Destined from birth to inhabit two very different worlds - that of her father, the wealthy Joseph Sakavungo, and that of her mother, his mistress - this emotive tale takes us to the heart of a young girl's attempts to come to terms with her own identity and fashion a future for herself from the patchwork of the life she was born into. Beautifully constructed, warm and wise, this is a novel that will transport the reader to a world in which we can all become more of the sum of our parts.

    However, her early adult life is marred by childlessness in a society that places a great premium on children and motherhood as the ultimate mark of womanhood. Worldreader presents this e-book in a new series showcasing fiction from Sub-Saharan Africa. Are you a worldreader? Read more about this not-for-profit social enterprise at worldreader.org.

    A story of the life in District Six and the breaking of this by forced removal to the bleak Cape Flats when the area was declared for white occupation in terms of the Group Areas Act.

    "Ubu and the Truth Commission" is the full play text of a multi-dimensional theatre piece which tries to make sense of the madness which overtook South Africa during apartheid.

    Set mostly in pastoral Entebbe with stops in the cities Kampala and Los Angeles, Tropical Fish depicts the reality of life for Christine Mugisha and her family after Idi Amin's dictatorship.Three of the eight chapters are told from the point of view of Christine's two older sisters, Patti, a born-again Christian who finds herself starving at her boarding school, and Rosa, a free spirit who tries to "magically" seduce one of her teachers. But the star of Tropical Fish is Christine, whom we accompany from her first wobbly steps in high heels, to her encounters with the first-world conveniences and alienation of America, to her return home to Uganda.As the Mugishas cope with Uganda's collapsing infrastructure, they also contend with the universal themes of family cohesion, sex and relationships, disease, betrayal, and spirituality. Anyone dipping into Baingana's incandescent, widely acclaimed novel will enjoy their immersion in the world of this talented newcomer.*Winner of the Commonwealth Writers' Prize for Best First Book in the Africa region*Winner of the Association of Writers and Writing Programs (AWP) Award Series in Short Fiction*Winner of the Washington Writing Prize for Short Fiction *Finalist for the Caine Prize in African Writing

    There was no way he could spend 20 good years behind those grim walls of prison, he told himself. And he straightway embarked on a mission to escape the throes of prison.Written from the point of view of the first person narrator, My Life in Prison is a rendition of the travails and tribulations that Kiriamiti experienced behind bars. Like in his first novel, My Life in Crime, Kiriamiti gives us yet another autobiography account of his dramatic life as a criminal, an account that is brutally frank as it is graphic in detail.

    A young woman named Mahlomu meets Mqhele Zulu and they fall in love. Even though aspects of Mqhele's personality and past make her uncomfortable, Hlomu is happy. Their love is strong and they stand by each other through good and bad. But Mqhele and his seven brothers have a dark and tumultuous past that involves a dead warlord father, mob justice, and lots of unaccounted-for money. The Zulu brothers are rich, handsome, powerful and dangerous. They eventually become one of the wealthiest and most powerful families in Johannesburg - but the inherent danger remains.

    “He may be the love of your life but he’s my soulmate”

    An adaptation of the Greek classic Oedipus Rex, set in an indeterminate period of a Yoruba kingdom, the story centers on Odewale, who is lured into a false sense of security, only to somehow get caught up in a somewhat consanguineous trail of events.

    In this daring novel, the author gives a startling account of the inner workings of contemporary South African urban culture. In doing so, he ventures into unexplored areas and takes local writing in English to places it hasn't been before. The Quiet Violence of Dreams is set in Cape Town's cosmopolitan neighbourhoods - Observatory, Mowbray and Sea Point - where subcultures thrive and alternative lifestyles are tolerated. The plot revolves around Tshepo, a student at Rhodes, who gets confined to a Cape Town mental institution after an episode of 'cannabis-induced psychosis'. He escapes but is returned to the hospital and completes his rehabilitation, earns his release - and promptly terminates his studies. He now works as a waiter and shares an apartment with a newly released prisoner. The relationship with his flatmate deteriorates and Tshepo loses his job at the Waterfront. Desperate for an income, he finds work at a male massage parlour, using the pseudonym Angelo. The novel explores Tshepo-Angelo's coming to consciousness of his sexuality, sexual orientation, and place in the world. lifestyle and set of experiences are explored - that of a young black woman who gets involved with a disabled German student who does not want to commit to marriage, despite Mmabatho's unplanned pregnancy.

    Celebrating life with gusto and in inimitable style, he describes a journey fraught with discomfort, mishap, ecstasy, disillusionment, discovery and astonishing human encounters; a journey that would be acceptable madness in a white man but is regarded by the author s fellow Africans as an extraordinary and inexplicable expenditure of time and money.As Sihle's famous counterpart Paul Theroux, author of Dark Star Safari, comments, Dark Continent, My Black Arse is uniquely an African travel story: the story of 'an African travelling on his own money and motivation, from one end of Africa to the other'. An inspiring story, it carries the following warning: Reading this book might cause you to resign from your boring job, leave your nagging / ungrateful / insecure partner, stop merely existing and start living the life you have always longed and yearned for.

    The Nationalist Party was still in power, but everyone knew that its grip on political power would draw to an inevitable end sooner rather than later. Memoirs of a Born Free is a journey back through the life of Malaika Wa Azania as she recounts the experience of growing up through the end of apartheid and South Africa’s transition into a democratic nation. She was not born during the times of constitutionalized apartheid but is still a product of an epoch of systematic individualized apartheid. Her story is not a reflection of freedom; it is an epitome of the ongoing struggle for liberation and emancipation from mental slavery. The struggle of the generations before that of the Born Frees was a struggle for political freedom and democracy and was the foundation for revolution and reform but not the ultimate goal. Malaika contests the notion of the born-free generation when it is a generation that was born in the midst of a struggle for economic freedom and the quest for the realization of the objectives of the African Renaissance. The book's purpose is to give an alternative narrative to the existing one that suggests that Malaika’s is a generation of apolitical and desensitized people.

    The play was first performed in Lagos in 2003 under the distinguished director Chuck Mike, and subsequently toured the UK.

    Its lyrical scenes still etch a portrait of Cyrano as a man of uncompromising bravery except in matters of the heart. They come off beautifully in the intimate off-Broadway-size Roundabout Theater. To the open minded, Langella's work will hardly seem felonious and it may be a breakthrough!" --David Patrick Stearns, U S A Today"Frank Langella has abridged the text and given the play a bare-bones production shorn of extravagance. CYRANO is compelling enough in its characterizations, dialogue and situations to withstand minimalism." --Frank Scheck, Hollywood Reporter"Frank Langella's adaptation is relatively short, fast and intimate. The speed of the shortened version allows the ideas behind the play to emerge with great force and clarity. The result is a terrifically enjoyable and surprising thought-provoking piece of theater." --Fintan O'Toole, Daily News, New York

    Set in modern-day Zimbabwe, the story is narrated through the four female protagonists. Joyce is the legitimate first wife of Jonasi Gomora. She has four kids, a shiny black Mercedes Benz and a life every woman is envious of. Joyce believes she has the perfect marriage until Matipa rears her coiffed head.Matipa is an ambitious, educated high flyer with an eye for the good things in life. She does not want to sit around waiting for a guy to realise his potential, she wants instant gratification, which comes in the form of Jonasi. He personifies everything she wants in a man. And so her driving ambition is usurp Joyce’s role as Jonasi’s wife and lover. Essie is the girl next door from the poverty-stricken township where Jonasi grew up in. She lacks Joyce’s sophistication and Matipa’s intelligence, but she cared for Jonasi long before he became the man he is. So Essie plays the role of second fiddle knowing he’ll always come back to herLindani is a beautiful young girl who has nothing going for her but her greatest assets: her beauty and her body. She hopes this lethal combination will be enough to ensnare the affections of a man who will marry her and leave her taken care of, no longer having to worry about how she’ll keep a solid roof over her head. Then she meets Jonasi and thinks all her problems have been answered, not knowing they have only just begun….Told in a gripping, accessible and somewhat shockingly frank style, Sue Nyathi takes readers on a journey beyond the bedroom door of a polygamous man and his four Mrs Rights. Yet lurking below the surface the question remains: is this kind of marriage practice really legitimate in a society plagued by HIV/Aids? Smart, sassy and sexy, The Polygamist shows that sometimes marriage isn’t what you envisioned – rather than being a secure refuge it can be a battlefield!