Here, readers will find solace in works that are bracing and courageous, organized into such resonant headings as "Such As It Is More or Less" and "Let It Spill." From William Shakespeare and Walt Whitman to R. S. Gwynn and Jennifer Michael Hecht, the voices gathered in this collection will be more than welcome to those who've been struck by bad news, who are burdened by stress, or who simply appreciate the power of good poetry.

    Introduced by “poetry DJ” Catherine Bowman, these popular short segments allowed listeners to experience poetry as a kind of verbal music, recalling its roots as a spoken art form. Word of Mouth, edited by Bowman, brings together the poems that have been featured on NPR, providing a window onto the dynamic contemporary poetry scene. A child playing with flashes of sunlight in the aisle of an airplane; a woman describing tropical fruit to someone in a faraway country; a man building a deck with his dead father’s hammer; the musings of a Barbie doll participating in a 12-step program: these poems powerfully and lyrically transform the stuff of every day life. A celebration of the poetic voice that includes 33 acclaimed writers, this vibrant anthology proves beyond any doubt that poetry is far more than just words on paper.Quincy Troupe • Czeslaw Milosz • Campbell McGrath • C.D. Wright • Jack Gilbert • Heather McHugh • David Lehman • Wang Ping • Joseph Brodsky • Paul Beatty • Lorna Dee Cervantes • Paul Muldoon • Lucille Clifton • Naomi Shihab Nye • Richard Blanco • Albert Goldbarth • Carrie Allen McCray • Belle Waring • Russell Edson • Kevin Young • Nuali Di Dhomhnaill • Charles Harper Webb • Denise Duhamel • Yusef Komunyakaa • Hal Sirowitz • Lucia Perillo • Amy Gerstler • Maura Stanton • Marilyn Chin • Philip Booth • Jane Cooper • Diane DiPrima • Elizabeth Spires

    From a history of anti-Asian racism to a deconstruction of the city's urban sprawl; from an examination of local food trends to a survey of the city's politically radical past, Vancouver Special is a love letter to the city, taking a no-holds-barred look at Lotusland with verve, wit, and insight.

    How it works: Ten poets choose a poem of their own and a poem by another poet, who then does the same, and so on unto the fifth generation. Thus D. C. Berman leads to Charles Simic by way of James Tate, and other chains run through Mary Karr, Denis Johnson, C. D. Wright, Michael Ondaatje, John Ashbery, Mark Doty, C. K. Wright, Dean Young, Yusef Komunyakaa, and dozens more.

    

    MacLeod’s young protagonist enters all the bright open avenues of peer-group play and the dark blind alleys of individual and collective terror, as she discovers within herself both the capacity for and the conflict between impulses of good and evil. In thinking back on the history of her own tight-knit group of friends, she begins to see how in the excitement of belonging to a ritualized, secret collective, the self is created by the increasing dehumanization of the other—of both the bully and the victim. The Shape of a Girl goes far beyond a simple dramatization of the seemingly inexplicable code of silence and tacit complicity which surrounded the sensationalized Reena Virk murder in 1997 on which the play is based. It speaks eloquently and compassionately to a world increasingly dominated by all forms of collectivised and ritualized tribalist hatred, and offers the embrace of trust as the only way out of this circle of violence.Jewel is also based on a real-life catastrophe—the sinking of the Ocean Ranger, an oil rig off the coast of Newfoundland, on Valentine’s Day, 1982. Three years later, a widow, Marjorie Clifford, at home in her trailer in Fort St. John, British Columbia, begins to take the first step in understanding that the humanity of love, in all of its tentative frailty, uncertainty and promise, can free a life paralyzed and dominated by loss.

    Divided into four sections: love, loss, acceptance, and growth- the content serves the purpose of making you feel and finding the light at the end of the tunnel.

    No Art is an exhilarating argument both with America and with poetry itself, in which online slang is juxtaposed with academic idiom, philosophy collides with advertising, and the language of medicine and the military is overlaid with echoes of Whitman and Keats. Here, clichés are cracked open and made new, made strange, and formal experiments disclose new possibilities of thought and feeling. No Art confirms Ben Lerner as one of the most searching and ambitious poets working today.

    What poem has moved you to tears?The poems chosen range from the eighth century to today, from Rumi and Shakespeare to Sylvia Plath, W.H. Auden to Carol Ann Duffy, Pablo Neruda and Derek Walcott to Imtiaz Dharker and Warsan Shire. Their themes range from love and loss, through mortality and mystery, war and peace, to the beauty and variety of nature. From Yoko Ono to Judi Dench, Chimamanda Ngozi Adichie to Elena Ferrante, Carol Ann Duffy to Kaui Hart Hemmings, and Joan Baez to Nikki Giovanni, this unique collection delivers private insights into the minds of women whose writing, acting, and thinking are admired around the world.

    How did that day you've forgotten look? What did it feel like? Were you lonely? Did you have the sense you were progressing anywhere? Probably not. Yet string a few thousand of them together and that's a life. --From Boy WondersCathal Kelly grew up in the seventies and eighties, decades when dressing like Michael Jackson seemed like a good idea and The Beachcombers--an adventure show about logging--seemed to make sense. But apart from fashion missteps and baffling TV plotlines, Kelly's youth was a time of wonder, obsession and discovery. Navigating an often fraught fam­ily life, Kelly sought refuge in books, music, movies, games and at least one backyard hole. However, looking back he sees that his passion for George Orwell, Star Wars or The Smiths was never just about the book, movie or band. Rather, it was about the promise each new experience offered him in making sense of the world, and how he might find a home within it.By turns funny, elegiac and insightful, Boy Wonders is an unvarnished celebration of grow­ing up and stumbling toward identity. It's about the good and the bad of those brief years when we find purpose without end, obsession with­out limit and joy in the strangest of places.

    Channeling "the primal vision of Hart Crane" (Harold Bloom), Adam Fitzgerald helped welcome the modernist aethetic into the twenty-first century. Part Technicolor, part nitrous oxide, Fitzgerald's chimerical poems confront "a surging ocean of sound and language" (Maureen McLane). In these forty-eight poems, he conducts a madcap symphony of language, memory, and fantasy with the "exhilarating assurance of nonstop invention" (Timothy Donnelly).

    It is not a completed novel, however. According to Margerie Lowry, the author's widow, this published version is her "sorting out" of numerous drafts of chapters, paragraphs and even sentences that Lowry began to write in 1946.

    Church, school then a little more church was her life. She wasn’t the girl to get asked on dates or even have a lot of friends. She mainly kept to herself until she was noticed by the one guy she had been dreaming about since she hit puberty. Deon was a force that Jess had no choice but to allow to come in and sweep her away. He was too charming, too handsome, and too tempting. He didn’t have rules and he didn’t let Jess’ young age stop him from getting what he wanted, which was her. Jess fought him off for as long as she could but finally gave in. Her life seemed to change overnight. She became confident. She was able to get the clothes that she wanted and be the girl that other guys liked and females wanted to befriend. Deon was her king and she just wanted to make him happy. She went against her parents’ wishes and everything she believed in to be with him and she would have taken on the world for him if she had to. He gave her everything she ever wanted and she found herself so wrapped up in him that she could see nothing else. Her fairytale soon turned into a nightmare once she learned she wasn’t the only girl he was loving. Next were the fights and the drama. Trying to leave Deon became a war that she wasn’t prepared to fight. What do you do when someone you love so much hurts you? How can you leave them when you can’t even go a day without them? Love is many things but it should never hurt. For Jessenia her life was nice until it wasn’t. She fell in love with a man that really didn’t love her at all and the battle to get back to herself wasn’t going to be an easy one. He said he loved her and she believed him. His type of love was pain most of the time and she started to bleed his love right out of her until one day she noticed the love was gone. To leave Deon, Jess has to find herself and find her strength. Will she succeed or will she forever be wrapped up in a man that really loves no one but himself? Heart of Stone by Mz. Lady P Heart of Stone is a short story that digs into the mind frame of Stone Williams. A heartless, ruthless, and abusive womanizer.K'Yonnah Kyles is his much younger girlfriend who thought she had met her Knight in Shining Armor, but in reality she was dancing with the devil and sleeping with the enemy.Not being able to take it anymore, K'Yonnah decides to do what's best for her. In the process, she'll find out secrets that Stone has been keeping from her. She will have to come to grips and face the fact that Stone never had any good intentions for her or her heart. Will she be able to get out of his clutches or is it too late for her to save her life from the heartless nigga known as Stone.Love Don't Have to Hurt by Lucinda John Aimee's dreams of a professional dancer had to be placed on hold when her father died of cancer. Living paycheck to paycheck, Aimee works to help her mother pay off her debts, take care of her brother, and attend a few classes at a community college. When Aimee's best friend, Shanice presents her with the idea of dancing at a strip club for extra money, she meets Lucas. A punch, slap, and a few kicks is how Aimee can explain her abusive relationship with Lucas. The guy that is suppose to be her safe haven, is the one that is causing her the most pain; physically and emotionally. Aimee feels obligated to stay with Lucas because of how he changed her and her family's lives, but when things turn fatal, will Aimee learns that love is not suppose to hurt? Or will it be too late?Fatal Attraction: The Love I Once RememberedHave you ever been deeply in love? Enduring so much because you thought things would get better? Or because you felt your good days, outweighed your bad? Well here's a story about a young lady dealing

    Then there's a group of tales that Poe acknowledged reading, and that clearly influenced him: tales of premature burial, of a man trapped beneath a great clanging bell, of a doomed girl reborn and doomed again. To describe this book as a "must" for all admirers of Edgar Allen Poe is surely unnecessary: it's so self-evident.

    These visionary pieces build upon Simpson's powerful use of the fragment as a tool for intervention in her critically acclaimed collection Islands of Decolonial Love. Provocateur and poet, she continually rebirths a decolonized reality, one that circles in and out of time and resists dominant narratives or comfortable categorization. A crow watches over a deer addicted to road salt; Lake Ontario floods Toronto to remake the world while texting "ARE THEY GETTING IT?"; lovers visit the last remaining corner of the boreal forest; three comrades guerrilla-tap maples in an upper middle-class neighbourhood; and Kwe gets her firearms license in rural Ontario. Blending elements of Nishnaabeg storytelling, science fiction, contemporary realism, and the lyric voice, This Accident of Being Lost burns with a quiet intensity, like a campfire in your backyard, challenging you to reconsider the world you thought you knew.