Cut off, people become passive and confused. Panic builds as the food supply dwindles. While the band council and a pocket of community members struggle to maintain order, an unexpected visitor arrives, escaping the crumbling society to the south. Soon after, others follow.The community leadership loses its grip on power as the visitors manipulate the tired and hungry to take control of the reserve. Tensions rise and, as the months pass, so does the death toll due to sickness and despair. Frustrated by the building chaos, a group of young friends and their families turn to the land and Anishinaabe tradition in hopes of helping their community thrive again. Guided through the chaos by an unlikely leader named Evan Whitesky, they endeavor to restore order while grappling with a grave decision.Blending action and allegory, Moon of the Crusted Snow upends our expectations. Out of catastrophe comes resilience. And as one society collapses, another is reborn.

    Beverly is organizing the perfect dinner, but everything seems doomed to go awry--the silverware is all wrong, the radio is on the fritz, and the rest of the family can't be bothered to lift a hand to help. And yet, what appears at first to be a standard family dramedy takes a sharp, sly turn into a startling examination of deep-seated paradigms about race in America.

    First performed in Paris in 1947, its action was inspired by a real-life scandal, the murder by two maids, sisters Christine and Léa Papin, of their mistress and her daughter. Genet's maids - Solange and Claire - occupy themselves, whenever their Madame is out of doors, by acting out ritualised fantasies of revenging their downtrodden status. But when the game goes beyond their control the maids are compelled to try to make their fantasy a reality.'The most extraordinary example of the whirligigs of being and appearance, of the imaginary and the real, is to be found in [Genet's] The Maids. It is the element of fake, of sham, of artificiality, that attracts Genet in the theatre.' Jean-Paul Sartre

    With Mirabell? You call my blood into my face with mentioning that traitor. She durst not have the confidence. I sent her to negotiate an affair, in which if I'm detected I'm undone. If that wheedling villain has wrought upon Foible to detect me, I'm ruined. O my dear friend, I'm a wretch of wretches if I'm detected.

    However, celebrations come to an abrupt end when the host suffers an horrific accident.As the victim lies in a coma, an almost unthinkable plan starts to take shape: could her suffering be their next work of art? The group is ecstatic in its new found project until things slip out of their control and, to the surprise of all, the patient awakes?pool (no water) is a visceral and shocking new play about the fragility of friendship and the jealousy and resentment inspired by success.Citizenship is a bittersweet comedy about growing up, following a boy's frank and messy search to discover his sexual identity. It was developed as part of the National Theatre Shell Connections 2005 Programme

    It premiered in London, in 1980 and won the Society for West End Theatres (SWET) award for Best Comedy of the Year. It was made into a highly successful film with Michael Caine and Julie Walters and won the 1983 BAFTA award for Best Film.Commentary and notes by Steve Lewis.

    When we first meet Ruby, a Métis woman in her thirties, her life is spinning out of control. She's angling to sleep with her counselor while also rekindling an old relationship she knows will only bring more heartache. But as we soon learn, Ruby's story is far more complex than even she can imagine. Given up for adoption as an infant, Ruby is raised by a white couple who understand little of her Indigenous heritage. This is the great mystery that hovers over Ruby's life--who her people are and how to reconcile what is missing. As the novel spans time and multiple points of view, we meet the people connected to Ruby: her birth parents and grandparents; her adoptive parents; the men and women Ruby has been romantically involved with; a beloved uncle; and Ruby's children. Taken together, these characters form a kaleidoscope of stories, giving Ruby’s life dignity and meaning. Probably Ruby is a dazzling novel about a bold, unapologetic woman taking control of her life and story, and marks the debut of a major new voice in Indigenous fiction.

    Xavier Bird, her sole living relation, is gravely wounded and addicted to morphine. As Niska slowly paddles her canoe on the three-day journey to bring Xavier home, travelling through the stark but stunning landscape of Northern Ontario, their respective stories emerge—stories of Niska’s life among her kin and of Xavier’s horrifying experiences in the killing fields of Ypres and the Somme.

    The Governor General’s Award-winning musical documents the glorious World War I exploits of Canadian flying ace Billy Bishop.

    The paths of the five friends cross and crisscross over the decades as they struggle to overcome, or at least forget, the trauma they endured during their years at the Mission.Fuelled by rage and furious with God, Clara finds her way into the dangerous, highly charged world of the American Indian Movement. Maisie internalizes her pain and continually places herself in dangerous situations. Famous for his daring escapes from the school, Kenny can’t stop running and moves restlessly from job to job—through fishing grounds, orchards and logging camps—trying to outrun his memories and his addiction. Lucy finds peace in motherhood and nurtures a secret compulsive disorder as she waits for Kenny to return to the life they once hoped to share together. After almost beating one of his tormentors to death, Howie serves time in prison, then tries once again to re-enter society and begin life anew.With compassion and insight, Five Little Indians chronicles the desperate quest of these residential school survivors to come to terms with their past and, ultimately, find a way forward.

    This extraordinary drama, produced to acclaim at the Actors Theatre of Louisville originally, and at NYC's Second Stage is about a celebrated 1930's French murder case, in which two maids sisters were convicted of murdering their employer and her daughter. This very cinematically structured work explores the motivations whi

    The many highlights include Lee Maracle's creation story, Salish style; Tomson Highway explaining why Cree is the sexiest of all languages; Joseph Boyden asking the eternal question, "Do Native people have less (or more) pubic hair?"; Marius P. Tungilik looking at the dark side of Inuit sex; and Marissa Crazytrain discussing her year as a stripper in Toronto, and how it shaped her life back in Saskatchewan.

    The play ushered in a new social era and "exploded like a bomb into contemporary life".  The Student Edition contains these exclusive features: ·         A chronology of the playwright's life and work ·         An introduction giving the background of the play ·         Commentary on themes, characters. language and style ·         Notes on individual words and phrases in the text ·         Questions for further study ·         Bibliography for further reading.

    This fact remained unnoticed by most settlers, however, since non-aboriginals just didn’t get the joke. For most of written history, a stern, unyielding profile of “the Indian” dominated the popular mainstream imagination. Indians, it was believed, never laughed. But Indians themselves always knew better. As an award-winning playwright, columnist, and comedy-sketch creator, Drew Hayden Taylor has spent 15 years writing and researching aboriginal humor. For Me Funny, he asked a noted cast of writers from a variety of fields — including such celebrated wordsmiths as Thomas King, Allan J. Ryan, Mirjam Hirch, and Tomson Highway — to take a look at what makes aboriginal humor tick. Their hilarious, enlightening contributions playfully examine the use of humor in areas as diverse as stand-up comedy, fiction, visual art, drama, performance, poetry, traditional storytelling, and education.

    Divided into two parts, Mercy pairs a single year in the past with a single night in the present, as they unfold in the town of Mercy, Manitoba, and in the neighbouring black spruce bog.In 1948, a dedicated priest named August Day arrives in Mercy to take over from Father Rock, who has passed away. Although Father Day is young, the bishop has seen fit to let him take over the parish, and August feels he is fulfilling his years of devotion, study and struggle -- at last being able to serve God as alter Christus, or another Christ. The first service he is to perform in his new church is the marriage of Thomas Rose, the town butcher, to Mathilda Nickels, the orphaned niece of the church housekeeper.Thomas Rose is a good man who waited years to express his love for Mathilda. And when Mathilda accepted his proposal, he was sure that their life together would bring them both joy, though in truth he knew little about his betrothed. Mathilda grew up in a Catholic orphanage and has since been living with her aunt Vera at St. Mary’s; she has not explored the world beyond the realm of her religious devotion, and approaches her wedding day with a mix of fear and dread. But when her eyes meet those of Father Day at the ceremony, Thomas seems to dissolve beside her and she feels physical passion for the first time in her life. As of that moment, August and Mathilda will only have eyes, and hearts, for each other.Over the coming weeks, the young bride spends more and more time at St. Mary’s, caring for her ailing aunt and taking over the woman’s cleaning duties, but also savouring her brief moments with Father Day. Her marriage remains unconsummated, and her lust for the priest grows to fever pitch, as does his for her -- fuelled not only by the secrets they share in the confessional, but by the fiery text of the Song of Songs. When they do unite, it seems to mark the end of their secret relationship… but the child Mathilda carries away from the encounter assures us their story is not over. Rather, it is yet another thread to add to the tapestry of unspoken stories underpinning Mercy itself, and one that will affect the town’s psyche for decades to come.Half a century later, another sort of preacher comes to Mercy -- a womanizing widower who wants to develop the black spruce bog on the edge of town and build a religious camp. Reverend Carl Mann is fairly confident of success, having taken up with Mayor Lavinia Wylie, but worries about the well-publicized protests of a woman known as Bog Mary, who has lived her entire life in the heart of the bog. He heads off to confront her and ends up lost and hurt, but Mary uses her natural remedies and knowledge to heal not only his wounds but his broken spirit.A dark yet compassionate novel, Mercy rivals the fiction debuts of Anne Michaels, Ann-Marie MacDonald and Gail Anderson-Dargatz. Alissa York brings to life a tale of misguided love and damaged souls with language of incredible clarity and intensity.From the Trade Paperback edition.