The journals in which the author recorded his observations, and the captivating drawings he created, form the heart of this compelling book—a personal account of an artist-naturalist’s life with owls. Angell’s extensive illustrations show owls engaged in what owls do—hunting, courting, raising families, and exercising their inquisitive natures—and reveal his immeasurable respect for their secret lives and daunting challenges.   Angell discusses the unique characteristics that distinguish owls from other bird species and provides a fascinating overview of the impact owls have had on human culture and thought. He also offers detailed scientific descriptions of the nineteen species of owls found in North America, as well as their close relatives elsewhere. Always emphasizing the interaction of humans and owls, the author affirms by his own example the power of these birds both to beguile and to inspire.

    Each entry has a full color illustration as well as color-coded bands that provide at-a-glance facts for quick reference. Easy to use and beautiful to look at, this series is an invaluable resource for every collector.

    The Vinyl Dialogues offers the stories behind 31 of the top albums of the 70s, including backstories behind the albums, the songs, and the artists. It was the 1970s: Big hair, bell-bottomed pants, Elvis sideburns and puka shell necklaces. The drugs, the freedom, the Me Generation, the lime green leisure suits. And then there was the music and how it defined a generation. The birth of Philly soul, the Jersey Shore Sound and disco. It's all there in "The Vinyl Dialogues," as told by the artists who lived and made Rock and Roll history throughout the decade.Throw in a little political intrigue - The Guess Who being asked not to play its biggest hit, "American Woman," at a White House appearance and Brewer and Shipley being called political subversives and making President Nixon's infamous "enemies list" - and "The Vinyl Dialogues offers a first-hand snapshot of a country in transition, hung over from the massive cultural changes of the 1960s and ready to dress outrageously and to shake its collective booty. All seen through the eyes, recollections and perspectives of the artists who lived it and made all that great music on all those great albums.

    While focusing on dinosaurs it also uses them to convey other aspects of the natural sciences, including fundamental concepts in evolutionary biology, physiology, life history, and systematics. Considerable attention is devoted the nature of science itself: what it is, what it is not, and how science can be used to investigate particular kinds of questions. Dinosaurs is unique because it fills a gap between the glossy, fact-driven dinosaur books and the higher-level academic books, addressing the paleontology of dinosaurs exactly as professionals in the field do.

    On the one hand wrens are ubiquitous. They are Britain's most common bird, with 8.5 million breeding pairs and have by far the loudest song in proportion to their size. They also thrive up and down Britain and Ireland: from the smallest city garden to remote offshore islands, blustery moors to chilly mountains. Yet many people, particularly a younger generation, are not sure if they have ever seen a wren. Perhaps because the wren is so tiny, weighing just as much as two A4 sheets of paper, and so busy, always on the move, more mouse than bird. However if we cast our eyes back to recent history wrens were a mainstay of literary, cultural and popular history. The wren was on postage stamps and the farthing, it featured in nursery rhymes and greetings cards, poems and rural `wren hunts', still a recent memory in Ireland particularly. With beautiful illustrations throughout, this captivating year-in-the-life biography reveals the hidden secrets of this fascinating bird that lives right on our doorstep.

    A decade after the death of Roger Tory Peterson, his unique perspective on birding comes to life in these highly personal narratives. Here he relates his adventures during a lifetime of traveling the world to observe and record nature. Peterson's sense of adventure and curiousity could not be extinguished. While in his eighties, as one essay relates, his boat capsized in freezing water off the coast of Maine as he was filming a documentary. In another essay we watch his tiny rowboat get caught in an angry sea off the coast of Argentina. Then there is what Peterson called his most exciting bird experience: searching for the Ivory-billed Woodpecker. Though Peterson was widely known for his illustrations, this collection reminds us of his accomplishments as a phtographer, for Peterson was nearly as passionate about photography as he was about painting. The essays, photographs, and illustrations included here were carefully selected by Bill Thompson III, the editor of Bird Watcher's Digest, which ran Peterson's column, "All Things Reconsidered," during the last twelve years of his life.

    In this epic account of an extraordinary life lived during remarkable times, Jay Kirk follows the adventures of the brooding genius who revolutionized taxidermy and created the famed African Hall we visit today at New York's Museum of Natural History. The Gilded Age was drawing to a close, and with it came the realization that men may have hunted certain species into oblivion. Renowned taxidermist Carl Akeley joined the hunters rushing to Africa, where he risked death time and again as he stalked animals for his dioramas and hobnobbed with outsized personalities of the era such as Theodore Roosevelt and P. T. Barnum. In a tale of art, science, courage, and romance, Jay Kirk resurrects a legend and illuminates a fateful turning point when Americans had to decide whether to save nature, to destroy it, or to just stare at it under glass.

    In it she tells the story of a miraculous ocean encounter that happened to her when she was seventeen and in training for a big swim (she had already swum the English Channel, twice, and the Catalina Channel).It was the dark of early morning; Lynne was in 55-degree water as smooth as black ice, two hundred yards offshore, outside the wave break. She was swimming her last half-mile back to the pier before heading home for breakfast when she became aware that something was swimming with her. The ocean was charged with energy as if a squall was moving in; thousands of baby anchovy darted through the water like lit sparklers, trying to evade something larger. Whatever it was, it felt large enough to be a white shark coursing beneath her body.It wasn't a shark. It became clear that it was a baby gray whale—following alongside Lynne for a mile or so. Lynne had been swimming for more than an hour; she needed to get out of the water to rest, but she realized that if she did, the young calf would follow her onto shore and die from collapsed lungs.The baby whale—eighteen feet long!—was migrating on a three-month trek to its feeding grounds in the Bering Sea, an eight-thousand-mile journey. It would have to be carried on its mother's back for much of that distance, and was dependent on its mother's milk for food—baby whales drink up to fifty gallons of milk a day. If Lynne didn't find the mother whale, the baby would suffer from dehydration and starve to death.Something so enormous—the mother whale was fifty feet long—suddenly seemed very small in the vast Pacific Ocean. How could Lynne possibly find her?This is the story—part mystery, part magical tale—of what happened . . .

    Using video links, IP Factly's Amazing Animal series has been designed to encourage and bolster independent reading. The animals are accompanied by pictures and facts plus video links so children can see the animals and how they behave.

    "Notes From Walnut Tree Farm" collects together the jottings, musings and observations with which he filled a series of notebooks for the last six years of his life. In this beautiful illustrated collection, descriptions of walks on Mellis Common and thoughts on the importance of nature sit side by side with memories of the past and musings about literature, while perfectly rendered observations of the tiny, missable visual details of everyday life are skilfully woven with a gentle, wise philosophy. Organized into twelve months of impressions, the notes reveal a passionate but gentle character and his extraordinary, restless curiosity. Capturing Deakin's unique turn of phrase and inspired use of language, and infused throughout with the magically meditative tranquility of Walnut Tree Farm, this is a charming introduction to one of the most important of modern nature writers, or the perfect follow-up to "Wildwood" and "Waterlog".

    Settling in at a bonobo sanctuary in Congo's capital, Vanessa and her fiancé entered the world of a rare ape with whom we share 98.7 percent of our DNA. She soon discovered that many of the inhabitants of the sanctuary - ape and human alike - are refugees from unspeakable violence, yet bonobos live in a peaceful society in which females are in charge, war is nonexistent, and sex is as common and friendly as a handshake. A fascinating memoir of hope and adventure, Bonobo Handshake traces Vanessa's self-discovery as she finds herself falling deeply in love with her husband, the apes, and her new surroundings while probing life's greatest question: What ultimately makes us human? Courageous and extraordinary, this true story of revelation and transformation in a fragile corner of Africa is about looking past the differences between animals and ourselves, and finding in them the same extraordinary courage and will to survive. For Vanessa, it is about finding her own path as a writer and scientist, falling in love, and finding a home.

    He wrote vast volumes about animals. He described them, classified them, told us where and how they live and how they develop in the womb or in the egg. He founded a science. It can even be said that he founded science itself.In The Lagoon, acclaimed biologist Armand Marie Leroi recovers Aristotle’s science. He revisits Aristotle’s writings and the places where he worked. He goes to the eastern Aegean island of Lesbos to see the creatures that Aristotle saw, where he saw them. He explores Aristotle’s observations, his deep ideas, his inspired guesses—and the things he got wildly wrong. He shows how Aristotle’s science is deeply intertwined with his philosophical system and reveals that he was not only the first biologist, but also one of the greatest.The Lagoon is both a travelogue and a study of the origins of science. And it shows how a philosopher who lived almost two millennia ago still has so much to teach us today.

    This volume contains over 1250 photographs of mushrooms and fungi, often showing the specimens in various stages of growth, and including all the latest botanical and common names as well as current ecological information on endangered species.

    After his death, the contents of his studio, including thousands of glass negatives, were sold off for five dollars. For years the fragile negatives sat forgotten and deteriorating in cardboard boxes in an open carport. How did it happen, then, that the most implausible of events took place? That Disfarmer’s haunting portraits were retrieved from oblivion, that today they sell for upwards of $12,000 each at posh New York art galleries; his photographs proclaimed works of art by prestigious critics and journals and exhibited around the world? The story of Disfarmer’s rise to fame is a colorful, improbable, and ultimately fascinating one that involves an unlikely assortment of individuals. Would any of this have happened if a young New York photographer hadn't been so in love with a pretty model that he was willing to give up his career for her; if a preacher’s son from Arkansas hadn't spent 30 years in the Army Corps of Engineers mapping the U.S. from an airplane; if a magazine editor hadn't felt a strange and powerful connection to the work? The cast of characters includes these, plus a restless and wealthy young Chicago aristocrat and even a grandson of FDR. It’s a compelling story which reveals how these diverse people were part of a chain of events whose far-reaching consequences none of them could have foreseen, least of all the strange and reclusive genius of Heber Springs. Until now, the whole story has not been told.

    Immediately, he winced with pain and yanked out his hand. A tiny black-and-white banded snake, less than ten inches long, was dangling limply from his middle finger, its fangs still sunk into his flesh. In the fall of 2001, deep in the jungle of Burma, a team of scientists is searching for rare snakes. They are led by Dr. Joe Slowinski, at forty already one of the most brilliant biologists of our time. It is the most ambitious scientific expedition ever mounted into this remote region, venturing into the foothills of the Himalayas. The bold undertaking is brought to a dramatic halt by the bite of the many-banded krait, the deadliest serpent in Asia. In the moment he pulled his hand from the specimen bag and saw the krait, Joe knew that his life was in grave and imminent peril. Thus began one of the most remarkable wilderness rescue attempts of modern times, as Joe's teammates kept him alive for thirty hours by mouth-to-mouth respiration, waiting for a rescue that never came. A daredevil obsessed with venomous snakes since his youth, Slowinski was a modern-day adventurer who rose quickly to the top of his field, discovering many previously unidentified snake species in his brief yet exhilarating career. The Snake Charmer is at once brilliant biography and exotic travel literature, blended with an accessible introduction to the bizarre, fascinating-and sometimes controversial-world of snake science. The narrative transports the reader into primeval wilderness, from the Everglades to Peru to Burma, in search of rattlesnakes and boa constrictors, kraits and cobras. Joe Slowinski's career was fast and exciting, his tragic final expedition a pulse-pounding struggle between man and nature. In The Snake Charmer, renowned journalist and author Jamie James captures the life and death of this charismatic, endlessly fascinating man. Exhaustively researched in interviews with Slowinski's colleagues and family, and the author's own trek into the wilds of Burma, this is narrative nonfiction in the tradition of Into the Wild and The Perfect Storm.