They are the visions of the Irezumi, the legendary tattoo artists, who spend years creating living masterpieces. Photographer Sandi Fellman describes this strange and violent world both in her text and in her stunning, large 20 x 24 inch Polaroid photographs.

    I could hear it. There, beyond the beach, behind the tree-line. Off to my left, out of sight. I was still on the beach, just beyond the waterline. I crawled here a few minutes ago. I heard the rustling almost immediately; as soon as I had become conscious again. I didn’t know how long I had been there, apparently washed up by a higher tide sometime earlier. My clothes were still wet, so I must not have been here more than a few hours. I didn’t wake up coughing, so it didn’t seem that I had drowned. The life-jacket seemed to have kept me above water. I was on my knees, scanning the tree-line for movement, and listening…and trying to get my bearings. I had been awake for just a few minutes. The sun was up, but barely. Of course, we almost never saw the sun because of the ash clouds, but they were getting better every year. It had been 18 years since the cataclysm. If the cataclysm had taught us anything, it was to be careful and think things through. I wasn’t in immediate danger as far as I could tell. My only injury seemed to be a really painful, but minor head-wound from where I had been hit. We had left the compound on Tahiti early yesterday. Or was it the day before? I guess it didn’t matter. I guess I didn’t know for sure what day it was. I didn’t have a watch; we didn’t have much use for them. When you don’t have appointments, and no train to catch, precise times aren’t that important. I had intended to travel with just the cargo, but Aunt Irene hated the islands and wanted to go back to what she thought of as her home. For some reason, she expected to find the resort and the town just like she had left it. She was delusional. I might not have said that last week, but after what happened, I would have a lot more to say if there had been anyone to listen to me. What I couldn’t figure out was how she and Clark thought that they could survive a two year journey at sea in relative isolation, eating mostly fish. Irene was used to demanding that others do her work for her. How did she imagine that she would handle a trip like this with just me, Clark, and the four sisters? She didn’t even like any of us. My plan was to stay on a different end of the boat as much as possible. But that was all pretty much ancient history now. Last night, I was standing at the bow of the boat, watching the last of the sunlight disappear. It was going to be dark. The moon didn’t show much these days. Irene came up and stood beside me and said, “So, out there is Rangiroa?” I said yeah, but there was something strange about the question. She knew as well as I exactly where we should be and where our course was taking us. Yeah, the island Rangiroa and it’s neighbors was just in front of us. We’d be passing them overnight. There was something weird in her voice. She sighed and said, “Yeah,” and then I felt something hit me in the back of the head and I passed out. I woke up on the beach here, listening for something out there, beyond the tree-line.

    

     This complete series box set includes The Chase, Volumes 1 through 4. The Chase, Volume 1 735 to 1. 735 = number of notches on his belt. 1 = the notch he couldn’t get. Who is he? Dean Chase. He loves the thrill. He loves the women. And above all, he loves the chase. But the one thing he doesn’t love is being tied down by a woman. To him, once the chase is over, it’s time to pull up his boxers and move on to the next target. That is until he meets Blair Parker. Blair is unlike any of the women under Dean’s belt. She’s confident, mysterious, and sassy. In Dean’s world, she’s the wicked curved ball he couldn’t figure out. She’s the first woman who always seems to be out of reach no matter how hard he chases. So when it comes to Blair, Dean couldn’t move on. Dean will need to change his ways in order to chase Blair down to make her the 736th notch on his belt. But will chasing after Blair become Dean’s undoing and end his love of the chase once and for all? The Chase, Volume 2 736 = the number of notches on my belt. 736 = the notch I can't get out of my head. 736 = the notch who leaves me wanting more than I’m prepared to give back. Who is 736? Blair Parker. She is unlike any women I have met before. She's powerful. She's feisty. She's headstrong. And above all, she’s the one I had to break my one and only rule to chase down. But there’s just one problem. She wants nothing to do with me before and after our night together. If that’s not enough, life then throws me another curve ball. I’m offered an opportunity of a lifetime. It’s an opportunity to achieve the success I’ve worked so hard for. It’s an opportunity anyone in my position would kill for. It’s an opportunity that I’d be crazy to say no to. But there is a catch. There is a price to pay. There is something I need to do in exchange for this opportunity. To be the youngest partner at the most prestigious international law firm, I need to make Blair the casualty of my success. The Chase, Volume 3 When the Blonde Bitch broke my heart ten years ago, I had vowed two things. One: I would never waste my time on loving someone again. Two: I would never have anything to do with the Blonde Bitch again. When I met my 736th notch, I broke that first vow. The minute I saw Blair, the second our eyes met, the microsecond I tasted her in my mouth, I knew that was the one vow I had to break. But the second vow, that I would keep. That vow I had control over. That vow I would take to my grave. But I couldn’t have been more wrong. Because Fate had other plans in mind. Fate was in on a cruel joke, and I was its target. The Chase, Volume 4 No one told me things would turn out this way. No one told me that to be honest with Blair, I had to break her heart.

    Here are 30 x-rated tales that are sure to reinvent the bedtime story, because after reading these, sleep will be the last thing on anyone's mind.

    Coverage explores the on-board effects, low-light settings, and automatic HDR shooting. Clear explanations detail the ways in which you can use the new features of the Nikon D5100 to add unique shots to your portfolio while an explanation of photography terms gets you confident and savvy with this fun DSLR camera.Covers basic camera controls and functions, shooting in auto mode, setting photo quality, and navigating menus and the view screen Introduces the basics of photography, including the settings that control lighting, exposure, focus, and color Addresses the new low-light and HDR settings Encourages you to use the new onboard effects features and shares tips for improving images with editing software Get a grasp on the fun Nikon D5100 with this fun and friendly guide!

    For the first time, beloved best-selling author and artist Camilla d’Errico pulls back the curtain to give you exclusive insights on topics from the paints and brushes she uses and her ideal studio setup, to the dreams, notions, and pop culture icons that fuel the creation of her hauntingly beautiful Pop Surrealist paintings. With step-by-step examples covering major subject areas such as humans, animals, melting effects, and twisting reality (essential for Pop Surrealism!), Pop Painting gives you the sensation of sitting by Camilla’s side as she takes her paintings from idea to finished work. This front row seat reveals how a leading artist dreams, paints, and creates a successful body of work. For fans of Camilla and the underground art scene, aspiring artists looking to express their ideals in paint, and experienced artists wanting to incorporate the Pop Surrealist style into their work, Pop Painting is a one-of-a-kind, must-have guide.From the Trade Paperback edition.

    Check out the details inside!  Book 1 - Her Husband's Affair Every naughty fantasy you have about a housewife has all been caught in this series! Check out some of the hottest wives on the block! They should be helping their kids with their homework but, they would rather work over some young stud! This EXTREME EROTICA SERIES has so much nasty, steamy sex-it is guaranteed to keep you busy! This is a book Contemporary romance collection that contains an explosion of STEAMY and INCREDIBLY SEXY stories sure to get your heart racing. 1. Filthy new series 2. Are you ready for this HOT and JUICY ride? 3. The ladies dirty forbidden secrets revealed He was so innocent—so pure and a freshman in college and off-limits—that all she wanted was to corrupt him. Leave him ruined for other women. But once he gets a taste of her. Once he hears her scream… … There’s nothing in the world that can stop him from making her his. WARNING: This book contains sexual assault (not graphic), strong language, and steamy/graphic sexual scenes. It describes the life and actions of a horny housewife. If any of these issues offend you, please do not read the book. No cliffhangers! The book is intended for readers over the age of 18. Here’s what you get! These ladies will definitely make you howl with delight. Erotica stories of hot backdoor action to get your motor running.  Book 2 - I Must Have Her Insatiable Wanda in her first double penetration scene! Bad Girls Candy explodes with hard pounding lust as Wanda and Laura reveal their naughty nympho obsessions. They go where good girls fear to tread, ready to take on the young, innocent big boy.  The Peeping Tom Here`s your chance to experience one of the hottest young brunettes in the biz! Sarah is at your disposal in this erotica story that features 3 rowdy romping` scenes. That`s 3 scenes of total sex and mayhem that will blow your mind to smithereens! So don`t waste any more time. Come and get a dose of Sarah today!  Book 4 – The Stripper's Stepson If you like them hot, sweet, and tight, then you're going to love what we're bringing to the table. We've got Pam and Tracey at your service and ready to pleasure young men in every way possible. These girls are the hottest stepmothers on your block that you've always wanted to discipline you. Order, "The Stripper's Stepson," They're sexy, they're hot, and they're waiting just for you!

    The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world.Coming out of this dedicated movement, Portrait Painting Atelier is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters’ technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features. Richly illustrated with the work of preeminent masters such as Millet, Géricault, and van Gogh, as well as some of today’s leading portrait artists—and featuring seven detailed step-by-step portrait demonstrations—Portrait Painting Atelier is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture.

    Cream, published by Phaidon in 1998, was a sensational cultural event. Fresh Cream consolidates the biennial status of Cream as a frame of reference and an essential source of new art for art professionals and newcomers alike. Pursuing the theme of its predecessor, with 10 new world-class contemporary curators each choosing ten emerging artists, the book presents in its entirety the works of 100 artists and an up-to-the-minute global overview of the contemporary art world, not only for now but also for the future. These artists have risen to intense international acclaim since the 1990s or, in the opinion of the curators who have selected them, are about to emerge internationally in the near future. Fresh Cream contains the enormous breadth of ideas and forms that exist in contemporary art. The artists' spreads are arranged in an A-Z order, featuring numerous examples of each artist's work alongside a concise text from the selecting curator and vital biographical information about the artist. A conversation between the 10 curators and the commissioning editor gives a penetrative insight into their selections and of the key issues in contemporary art. The cultural context in which the artists work - from philosophy to fiction - is presented through recent texts from 10 contemporary writers, one selected by each curator. Itself embodying the creative originality and innovation of its content, Fresh Cream is packaged in an incredible, inflated, clear plastic pillow.

    I wanted to take her curvy body and full lips, wanted to pull her hair and bend her over and take what was mine. I didn’t mind helping a damsel in distress, but she was going to have to give me something in return. I didn’t want to shatter her heart. But she was just too damn tempting, with her soft skin, her long blond hair, her tight little… She claims she hates me, but her body tells a different story. I’ll just have to show her how good a bad boy can be. OLIVIA I hated him from the moment I saw him. I hated his dark brooding eyes, his smartass mouth, and that cocky grin that always made it seem like he was in on some private joke I knew nothing about. I hated his need to control me, his bossy attitude, his brooding stare, the way he could make women drop their panties just by looking at them. But I was in deep trouble. I had no family, no money, no one to save me. So when he offered me a job and a place to stay, I had no choice but to say yes. Now I’m around him all the time, and I can’t stop thinking about his rough hands on my bare skin, his kiss on my lips, my neck, my… I’m too smart to think I’m the one who can convince him to change. Guys like him never change. I know he’s going to break my heart into a million pieces. The problem is, I’m powerless to stop it... *This box set contains the complete OBSESSED WITH HIM series with HEA. The first seven books in Hannah Ford's bestselling WHAT HE WANTS series are included as bonus books*

    at the young callow age of eighteen.Then he lost her, thought her gone forever, for four long years.Until she comes back, and she turns his life upside down. Of course, turning his life upside down is nothing compared to what she’s going to do to the rest of the world. The singularity has arrived, join Paul as he discovers how wonderful and exciting that can be… and how horrifying.Warning: This book contains adult situations and explicit scenes of an erotic nature. This is the first book of a harem trilogy. This book is told in the first person, from Paul’s perspective.

    This astounding volume showcases alluring paintings of sensuous women and strong men, set against mythical, otherworldly backgrounds, and contains over 40 color and black and white illustrations, as well as 8 full pages of new, never before seen or published art work.

    She needed the money and I wanted to play with her.She thinks it's just a game.It's not.Joy is sweet and gentle.The opposite of me.I'm rich, arrogant, and used to getting what I want.For twenty-four hours, she is mine.Mine to command.I can do what I want to her and she has no choice but to obey.Back out and she won't get paid.So I'm going to take her innocence and dominate her soul.And when the game's up?She thinks she can just walk away?I've got news for her.She's not going anywhere.

    However, he scored his breakthrough in applied art, and particularly in his high-profile movie work on Ridley Scott's Alien. In 1980, he received an Oscar for "Best Achievement for Visual Effects" for his designs of the film's title creature and its otherworldly environment. His other celebrated film projects include Poltergeist II, Alien 3 and Species, for which he designed a deadly but beautiful half-extraterrestrial female creature and a fantastic nightmare train. Giger's album covers for Debbie Harry and Emerson, Lake and Palmer were voted as being among the top hundred in music history by music journalists, while furniture designed by Giger graces a bar in Chur, Switzerland. This book was designed by the artist himself, and features detailed commentaries in which Giger describes his work from the early 1960s to the late 1990s; the authentic voice of the master.