He is a compulsive liar, a sickly weakling in a town famous for begetting brutish giants. Then Lucy accepts employment assisting the majordomo of the remote, foreboding Castle Von Aux. While tending to his new post as undermajordomo, he soon discovers the place harbours many dark secrets, not least of which is the whereabouts of the castle's master, Baron Von Aux. Thus begins a tale of polite theft, bitter heartbreak, domestic mystery, and cold-blooded murder.Undermajordomo Minor is an ink-black comedy of manners, an adventure, and a mystery, and a searing portrayal of rural Alpine bad behaviour, but above all it is a love story. And Lucy must be careful, for love is a violent thing.

    His birthplace is famed as the city of lovers, but so far love has always eluded him. Instead his life revolves around the investment bank where he works. And then one day he realizes he is being followed around, by a pale, scrawny man. The man's name is Paul Murray.Paul claims to want to write a novel about Claude and Claude's heart sings. Finally, a chance to escape the drudgery of his everyday office life, to be involved in writing, in art! But Paul himself seems more interested in where the bank keeps its money than in Claude-and soon Claude realizes that Paul is not all he appears to be ...

    Caroline has an unusual problem - she realises she is in a novel. Her fellow characters also seem deluded: Laurence, her former lover, finds diamonds in a loaf of bread - has his elderly grandmother hidden them there? And Baron Stock, her bookseller friend, believes he is on the trail of England's leading Satanist.

    With her world spinning wildly out of her control, Lucy decides to make a new start and moves upstate to live with her sister and nephew.But then things take an even more dramatic turn: A fatal encounter with public transportation lands Lucy not in the hereafter but in the nearly hereafter. She’s back in school, learning the parameters of spooking and how to become a successful spirit in order to complete a ghostly assignment. If Lucy succeeds, she’s guaranteed a spot in the next level of the afterlife—but until then, she’s stuck as a ghost in the last place she would ever want to be.Trying to avoid being trapped on earth for all eternity, Lucy crosses the line between life and death and back again when she returns home. Navigating the perilous channels of the paranormal, she’s determined to find out why her life crumbled and why, despite her ghastly death, no one seems to have noticed she’s gone. But urgency on the spectral plane—in the departed person of her feisty grandmother, who is risking both their eternal lives—requires attention, and Lucy realizes that you get only one chance to be spectacular in death.

    Claire finally finds the courage to move on; then she discovers among the remnants of her shattered world her husband’s last manuscript. It’s intimate, stirring—and unfinished. An idea comes to her…What if she can find someone to give David’s novel the ending it deserves?Whitaker Grant is famous for his one and only bestselling novel—a masterpiece that became a hit film. But after being crippled by the pressure of success and his failed marriage, Whitaker retreated from the public eye in his native St. Petersburg, Florida. Years later, he’s struggling through a deep midlife crisis. Until he receives an intriguing request from a lonely widow. To honor David’s story, Whitaker must understand, heart and soul, the man who wrote it and the woman he left behind.There’s more to the novel than anyone dreamed. Something personal. Something true. Maybe, in bringing a chapter of David’s life to a close, Claire and Whitaker can find hope for a new beginning.

    Halpern’s novel is an unforgettable tale of family...the kind you come from and the kind you create.People are drawn to libraries for all kinds of reasons. Most come for the books themselves, of course; some come to borrow companionship. For head librarian Kit, the public library in Riverton, New Hampshire, offers what she craves most: peace. Here, no one expects Kit to talk about the calamitous events that catapulted her out of what she thought was a settled, suburban life. She can simply submerge herself in her beloved books and try to forget her problems.But that changes when fifteen-year-old, home-schooled Sunny gets arrested for shoplifting a dictionary. The judge throws the book at Sunny—literally—assigning her to do community service at the library for the summer. Bright, curious, and eager to connect with someone other than her off-the-grid hippie parents, Sunny coaxes Kit out of her self-imposed isolation. They’re joined by Rusty, a Wall Street high-flyer suddenly crashed to earth.   In this little library that has become the heart of this small town, Kit, Sunny, and Rusty are drawn to each other, and to a cast of other offbeat regulars. As they come to terms with how their lives have unraveled, they also discover how they might knit them together again and finally reclaim their stories.

    After a childhood moving from one academic outpost to another with her father (a man prone to aphorisms and meteoric affairs), Blue is clever, deadpan, and possessed of a vast lexicon of literary, political, philosophical, and scientific knowledge—and is quite the cineaste to boot. In her final year of high school at the elite (and unusual) St. Gallway School in Stockton, North Carolina, Blue falls in with a charismatic group of friends and their captivating teacher, Hannah Schneider. But when the drowning of one of Hannah's friends and the shocking death of Hannah herself lead to a confluence of mysteries, Blue is left to make sense of it all with only her gimlet-eyed instincts and cultural references to guide—or misguide—her.

    This quirky group of women would much rather celebrate one another’s rejected manuscripts over cups of tea and slices of lemon cake than actually publish a book. But good friends are exactly what Janet needs after moving to the small town of Southlea Bay, Washington. Just as the ladies are about to raise a teacup to their five hundredth rejection letter, they receive bad news that could destroy one member’s reputation—and disband the group forever. To save the club, Janet joins her fellow writers on a wild road trip to San Francisco in search of the local publisher who holds the key to a long-buried secret. As they race to the finish line, they’ll face their fears—landslides, haunted houses, handsome strangers, ungrateful children—and have the time of their lives.

    Suffolk farmers. Times are hard and they struggle to sustain their property, their livelihood and their heritage in the face of competition from big business.But an even bigger, more brutal fight is brewing: a fight between each other, about the horrible death of Cecelia, beloved wife and mother, in Zambia ten years earlier. A past they have both refused to confront until now.Over the course of a particularly mauling Suffolk winter, Landyn and Vale grapple with their memories and their pain, raking over what remains of their fragile family unit, constantly at odds and under threat of falling apart forever. While Vale makes increasingly desperate decisions, Landyn retreats, finding solace in the land, his animals - and a fox who haunts the farm and seems to bring with her both comfort and protection.Alive to language and nature, Midwinter is a novel about guilt, blame and lost opportunities. Ultimately it is a story about love and the lengths we will go to find our way home.

    . . readers will be compelled to start again at page one to discover how O’Connor pieces together his suspenseful, incredibly well-written narrative” (Library Journal, starred review).Los Angeles, the late 1970s: Jess Shepard is an installation artist who creates environments that focus on light and space, often leading to intense sensory experiences for visitors to her work. A run of critically lauded projects peaks with Zero Zone, an installation at the former site of nuclear bomb testing in the New Mexico desert. But what begins as a vehicle for healing, soon becomes the flashpoint for a violent confrontation between a small group of fanatics experiencing what they perceive as a religious awakening within Zero Zone and the authorities.Devastated and haunted by the events in the desert and the ensuing media attention, Jess retreats from the world. Unable to work, she unravels mentally and emotionally, plagued by a nagging uncertainty as to her culpability for what transpired in her creation.Three years later, a survivor from Zero Zone comes calling, compelling Jess to face down her fears and recover her art—and possibly her life—from the violent cult intent of making it their own.

    And it’s armed. Plum Kettle does her best not to be noticed, because when you’re fat, to be noticed is to be judged. Or mocked. Or worse. With her job answering fan mail for a popular teen girls’ magazine, she is biding her time until her weight-loss surgery. Only then can her true life as a thin person finally begin. Then, when a mysterious woman starts following her, Plum finds herself falling down a rabbit hole and into an underground community of women who live life on their own terms. There Plum agrees to a series of challenges that force her to deal with her past, her doubts, and the real costs of becoming “beautiful.” At the same time, a dangerous guerrilla group called “Jennifer” begins to terrorize a world that mistreats women, and as Plum grapples with her personal struggles, she becomes entangled in a sinister plot. The consequences are explosive.Dietland is a bold, original, and funny debut novel that takes on the beauty industry, gender inequality, and our weight loss obsession—from the inside out, and with fists flying.

    Times are harsh, and Barbara's bank account has seen better days. Stumped for ideas, Barbara draws inspiration from fellow residents of her quaint English village, writing a revealing novel that features the townsfolk as characters. The smashing bestseller is published under the pseudonym John Smith, which is a good thing because villagers recognize the truth. But what really turns her world around is when events in real life start mimicking events in the book. Funny, charming, and insightful, this novel reveals what happens when people see themselves through someone else's eyes.

    But soon after they arrive in Terrebone, a young woman is found dead floating in Crooked River and the police arrest their eccentric father for the murder.He is not evil. I am not good.We are the same: broken and put back together again.Sam knows that Bear is not a killer, even though the evidence points to his guilt—including information that she and Ollie have uncovered. Filled with remorse and refusing to accept that her father could have hurt anyone, Sam embarks on a desperate hunt to save him and keep her damaged family together. They had mysteriously lost Bear once before and Sam is terrified they will lose him again. Only this time they won't ever get him back. She needs Ollie to help her, but Ollie has not spoken a word since their mother's death.I see things no one else does.I see them there and wish I didn't. I want to tell and I can't.Ollie, too, knows that Bear is innocent. The Shimmering have told her so. One followed her home from her mom's funeral and continues to hover, a spectrum of colors—pink and rose red, sky blue and honey gold. Now another, coiled and hissing, is following Sam. Both spirits warn Ollie: the real killer is out there, waiting. Somehow, she must warn her sister. But Ollie worries that if she tries to speak—even to write—the Shimmering will slip inside her, take control, and never leave.Sam and Ollie must find the truth quickly—a search that will lead them to unexpected secrets and terrible lies—because the danger is closer to them than either girl knows.Told in Sam's and Ollie's vibrant voices, Crooked River is a family story, a coming-of-age story, a ghost story, and a psychological mystery as haunting as the best Southern gothic fiction that will touch your heart and grip you until the final page.

    Her mother, Polly, is a cantankerous, take-no-prisoners Southern woman who lives to shoot varmints, drink margaritas, and antagonize the neighbors and she sticks out like a sore thumb among the young modern mothers of their small conventional Texas town. She was in her late fifties when Willow was born, so Willow knows she's here by accident, a late-life afterthought. Willow's father died before she was born, her much older brother and sister are long grown and gone and failing elsewhere. It's just her and bigger-than-life Polly.Willow is desperately hungry for clues to the family life that preceded her, and especially Polly's life pre-Willow. Why did she leave her hometown of Bethel, Louisiana, fifty years ago and vow never to return? Who is Garland Jones, her long-ago suitor who possibly killed a man? And will Polly be able to outrun the Bear, the illness that finally puts her on a collision course with her past?

    At the center: Cass Seltzer, a professor of psychology whose book, The Varieties of Religious Illusion, has become a surprise best seller. He's been dubbed the atheist with a soul, and his sudden celebrity has upended his life. He wins over the stunning Lucinda Mandelbaum-the goddess of game theory-and loses himself in a spiritually expansive infatuation. A former girlfriend appears: an anthropologist who invites him to join in her quest for immortality through biochemistry. But he is haunted by reminders of the two people who ignited his passion to understand religion: his teacher Jonas Elijah Klapper, a renowned literary scholar with a suspicious obsession with messianism, and an angelic six-year-old mathematical genius, heir to the leadership of an exotic Hasidic sect. The rush of events in a single dramatic week plays out Cass's conviction that the religious impulse spills out into life at large. In 36 Arguments for the Existence of God, Rebecca Newberger Goldstein explores the rapture and torments of religious experience in all its variety. Hilarious, heartbreaking, and intellectually captivating, it is a luminous and intoxicating novel.