Schwab and torn from the universe of the Shades of Magic sequence, this all-original comic book prequel to A Darker Shade of Magic is perfect for fans of bloody, swashbuckling adventure and gritty fantasy!Delve into the thrilling, epic tale of the young and arrogant prince Maxim Maresh, long before he became the king of Red London and adoptive father to Kell, the lead of A Darker Shade of Magic!The youthful Maresh is sent to a violent and unmanageable port city on the Blood Coast of Verose, on strict orders from his father, King Nokil Maresh, to cut his military teeth in this lawless landscape.There, he encounters an unruly band of soldiers, a lawless landscape, and the intoxicatingly deadly presence of the newly returned pirate queen, Arisa...Collects Shades of Magic: The Steel Prince #1-4.

    In his darkest moments, when those dreams were dashed, he dug deep with the help of an unlikely friend—five-year-old Maddux Maple, a local hometown fan with leukemia. They made a pact: Cody would be in the UFC and win the championship, and Maddux would beat cancer. Read their moving story in Cody’s new book, The Pact, and go behind the scenes into Cody’s training and how he made his dreams come true. Cody Garbrandt grew up in a rough town in the Central Appalachian region of Ohio, surrounded by a longstanding culture of fighting—and drugs. Raised in this environment by a single mom (his dad left him at the young age of three to reside in the Ohio State Penitentiary), Cody grew up fighting, and he grew up wild. His future seemed predestined to end in the coal mines, or in prison.Thankfully, Cody had visions of something more. His American Dream? Mixed Martial Arts. But a path to success wasn’t clear. He spent as much time fighting in the streets as he did in the gym—one bad decision away from losing everything. Then, at age 20, Cody’s brother introduced him to five-year old Maddux Maple. Maddux was deathly ill with leukemia, his survival by no means assured. A unique friendship developed as they made a promise to each other: Maddux would beat cancer, and Cody would make it to the UFC and become world champion.Through five long years of pain and hardship, they both persevered; Cody, through the agony and sacrifices of fighting his way to the top, and Maddux through the horrors of chemotherapy. They loved and supported each other. They served as each other’s inspiration. And in December 2016, they made good on their pact: Cody won his UFC Championship belt, which he promptly presented to Maddux—the boy who had beaten cancer into remission.

    So we set out to make our own.the GENDER book is a fun, colorful, community-based resource, which illustrates the beautiful diversity of gender - a gender 101 for anyone and everyone.

    Originally published online as a webcomic, this book also contains new art and stories about his second trip, a glossary of Icelandic terms from the comic, and an Icelandic pronunciation guide.

    It’s impossible not to let oneself go along for the ride and emerge at the book’s end enlightened, touched, thrilling with laughter.’ – Marieke HardyMeet the Law family – eccentric, endearing and hard to resist. Your guide: Benjamin, the third of five children and a born humorist. Join him as he tries to answer some puzzling questions: Why won’t his Chinese dad wear made-in-China underpants? Why was most of his extended family deported in the 1980s? Will his childhood dreams of Home and Away stardom come to nothing? What are his chances of finding love?Hilarious and moving, The Family Law is a linked series of tales from a wonderful new Australian talent.

    A partying, record store clerk, rock and roller, and big sweet softy, Ben tours the world with his band, J CHURCH, drinks like a fish, goes to parties, and gets his heart broken over and over when he’s not breaking hearts. The more you read, the more addictive it gets. Includes compilation CD of Ben’s daily listening! Voted Best Minicomic - Wizard March 2006! Voted Best local comic – Austin Statesman 2006!

    Whatever happened to sexual flamboyance and gender liberation, an end to marriage, the military, and the nuclear family? As backrooms are shut down to make way for wedding vows, and gay sexual culture morphs into “straight-acting dudes hangin’ out,” what are the possibilities for a defiant faggotry that challenges the assimilationist norms of a corporate-cozy lifestyle?Why Are Faggots So Afraid of Faggots? challenges not just the violence of straight homophobia but the hypocrisy of mainstream gay norms that say the only way to stay safe is to act straight: get married, join the military, adopt kids! Mattilda Bernstein Sycamore reinvokes the anger, flamboyance, and subversion once thriving in gay subcultures in order to create something dangerous and lovely: an exploration of the perils of assimilation; a call for accountability; a vision for change. A sassy and splintering emergency intervention!Called "startlingly bold and provocative" by Howard Zinn, and described as "a cross between Tinkerbell and a honky Malcolm X with a queer agenda" by The Austin Chronicle, Mattilda Bernstein Sycamore is undoubtedly one of America's most outspoken queer critics. She is the author of two novels, including, most recently, So Many Ways to Sleep Badly, and is the editor of four nonfiction anthologies, including Nobody Passes: Rejecting the Rules of Gender and Conformity and That’s Revolting! Queer Strategies for Resisting Assimilation.

    An honest and moving story of youth and friendship, Smith brings the same unique, lyrical quality to Just Kids as she has to the rest of her formidable body of work--from her influential 1975 album Horses to her visual art and poetry.

    Dex Parios is the proprietor of Stumptown Investigations, and a fairly talented P.I. Unfortunately, she's less adept at throwing dice than solving cases. Her recent streak has left her beyond broke and she's into the Confederated Tribes of the Wind Coast for 18 large. But maybe Dex's luck is about to change. Sue-Lynne, head of the Wind Coast's casino operation, will clear Dex's debt if she can locate Sue-Lynne's missing granddaughter. But is this job Dex's way out of the hole or a shove down one much much deeper?

    In 1992, Brian Francis placed a personal ad in a local newspaper. He was a twenty-one-year-old university student, still very much in the closet, and looking for love. He received twenty-five responses, but there were thirteen letters that went unanswered and spent years tucked away, forgotten, inside a cardboard box. Now, nearly thirty years later, and at a much different stage in his life, Brian has written replies to those letters. Using the letters as a springboard to reflect on all that has changed for him as a gay man over the past three decades, Brian's responses cover a range of topics, including body image, aging, desire, the price of secrecy, and the courage it takes to be unapologetically yourself.Missed Connections is an open-hearted, irreverent, often hilarious, and always bracingly honest examination of the pieces of our past we hold close -- and all that we lose along the way. It is also a profoundly affecting meditation on how Brian's generation, the queer people who emerged following the generation hit hardest by AIDS, were able to step out from the shadows and into the light. In an age when the promise of love is just a tap or swipe away, this extraordinary memoir reminds us that our yearning for connection and self-acceptance is timeless.

    But Ruin will live up to his name, in ways that Dream could never expect and creating a spiral of consequences and messes to be cleaned. When Lindy dreams of Ruin—she somehow delivers him unto the waking world! Has anyone checked on Puck lately? Oh no...it looks like he's found someone to stalk too. Sorceress Heather After will have to find a protector for herself...but is she prepared for the deal she'll have to strike once she finds the champion with the dangerous power she needs? With a trip into the realm of Faerie too, you don't want to miss the collection of your dreams! The Dreaming: Waking Hours, collects The Dreaming: Waking Hours #1-12.

    She has exposed her legs in a biblical city, an act they deem forbidden, and their judgement will echo on through her adolescence. When our narrator finally admits to her mother that she is queer, her mother's response only intensifies a sense of shame: "You exist too much," she tells her daughter.Told in vignettes that flash between the U.S. and the Middle East--from New York to Jordan, Lebanon, and Palestine--Zaina Arafat's debut novel traces her protagonist's progress from blushing teen to sought-after DJ and aspiring writer. In Brooklyn, she moves into an apartment with her first serious girlfriend and tries to content herself with their comfortable relationship. But soon her longings, so closely hidden during her teenage years, explode out into reckless romantic encounters and obsessions with other people. Her desire to thwart her own destructive impulses will eventually lead her to The Ledge, an unconventional treatment center that identifies her affliction as "love addiction." In this strange, enclosed society she will start to consider the unnerving similarities between her own internal traumas and divisions and those of the places that have formed her.Opening up the fantasies and desires of one young woman caught between cultural, religious, and sexual identities, You Exist Too Much is a captivating story charting two of our most intense longings--for love, and a place to call home.

    By age six already a regular in the Sears Husky Boys Department. Young Frankie is also gay, and he's trapped in the aluminum-sidinged, lawn-sprinklered, what-exit? wilds of New Jersey suburbia. Imagine Elton John born to an Italian-American Edith and Archie Bunker and you've got the picture. A Boy Named Phyllis is Frank DeCaro's witty gem of a memoir about growing up among working-class Italian folk in Little Falls, New Jersey. There are the usual trials and tribulations between little Frankie and his parents, Marian and Frank Sr., but this is no angst-ridden, coming-of-age gay memoir. Frank is funny, and A Boy Names Phyllis is the antidote to such books. It is the mid-1960s and the DeCaros have it all: a living room that no one is allowed to live in; a complete collection of cardboard cutout decorations for every holiday; an Entenmann's factory around the corner; and a killer lineup of Friday-night TV - The Brady Bunch, The Partridge Family, Room 222, The Odd Couple, and, if you can stay awake long enough, Love, American Style. There's only one problem: instead of developing a crush on Laurie Partridge, Frankie gets a boner for Keith. He perfects a drop-dead Paul Lynde imitation, and ultimately finds liberation through Elton John and Disco.

    . . . No one is writing better or more needed verse than this."--Boston Evening Globe

     She writes of making up her mind at a young age to become a country music star, knowing then that her feelings and crushes on girls were “sinful” and hoping and praying that she would somehow be “fixed.” (“Dear God, please don’t let me be gay. I promise not to lie. I promise not to steal. I promise to always believe in you . . . Please take it away.”) We see her, high school homecoming queen, heading out on her own at seventeen and landing a job as a featured vocalist on the Ozark Jubilee (the show that started Brenda Lee, Red Foley, and Porter Wagoner), being cast in Country Music U.S.A., doing four live shows a day, and—after only a few months in Nashville—her dream coming true, performing on the stage of the Grand Ole Opry . . .  She describes writing and singing her own songs for producers who’d discovered and recorded the likes of Reba McEntire, Shania Twain, and Toby Keith, who heard in her music something special and signed her to a record contract, releasing her first album and sending her out on the road on her first bus tour . . . She writes of sacrificing all for a shot at success that would come a couple of years later with her first hit single, “Shut Up And Drive” . . . her songs (from her fourth album, Single White Female) climbing the Billboard chart for twenty-nine weeks, hitting the #1 spot . . .   She writes about the friends she made along the way—Vince Gill, Brad Paisley, and others—writing songs, recording and touring together, some of the friendships developing into romantic attachments that did not end happily . . . Keeping the truth of who she was clutched deep inside, trying to ignore it in a world she longed to be a part of—and now was—a world in which country music stars had never been, could not be, openly gay . . . She writes of the very real prospect of losing everything she’d worked so hard to create . . . doing her best to have a real life—her best not good enough . . .  And in the face of everything she did to keep herself afloat, she writes about how the vortex of success and hiding who she was took its toll: her life, a tangled mess she didn’t see coming, didn’t want to; and, finally, finding the guts to untangle herself from the image of the country music star she’d become, an image steeped in long-standing ideals and notions about who—and what—a country artist is, and what their fans expect them to be . . . I am a songwriter,” she writes. “I am a singer of my songs—and I have a story to tell. As I’ve traveled this path that has delivered me to where I am today, my monument of thanks, paying honor to God, remains. I will do all I can with what I have been given . . .”  Like Me is fearless, inspiring, true.