Secretly in love with Midia, the wife of a banished revolutionary, Morn finds himself facing renewed bloodshed and disaster when Midia's husband returns, provoking a duel and the return of chaos that Morn has fought so hard to prevent.The first major work and the only play of Vladimir Nabokov, author of Lolita and Pnin, The Tragedy of Mister Morn is translated and published in English here for the first time, and is a moving study of the elusiveness of happiness, the power of imagination and the eternal battle between truth and fantasy.

    A race to find a secret cache of documents. A deadly family secret revealed.It’s Christmas eve. Max and Kate are convalescing in the snowy woods of Colorado when violence strikes. On the run again, the ragtag family must trade their deepest secrets for safety.Tormented by mysteries from his past, Max learns the truth about his father’s treachery. A vast cache of documents that expose the inner workings of the Russian government are hidden from sight. The CIA, MI6, China’s Ministry of State Security, and other clandestine groups are hunting for the secret archive along with Max’s mortal enemies.In a race against time, Max visits the grandiose ski resort of Chamonix and escapes a fateful train ride through the South of France before trekking across the treacherous borders of southern Russia. Deep in the heart of Siberia, Max must confront his past to decrypt his father’s mysteries before his enemies beat him to the prize.Will Max uncover the Vienna Archive and reverse his family’s fortunes before it’s too late?

    But a few strong people are determined to change their fate. The Bear, a veteran Russian mafia boss, hopes for a peaceful retirement but is dragged back to Moscow when his son is seduced by the wealth and power of the corrupt Russian state. Ambitious MI6 agent Rose Clarke targets the Bear's mysterious daughter-in-law, but this leads her into a horrific and life-threatening trap. Mercenary and rebel John Fairchild unlocks the secrets of his past and wakes a potent and cruel force lying dormant since the Cold War. In untangling a mystery he has unleashed a monster which threatens everyone he cares about. Can they resist Moscow’s power, or will they all be obliterated by its ruthless determination to control everything? Book 2 in the Clarke and Fairchild series of gripping spy thrillers.

    

    platforms Winner of the American College Theatre Festival, this marvelously theatrical play is the story of a disturbed young man and his friendship with a disenchanted preacher in southern Indiana in the early 1930s. When the boy was young he almost drowned. This trauma and the loss of his mother in the same accident has left him deathly afraid of water. The preacher, set on breaking away from a long line of Kentucky family preachers, is determined not to do what h

    Formerly part of the World Dramatists series of play collections by classic and modern playwrights, including foreign works in workable and accurate translations, this title and seven others are reissued in a new format under the heading, World Classics.

    * Consists of the two critically acclaimed plays performed at the National Theatre both printed in one volume - thus offering exceptional value for money. * Invaluable teacher's notes and student drama activities written by Ruth Moore and Paul Bunyan, recognised experts in the area of Drama in English. * Philip Pullman worked closely with playwright Nicolas Wright to create the text, and both writers have contributed introductions to our edition. * The exciting, highly imaginative storyline, which captivates boys and girls alike, offers a wide range of textual and dramatic investigations. Parts for all the class, and ideal for smaller groups, with potential for interchangeable male/female roles.

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    In the first volume of his trilogy of memoirs, Bishop Macedo surprises with profound revelations.He started off as a common Brazilian who decided to preach his faith in the streets and public squares. Now 35 years later, he leads a church active in over 200 countries with millions of faithful members, in the most remote places on the planet. How did it all begin?He has also became owner of the second largest television network in Brazil What are the dilemmas and challenges faced at the beginning of this journey? What is the origin of this belief that overcomes all limits? With 238 pages filled with intimate details of his life, Bishop Macedo also tells about the family illness that started the founding of the Universal Church. It also gives a report of the 11 days Edir spent in a police station in São Paulo. In the next two volumes of the trilogy, the founder of the UCKG will speak in detail about the growth of the church, the acquisition of TV Record and other unpublished stories of his past.

    He was an anti-monarchist Royalist, an atheist who converted to Christianity and a lyric poet who revelled in pornography. The play centres on the moment his cynicism is confounded when he falls in love in earnest.Thoroughly modern in its attitude to Rochester's sexual indulgence, the play is also a thrillingly convincing portrait of the period and an accomplished comedy of manners.Commissioned and directed by Max Stafford-Clark for Out of Joint, The Libertine was first performed on tour and at the Royal Court Theatre alongside the Restoration comedy, The Man of Mode, which offers another, contemporary view of Rochester. Stephen Jeffreys is the author of A Going Concern, The Clink and Valued Friends, which won him the Evening Standard Most Promising Playwright Award. He also adapted A Jovial Crew for the RSC.

    The newest Broadway musical by Pulitzer Prize-winning collaborators Stephen Sondheim and James Lapine, winner of the Tony Award for Best Musical, 1994.

    . . . . . well, actually, God knows what you are holding in your hand, you are after all adults, and what you hold in your own right hand is entirely up to you . . . . . . you may, after all, have this in your left hand and something else in your right hand and you will probably have held far worse things in both your hands than this . . . and hey! . . . No! . . . Stop that! Miss Johansson, I said, "Please hold my calls . . ." Honestly. Hollywood! Anyway, what you are about to read--or have read to you--is a new book that is the first active collaboration of the Monty Python chaps for many, many years. In fact, the first book written and produced by the Pythons, themselves, since 1979. No, they are not all dead. Okay, some of them have been a bit quiet recently, and one or two have DNR notes by their bedsides, but the point is five of them are still technically alive and that, if not exactly cause for rejoicing, may well be cause for a new book. And this is it! So hold whatever you like in your right hand while you read this book. Because laughter is jolly good for you. Even if it can make you blind. --The Pythons

    This adaptation offers readers the exquisite wordplay, beguiling comedy and fierce intelligence found in all of Kushner's work.The Illusion follows a contrite father, Pridamant, seeking news of his prodigal son from the sorcerer Alcandre. The magician conjures three episodes from the young man's life. Inexplicably, each scene finds the boy in a slightly different world: names change, allegiances shift and fairy-tale simplicity evolves into elegant tragedy. Pridamant watches, enthralled by the boy's struggles, but only as the strange tale reaches its conclusion does the father confront the ultimate-and unexpected-truth about his son. An enchanting argument for the power of theatrical imagination over reality, "The Illusion" weaves obsession and caprice, romance and murder, fact and fiction, into an enticing exploration of the greatest illusion of all-love.

    Toad of Toad Hall A Play from Kenneth Grahame's Book "The Wind in the Willows"

    In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.