing featured in the novel.

    Petersburg in 1872, adopted the pen-name of Teffi, and it is as Teffi that she is remembered. In pre-revolutionary Russia she was a literary star, known for her humorous satirical pieces; in the 1920s and 1930s, she wrote some of her finest stories in exile in Paris, recalling her unforgettable encounters with Rasputin, and her hopeful visit at age thirteen to Tolstoy after reading War and Peace. In this selection of her best autobiographical stories, she covers a wide range of subjects, from family life to revolution and emigration, writers and writing. Like Nabokov, Platonov, and other great Russian prose writers, Teffi was a poet who turned to prose but continued to write with a poet’s sensitivity to tone and rhythm. Like Chekhov, she fuses wit, tragedy, and a remarkable capacity for observation; there are few human weaknesses she did not relate to with compassion and understanding.

    K. Chesterton. These essays were originally published in the 'Daily News', and cover a range of topics ranging from Gargoyles to strolls around Marble Arch. The essays contained herein include: The Surrender of a Cockney, The Nightmare, The Telegraph Poles, A Drama of Dolls, The Men and His Newspaper, The Appetite of Earth, Simmons and the Social Tie, Cheese, The Red Town, The Furrows, and many more. Gilbert Keith Chesterton (1874 - 1936) was an English writer, poet, philosopher, dramatist, journalist, theologian, and biographer. Many vintage texts such as this are increasingly scarce and expensive, and it is with this in mind that we are republishing this book now, in an affordable, high-quality, modern edition. It comes complete with a specially commissioned biography of the author."

    Published individually in magazines throughout 1923 and 1924 and collected into a book in 1931, they deal primarily with a group of Jewish thugs that live in the Moldavanka, a ghetto of Odessa.

    And who is funnier?"- Edna O'BrienThe cream of Flann O'Brien's comic tour-de-force, the Keats and Chapman stories began in O'Brien's column in the Irish Times. He called them "studies in literary pathology" -- monstrously tall tales that explore the very limits of the shaggy dog story. As one critic wrote, they will accumulate the fantasy to the point of sadism, and then cash home with the flat, desolating pun."The Brother" is another of O'Brien's funniest creations. He is the archetypal Dublin man -- an authority on every one of mankind's ills, from the common cold to the court case. Forget the experts, The Brother knows best."The best comic writer I can think of."- S. J. Perelman

    Osip Mandelstam has in recent years come to be seen as a central figure in European modernism. Though known primarily as a poet, Mandelstam worked in many styles: autobiography, short story, travel writing, and polemic. Mandelstam's biographer, Clarence Brown, presents a collection of the poet's prose works that illuminates his far-ranging talent and places him within the canon of European modernism.This volume includes Mandelstam's "The Noise of Time, " a series of autobiographical sketches; "The Egyptian Stamp, " a novella echoing Gogol and Dostoevsky; "Fourth Prose, " and the famous travel memoirs "Theodosia" and "Journey to Armenia."

    The stories are satires on Indian political and social climate of 1960s and 70s.