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All My Friends Are Dead
Avery Monsen - 2010
In other words, perfect."
- The Huffington PostAn amusing and captivating tale that's a delightful primer for laughing at the inevitable: If you're a dinosaur, all of your friends are dead. If you're a pirate, all of your friends have scurvy. If you're a tree, all of your friends are end tables. Each page of this laugh-out-loud, illustrated humor book showcases the downside of being everything from a clown to a cassette tape to a zombie. Cute and dark all at once, this hilarious children's book for adults teaches valuable lessons about life.From the sock whose only friends have gone missing to the houseplant whose friends are being slowly killed by irresponsible plant owners (like you), All My Friends Are Dead presents hilariously entertaining stories about life and existential predicaments.The simple yet effective imagery, the personification of inanimate objects, and short, hilarious quips come together to create an amusing adventure through each character's unique grievance and wide-eyed dilemmas.Written by Avery Monsen, an actor, artist, and writer and Jory John, a writer, editor, and journalist. They are friends, and neither is dead. Yet.All My Friends Are Dead is both the saddest funny book and the funniest sad book you'll ever read.Children's book written for adults Displayed in an accessible cartoon form
Toothpaste for Dinner
Drew - 2005
This unique title:*Is based on the wildly popular toothpastefordinner.com Web site, which averages 19 million hits*Speaks to the popularity of edgy humor titles like The Bunny Suicides and Get Your War On*Provides a completely original world view paired up with simple line drawings that will appeal to 20- and 30-something creative typesWhat Dilbert did for office workers in the early 90s, this revolutionary and hilarious book will do for wage slaves of the twenty-first century.
Breaking Cat News: Cats Reporting on the News that Matters to Cats
Georgia Dunn - 2016
Together they break headlines on the food bowl, new plants, mysterious red dots, strange cats in the yard, and all the daily happenings in their home.
Jasotron: 2012: A FoxTrot Collection
Bill Amend - 2012
Peter, Paige, and Jason, along with parents Roger and Andy, comment on the latest Hollywood fads, gaming fixations, and familial fascinations. As the 27th FoxTrot comic collection, Jasontron: 2012 features all full-color Sunday strips published from September 2009 to Spring 2012. Jason continues to craft exploits at Paige’s expense, while Peter suits up for the next big game. Parents Roger and Andy keep up with their children’s antics, as Roger vigilantly monitors his hairline and his burrito intake, along with Andy’s attempts to create Peeps from tofu and saffron. With appearances in the New York Times crossword puzzle and on television’s Jeopardy! and The Sopranos, FoxTrot frequently finds itself an integral part of the popular culture that it so often critiques.
Deadpool vs. Carnage #1
Cullen Bunn - 2014
bad crazy, once and for all! And you can bet it's gonna be a bloody one!
The Chair: Special Edition
Peter Simeti - 2008
Witnessing savage killings at the hands of the prison's sadistic and psychotic Warden, Sullivan decides that in order to survive he must match the brutality occurring in the prison.But as he fights to escape his fate, Sullivan is forced to question his sanity and confront his own horrific past. This Special Edition has a limited print run of 750 copies and includes the upcoming film's screenplay, a pencils to inks gallery, and a behind the scenes featurette on the making of the death row film set.
I've Got the One-More-Washload Blues
Lynn Johnston - 1981
Comic strips show the daily trials and pleasures of family life for Elly, her husband John, a dentist, and their children Michael and Elizabeth.
Our Super Adventure Vol. 1: Press Start to Begin
Sarah Graley - 2015
Smelling your cats. Figuring out how to spend your evening when the internet has suddenly stopped working. Relationships are full of sweet and quirky little moments! Sarah Graley’s first collection of the hit diary webcomic Our Super Adventure chronicles two years of these strange, relatable instances, as she navigates life with four cats and one cat-like boy. Whether it’s that feeling of getting the entire bed when your partner gets up before you, or the heartbreaking realisation that the love of your life has burned the microwave popcorn, Press Start To Begin documents all the weird little everyday flashes of shared absurdity that make up a relationship.
In Love & Pajamas: A Collection of Comics about Being Yourself Together
Catana Chetwynd - 2021
From the author of the #1 New York Times bestseller Snug and the bestselling Little Moments of Love comes an all-new collection, In Love & Pajamas by Catana Chetwynd of Catana Comics! When you've reached that sweatpants-wearing cozy place in your relationship, it's all In Love & Pajamas! This brand-new collection of Catana Comics presents some fan favorites and half of the book features never-before-seen comics that delight and amuse readers of all ages. Wholesome, sweet, feel-good humor!
The Best of the Rejection Collection: 293 Cartoons That Were Too Dumb, Too Dark, or Too Naughty for The New Yorker
Matthew Diffee - 2011
"The Rejection Collection" brings together some of "The New Yorker's "brightest talents--Roz Chast, Gahan Wilson, Sam Gross, Jack Zeigler, David Sipress, and more--and reveals their other side. Their dark side. Their juvenile side. Their sick side. Their naughty side. Their outrageous side.And what a treat. Ventriloquist dummy cartoons. Operating room cartoons. Bring your daughter to work day cartoons (the stripper, the prison guard on death row). Lots of couples in bed, quite a few coffins, wise-cracking animals--an obsessive's plumbing of the weird, the scary, the off-the-wall, and done so without restraint.Every week "The New Yorker" receives 500 cartoon submissions, and rejects a great majority--mostly, of course, for not being funny enough. There's no question why these were rejected, and it's not for lack of laughs. One can almost hear Eustace Tilley sniffing, "We are not amused."
Hark! A Vagrant
Kate Beaton - 2011
No era or tome emerges unscathbed as Beaton rightly skewers the Western world's revolutionaries, leaders, sycophants, and suffragists while equally honing her wit on the hapless heroes, heroines, and villains of the best-loved fiction. She deftly points out what really happened when Brahms fell asleep listening to Liszt, that the world's first hipsters were obviously the Incroyables and the Merveilleuses from eighteenth-century France, that Susan B. Anthony is, of course, a "Samantha," and that the polite banality of Canadian culture never gets old. Hark! A Vagrant features sexy Batman, the true stories behind classic Nancy Drew covers, and Queen Elizabeth doing the albatross. As the 5600.000 unique monthly visitors to harkavagrant.com already know, no one turns the ironic absurdities of history and literature into comedic fodder as hilarious as Beaton.
Lout Rampage!
Daniel Clowes - 1992
This 1991 paperback includes stories from Eightball #1-6, along with strips Clowes created for alternative comics anthologies Blab!, Young Lust, and Weirdo. It includes several of the cartoonist’s one-page collaborations with The Duplex Planet creator David Greenberger and two of his most well-known comic-strip rants: “I Hate You Deeply” and “I Love You Tenderly.”
Detective Comics (1937-2011) #0
Chuck Dixon
As Bruce Wayne ponders the future, his early days as The Dark Knight come to mind, when he used his vast fortune to amass an arsenal of high-tech hardware to aid him in his war on crime.
Big Trouble in Little China
John Carpenter - 2014
Even though the ’80s are over, Jack Burton, the goofball action hero, continues to be a timeless treasure. This is the sequel to John Carpenter’s cult classic that I’ve been waiting for.
Calvin and Hobbes: Sunday Pages 1985-1995: An Exhibition Catalogue
Bill Watterson - 2001
Then Bill Watterson came along and reminded a new generation of what older readers and comic strip aficionados knew: A well-written and beautifully drawn strip is an intricate, powerful form of communication. And with Calvin and Hobbes, we had fun—just like readers of Krazy Kat and Pogo did. Opening the newspaper each day was an adventure. The heights of Watterson's creative imagination took us places we had never been. We miss that.This book was published in conjunction with the first exhibition of original Calvin and Hobbes Sunday pages at The Ohio State University Cartoon Research Library. Although the work was created for reproduction, not for gallery display, was a pleasure to see the cartoonist's carefully placed lines and exquisite brush strokes. In an attempt to share this experience with those who were unable to visit the exhibition, all of the original Sunday pages displayed are reproduced in color in this book so that every detail, such as sketch lines, corrections, and registration marks, are visible. On the opposite page the same comic strip is printed in full color. Because Watterson was unusually intentional and creative in his use of color, this juxtaposition provides Calvin and Hobbes readers the opportunity to consider the impact of color on its narrative and content.When I first contacted Bill Watterson about the possibility of exhibiting his original work, I used the term "retrospective." He replied that we might be able to do an exhibit, but that calling it a retrospective made him uncomfortable. He felt that a longer time was needed to put Calvin and Hobbes in the historical perspective implied by that term. Nonetheless, this show is a "look back" at the comic strip as we revisit favorites that we remember. Calvin and Hobbes: Sunday Pages 1985-1995 is particularly interesting because each work that is included was selected by Bill Watterson. His comments about the thirty-six Sunday pages he chose are part of this volume. In addition, he reflects on Calvin and Hobbes from the perspective of six years, and his essay provides insights into his life as a syndicated cartoonist.Reprint books of Calvin and Hobbes are nice to have, but the opportunity to see the original work and read Bill Watterson's thoughts about it is a privilege. He generously shared not only the art, but also his time and his thoughts. When I first reviewed the works included in the exhibit, I knew that everyone who visited it would begin with laughter and end with tears.On behalf of all who enjoyed Calvin and Hobbes, thank you, Bill Watterson.--Lucy Shelton Caswell, Professor and Curator The Ohio State University Cartoon Research Library, June 2001