Occult detectives. Ghost hunters. Monster fighters. Humans who unravel uncanny crimes and solve psychic puzzles; sleuths with supernatural powers of their own who provide services far beyond those normal gumshoes, shamuses, and Sherlocks can. When vampires, werewolves, and things that go "bump" in the night are part of your world, criminals can be as inhuman as the crimes they commit, and magic can seep into the mundane - those who solve the mysteries, bring justice, or even save the world itself, might utter spells, wield wands as well as firearms, or simply use their powers of deduction. Some of the best tales of the last decade from top authors of the 21st century's most popular genres take you down mean streets and into strange crime scenes in this fantastic compilation.Contents (alphabetical by author):“Cryptic Coloration” by Elizabeth Bear“The Key” by Ilsa J. Blick“Mortal Bait” Richard Bowes“Star of David” by Patricia Briggs“Love Hurts” by Jim Butcher“Swing Shift” by Dana Cameron“The Necromancer’s Apprentice” by Lillian Stewart Carl“Sherlock Holmes and the Diving Bell” by Simon Clark“The Adakian Eagle” by Bradley Denton“Hecate’s Golden Eye” by P.N. Elrod“The Case of Death and Honey” by Neil Gaiman“The Nightside, Needless to Say” by Simon R. Green“Deal Breaker” by Justin Gustainis“Death by Dahlia” by Charlaine Harris“See Me” by Tanya Huff“Signatures of the Dead” by Faith Hunter“The Maltese Unicorn” by Caitlín R. Kiernan“The Case of the Stalking Shadow” by Joe R. Lansdale“Like a Part of the Family” by Jonathan Maberry“The Beast of Glamis” by William Meikle“Fox Tails” by Richard Parks“Imposters” by Sarah Monette“Defining Shadows” by Carrie Vaughn

    The magic mirror sees all but can do nothing. A cloned savior solves a fanatically-inspired murder. Three Irish siblings thieve treasures with bad poetry and the aid of the Queen of Cats.With these captivating initial glimpses into her storytelling psyche, Jo Walton shines through subtle myths and reinvented realities. Through eclectic stories, subtle vignettes, inspired poetry, and more, Walton soars with humans, machines, and magic—rising from the every day into the universe itself.

    Lovecraft mythos into the twenty-first century, optioned by Warner Bros TV.Daniel Carter used to be a homicide detective, but his last case-the hunt for a serial killer-went wrong in strange ways and soured the job for him. Now he's a private investigator trying to live a quiet life. Strangeness, however, has not finished with him. First he inherits a bookstore in Providence from someone he's never heard of, along with an indignant bookseller who doesn't want a new boss. She's Emily Lovecraft, the last known descendant of H.P. Lovecraft, the writer from Providence who told tales of the Great Old Ones and the Elder Gods, creatures and entities beyond the understanding of man. Then people start dying in impossible ways, and while Carter doesn't want to be involved, he's beginning to suspect that someone else wants him to be. As he reluctantly investigates, he discovers that Lovecraft's tales were more than just fiction, and he must accept another unexpected, and far more unwanted inheritance.

    It’s a quiet life, until a local eccentric known as Spooky Ed shows up on their doorstep.Ed entrusts Jeffy with hiding a strange and dangerous object—something he calls “the key to everything”—and tells Jeffy that he must never use the device. But after a visit from a group of ominous men, Jeffy and Amity find themselves accidentally activating the key and discovering an extraordinary truth. The device allows them to jump between parallel planes at once familiar and bizarre, wondrous and terrifying. And Jeffy and Amity can’t help but wonder, could Michelle be just a click away?Jeffy and Amity aren’t the only ones interested in the device. A man with a dark purpose is in pursuit, determined to use its grand potential for profound evil. Unless Amity and Jeffy can outwit him, the place they call home may never be safe again.

    Three astronauts in a tiny spaceship, a quarter million miles from home. A quarter million miles from help.NASA is about to launch Apollo 18. While the mission has been billed as a scientific one, flight controller Kazimieras "Kaz" Zemeckis knows there is a darker objective. Intelligence has discovered a secret Soviet space station spying on America, and Apollo 18 may be the only chance to stop it.But even as Kaz races to keep the NASA crew one step ahead of their Russian rivals, a deadly accident reveals that not everyone involved is quite who they were thought to be. With political stakes stretched to the breaking point, the White House and the Kremlin can only watch as their astronauts collide on the lunar surface, far beyond the reach of law or rescue. Full of the fascinating technical detail that fans of The Martian loved, and reminiscent of the thrilling claustrophobia, twists, and tension of The Hunt for Red October, The Apollo Murders is a high-stakes thriller unlike any other. Chris Hadfield captures the fierce G-forces of launch, the frozen loneliness of space, and the fear of holding on to the outside of a spacecraft orbiting the Earth at 17,000 miles per hour as only someone who has experienced all of these things in real life can. Strap in and count down for the ride of a lifetime.

    How charming. That is, unless you have the misfortune of finding yourself in an English Murder Village, where danger lurks around each picturesque cobblestone corner and every sip of tea may be your last. If you insist on your travels, do yourself a favor and bring a copy of this little book. It may just keep you alive. Brought to life with dozens of Gorey-esque drawings by illustrator Jay Cooper and peppered with allusions to classic crime series and unmistakably British murder lore, Your Guide to Not Getting Murdered in a Quaint English Village gives you the tools you need to avoid the same fate, should you find yourself in a suspiciously cozy English village (or simply dream of going). Good luck, and whatever you do, avoid the vicar.

    The keys to this empire belong to the powerful North family - composed of successive generations of clones. Yet these clones are not identical. For one thing, genetic errors have crept in with each generation. For another, the original three clone "brothers" have gone their separate ways, and the branches of the family are now friendly rivals more than allies. Or maybe not so friendly. At least that's what the murder of a North clone in the English city of Newcastle suggests to Detective Sidney Hurst. Sid is a solid investigator who'd like nothing better than to hand off this hot potato of a case. The way he figures it, whether he solves the crime or not, he'll make enough enemies to ruin his career. Yet Sid's case is about to take an unexpected turn: Because the circumstances of the murder bear an uncanny resemblance to a killing that took place years ago on the planet St. Libra, where a North clone and his entire household were slaughtered in cold blood.The convicted slayer, Angela Tramelo, has always claimed her innocence. And now it seems she may have been right. Because only the St. Libra killer could have committed the Newcastle crime. Problem is, Angela also claims that the murderer was an alien monster. Now Sid must navigate through a Byzantine minefield of competing interests within the police department and the world's political and economic elite...all the while hunting down a brutal killer poised to strike again. And on St. Libra, Angela, newly released from prison, joins a mission to hunt down the elusive alien, only to learn that the line between hunter and hunted is a thin one.

    In Tom Barren's 2016, humanity thrives in a techno-utopian paradise of flying cars, moving sidewalks, and moon bases, where avocados never go bad and punk rock never existed . . . because it wasn't necessary. Except Tom just can't seem to find his place in this dazzling, idealistic world, and that's before his life gets turned upside down. Utterly blindsided by an accident of fate, Tom makes a rash decision that drastically changes not only his own life but the very fabric of the universe itself. In a time-travel mishap, Tom finds himself stranded in our 2016, what we think of as the real world. For Tom, our normal reality seems like a dystopian wasteland. But when he discovers wonderfully unexpected versions of his family, his career, and—maybe, just maybe—his soul mate, Tom has a decision to make. Does he fix the flow of history, bringing his utopian universe back into existence, or does he try to forge a new life in our messy, unpredictable reality? Tom’s search for the answer takes him across countries, continents, and timelines in a quest to figure out, finally, who he really is and what his future—our future—is supposed to be.

    That was before the dirty bomb hit Times Square, before his wife was killed, and before the city became a bombed-out shell of its former self. Now he's a hitman.In a New York City split between those who are wealthy enough to "tap into" a sophisticated virtual reality for months at a time and those left to fend for themselves in the ravaged streets, Spademan chose the streets. His clients like that he doesn't ask questions, that he works quickly, and that he's handy with a box cutter. He finds that killing people for money is not that different from collecting trash, and the pay is better. His latest client hires him to kill the daughter of a powerful evangelist. Finding her is easy, but the job quickly gets complicated: his mark has a shocking secret and his client has an agenda far beyond a simple kill. Now Spademan must navigate the dual levels of his world-the gritty reality and the slick fantasy-to finish the job, to keep his conscience clean, and to stay alive.

    Around the same time, an Indian elephant was deliberately put to death by electricity in Coney Island.These are the facts.Now these two tragedies are intertwined in a dark alternate history of rage, radioactivity, and injustice crying out to be righted. Prepare yourself for a wrenching journey that crosses eras, chronicling histories of cruelty both grand and petty in search of meaning and justice.

    A world in which at least one cat smells like a seafood shop's dumpster on a hot summer day.This is the world in which Zoey Ashe finds herself, navigating a futuristic city in which one can find elements of the fantastic, nightmarish and ridiculous on any street corner. Her only trusted advisor is the aforementioned cat, but even in the future, cats cannot give advice. At least not any that you'd want to follow.Will Zoey figure it all out in time? Or maybe the better question is, will you? After all, the future is coming sooner than you think.

    Later that day he meets a woman in a diner to exchange information about an event that happened a week earlier for which neither has an explanation, but which haunts the Signalman.In a ranch house near the shore of the Salton Sea a cult leader gathers up the weak and susceptible—the Children of the Next Level—and offers them something to believe in and a chance for transcendence. The future is coming and they will help to usher it in.A day after the events at the ranch house which disturbed the Signalman so deeply that he and his government sought out help from ‘other’ sources, Johns Hopkins Applied Physics Laboratory abruptly loses contact with NASA’s interplanetary probe New Horizons. Something out beyond the orbit of Pluto has made contact.And a woman floating outside of time looks to the future and the past for answers to what can save humanity.

    Kimrean and Z. Kimrean. Private Eyes. Behind the door there is only one desk, one chair, one scrawny androgynous P.I. in a tank top and skimpy waistcoat. A.Z., as they are collectively known, are twin brother and sister. He's pure misanthropic logic, she's wild hedonistic creativity. A.Z. have been locked in mortal battle since they were in utero...which is tricky because they, very literally, share one single body. That's right. One body, two pilots. The mystery and absurdity of how Kimrean functions, and how they subvert every plotline, twist, explosion, and gunshot--and confuse every cop, neckless thug, cartel boss, ninja, and femme fatale--in the book is pure Cantero magic.Someone is murdering the sons of the ruthless drug cartel boss known as the Lyon in the biggest baddest town in California--San Carnal. The notorious A.Z. Kimrean must go to the sin-soaked, palm-tree-lined streets of San Carnal, infiltrate the Lyon's inner circle, and find out who is targeting his heirs, and while they are at it, rescue an undercover cop in too deep, deal with a plucky young stowaway, and stop a major gang war from engulfing California. They'll face every plot device and break every rule Elmore Leonard wrote before they can crack the case, if they don't kill each other (themselves) first.This Body's Not Big Enough for Both of Us is a mind-blowing, gender-bending, genre-smashing romp through the entire pantheon of action and noir. It is also a bold, tautly crafted novel about family, being weird, and claiming your place in your own crazy story, that can only come from the mind of Edgar Cantero.

    Thousands have disappeared here, and the respectable have fled, leaving behind the killers, thieves, poets, painters, drunks, and those too poor or desperate to leave.It is a hellish landscape, and Gilda Carr proudly calls it home.Slightly built, but with a will of iron, Gilda follows in the footsteps of her late father, a police detective turned private eye. Unlike that larger-than-life man, Gilda solves tiny mysteries: the impossible puzzles that keep us awake at night; the small riddles that destroy us; the questions that spoil marriages, ruin friendships, and curdle joy. Those tiny cases distract her from her grief, and the one impossible question she knows she can’t answer: “How did my father die?”Yet on Gilda’s Westside, tiny mysteries end in blood—even the case of a missing white leather glove. Mrs. Copeland, a well-to-do Eastside housewife, hires Gilda to find it before her irascible merchant husband learns it is gone. When Gilda witnesses Mr. Copeland’s murder at a Westside pier, she finds herself sinking into a mire of bootlegging, smuggling, corruption—and an evil too dark to face.All she wants is to find one dainty ladies’ glove. She doesn’t want to know why this merchant was on the wrong side of town—or why he was murdered in cold blood. But as she begins to see the connection between his murder, her father’s death, and the darkness plaguing the Westside, she faces the hard truth: she must save her city or die with it.Introducing a truly remarkable female detective, Westside is a mystery steeped in the supernatural and shot through with gunfights, rotgut whiskey, and sizzling Dixieland jazz. Full of dazzling color, delightful twists, and truly thrilling action, it announces the arrival of a remarkable talent.

    Smart, dedicated, gorgeous, and, thanks to her last movie before she hung up on Hollywood, rich, she's a pleasure to oblige when she says Rob has to witness this channeler Ariaura's act--on her, not the Eye's, nickel--despite channelers being so last year. It's quite a show, all right, for in the midst of Ariaura's particular ancient wise guy's basso spiel, a gravelly baritone interrupts (both voices emanate from the channeler's female mouth) to berate the audience as "yaps" and the act as "claptrap." Why is Ariaura undermining herself? Or is she? After all, she angrily accuses Rob and Kildy of scheming to destroy her. Could the baritone belong to a genuine channeled spirit? Willis, one of sf's most spirited writers, rounds on the New Age; pays tribute to a great, skeptical journalist; and affectionately parodies pulp fiction at its best in this irresistible entertainment.