Often considered the world's greatest living film composer, and most widely known for his innovative scores to The Good, the Bad, and the Ugly and the other Sergio Leone's movies, The Mission, Cinema Paradiso and more recently, The Hateful Eight, Morricone has spent the past 60 years reinventing the sound of cinema. In Ennio Morricone: In His Own Words, composers Ennio Morricone and Alessandro De Rosa present a years-long discussion of life, music, and the marvelous and unpredictable ways that the two come into contact with and influence each other. The result is what Morricone himself defines: "beyond a shadow of a doubt the best book ever written about me, the most authentic, the most detailed and well curated. The truest."Opening for the first time the door of his creative laboratory, Morricone offers an exhaustive and rich account of his life, from his early years of study to genre-defining collaborations with the most important Italian and international directors, including Leone, Bertolucci, Pasolini, Argento, Tornatore, Malick, Carpenter, Stone, Nichols, De Palma, Beatty, Levinson, Almod�var, Polanski and Tarantino. In the process, Morricone unveils the curious relationship that links music and images in cinema, as well as the creative urgency at the foundation of his experimentations with "absolute music." Throughout these conversations with De Rosa, Morricone dispenses invaluable insights not only on composing but also on the broader process of adaptation and what it means to be human. As he reminds us, "Coming into contact with memories doesn't only entail the melancholy of something that slips away with time, but also looking forward, understanding who I am now. And who knows what else may still happen."

    This comprehensive collection of drawings by Gustave Doré, France's most celebrated graphic artist of the period, presents a panoramic portrait of that engrossing city — from fashionable ladies riding in a sunlit park to ragged wretches in a shadowy side street. Here are amazingly perceptive sketches of workaday London, busy market places, the Christy Minstrels, a waterman's family, thieves gambling, the Devils' Acre in Westminster, flower girls, waifs and strays, a wedding at the Abbey, provincials in search of lodgings, a garden party, prisoners in the Newgate exercise yard, stalls at Covent Garden Opera House, and many other scenes that capture the London of a bygone era.

    Alone among the big piano companies, Steinway still crafts all of its pianos largely by hand, imbuing each one with the promise and burden of its brand. In this captivating narrative, James Barron of "The New York Times" tells the story of one Steinway piano, from raw lumber to finished instrument. Barron follows that brand-new piano--known by its number, K0862--on its eleven-month journey through the Steinway factory, where time-honored manufacturing methods vie with modern-day industrial efficiency. He looks over the shoulders of men and women--some second- and third-generation employees, some recently arrived immigrants--who transform wood and steel into a concert grand. Together, they carry on the traditions begun more than 150 years ago by the immigrants who founded Steinway & Sons--a family that soared to prominence in the music world and, for a while, in New York City's political and economic life. Barron also explores the art and science of developing a piano's timbre and character before its first performance, when the essential question will be answered: Does K0862 live up to the Steinway legend? From start to finish, "Piano "will charm and enlighten music lovers.

    Watson, is the scourge of London's underworld, sallying forth from his rooms at 221B Baker Street to solve crimes and bring evildoers to justice. Now four of the best Holmes stories have been collected in this volume, offering a superb sampler of the great sleuth's fascinating adventures. Included are "The Adventure of the Dancing Men," in which the sudden appearance of mysterious stick-figure drawings proves disastrous to a country squire and his bride; "The Adventure of the Dying Detective," in which Holmes appears to have contracted a mysterious Asian disease that leaves him at death's door; and two other celebrated stories: "The Musgrave Ritual" and "The Adventure of the Bruce-Partington Plans." In this inexpensive collection, these stories represent a wonderful introduction to the larger body of Holmes stories, as well as a delightful pocket-sized treat for any mystery lover.(back cover)

    Inge has taken us back to the early 1920s and into the home of the Flood family in a small Oklahoma town. Here we find Rubin, a traveling salesman for a harness firm, Cora his sensitive and lovely wife, Sonny their little boy and Reenie their teen-age daughter The plot of Mr. Inge's comedy drama is less one story than a series of short stories the fight between a husband and wife; the fear of an overly shy young girl on going to a dance; the problems of an introverted little boy who feels that the whole world, including his family is against him; the outwardly peaceful and inwardly corroding marriage of Cora's rowdy sister; the tragedy of a military school cadet whose mother has never provided him with a home and who suffers from the stigma of being a Jew in an alien community. What Mr. Inge is saying, with a power and tenderness of speech, is that there is dark at the top of everyone's stairs, but that it can be dissipated by understanding, by tolerance, by compassion and by the brand of companionship that demands not conformity but love For Mr. Inge has made in his play a statement of faith for all people who, if they accepted it, would live in a far better world."

    How, he asks, did music progress from subordinate status to its present position of supremacy among the creative arts? Mozart was literally booted out of the service of the Archbishop of Salzburg "with a kick to my arse," as he expressed it. Yet, less than a hundred years later, Europe's most powerful ruler--Emperor William I of Germany--paid homage to Wagner by traveling to Bayreuth to attend the debut of "The Ring." Today Bono, who was touted as the next president of the World Bank in 2006, travels the world, advising politicians--and they seem to listen.The path to fame and independence began when new instruments allowed musicians to showcase their creativity, and music publishing allowed masterworks to be performed widely in concert halls erected to accommodate growing public interest. No longer merely an instrument to celebrate the greater glory of a reigning sovereign or Supreme Being, music was, by the nineteenth century, to be worshipped in its own right. In the twentieth century, new technological, social, and spatial forces combined to make music ever more popular and ubiquitous.In a concluding chapter, Tim Blanning considers music in conjunction with nationalism, race, and sex. Although not always in step, music, society, and politics, he shows, march in the same direction.

    For the most part, it concerns itself with the mercurial and irresponsible moods of a girl called Sally Bowles. When we first meet her, she is a creature of extravagant attitudes, given to parading her vices, enormously confident that she is going to take life in her stride. She is fond of describing herself as an 'extraordinary interesting person,' and she is vaguely disturbing. As we get to know her, as we watch her make frightened arrangements for an illegal operation, seize at the tinseled escape offered by a rich and worthless American playboy, attempt to rehabilitate herself and fail ludicrously, we are more and more moved, more and more caught up in the complete and almost unbearable reality of this girl. [The author has] placed a character named Mr. Isherwood on the stage He serves both as narrator and as principal confidant to Sally Bowles. He is the camera eye of the title, attracted to Sally, yet dispassionate about her." Though Sally is the chief point of interest, the plight of the Jew in Germany in the early '30s is brought within focus in a few touching scenes.

    RJ Wheaton offers an imagistic, in-depth investigation of Dummy that imitates the cumulative structure of the album itself, piecing together portraits and interviews, impressions of time and place, cultural criticism, and a thorough exploration of the music itself. The book focuses both on the creation and production of Dummy and the reception and response it engendered. How did so many people, collectively, make a quintessential headphone album into a nightclub album? How did they turn the product of a niche local scene into an international success? With fresh input from Portishead sound engineer Dave McDonald and collaborator Tim Saul, coupled with extensive research, this is the compelling story of how an innovative, experimental album became the iconic sound for the better part of a decade – and an aesthetic template for the experience of music in the digital age.33 1/3 is a series of short books about popular music, focusing on individual albums by artists ranging from James Brown to Celine Dion and from J Dilla to Neutral Milk Hotel. Each album covered in the series occupies such a specific place in music history, so each book-length treatment is different. Jonathan Lethem, Colin Meloy, Daphne Brooks, Gina Arnold and Alan Warner are just some of the authors who have contributed to the series so far. Widely acclaimed by fans, musicians and scholars alike. More

    Mozart. Beethoven. Old guys with curly wigs, right? But trust me: those composers were the original rock stars.Open your mind to some of the most breathtaking and magnificent pieces of music ever created, and find out why the rebels and revolutionaries who wrote them are responsible for every track on your phone today. Discover their backstories and how each one shaped and defined classical music. Learn about the structure of an orchestra, the language of music, and the history of musical periods. With jaw-dropping artwork and avant-garde design, this visually exquisite celebration of classical music is a surefire hit for both first-time listeners and longtime fans. Budding aficionados will appreciate the online playlist featuring James Rhodes's favorite selections.

    Drawing on experience, psychological insight, and wisdom ancient and modern, Westney shows how to trust yourself and set your own musicality free. He offers healthy alternatives for lifelong learning and suggests significant change in the way music is taught. For example, playing a wrong note can be constructive, useful, even enlightening. The creator of the acclaimed Un-Master Class(R) workshop also explores the special potential of group work, outlining the basics of his revelatory workshop that has transformed the music experience for participants the world over. Practicing, in Westney's view, is a lively, honest, adventurous, and spiritually rewarding enterprise, and it can (and should) meet with daily success, which empowers us to grow even more. Teachers, professionals, and students of any instrument will benefit from this unique guide, which brings artistic vitality, freedom, and confidence within everyone's reach

    What unfolds then are seemingly unconnected stories covering a vast array of topics—from incest to madness to a poetic competition in the court of George III. And what emerges by the end is a breathtaking tapestry in which past and present, imagination and truth, are intricately woven together into one remarkable whole.

    These original and innovative tales, most of which appeared in the 1880s and 1890s, constitute 23 examples of his best and most characteristic short fiction: anti-war satires that underscore the barbarism and futility of bloodshed; horror stories with a keenly ironic edge; and sardonic "tall tales" of the Old West.The American Civil War was the defining experience of Bierce's life, and the battlefield ordeals from his service within the Union army contributed to his distinctive brand of cynical realism. This collection boasts the best of his Civil War tales, including "Chickamauga," "A Horseman in the Sky," and the author's much-imitated masterpiece, "An Occurrence at Owl Creek Bridge." Writers of mystery and suspense stories have long been influenced by Bierce's tales of the supernatural such as "The Moonlit Road," and "The Eyes of the Panther." This anthology also features "Oil of Dog," "My Favorite Murder," and other satirical fables that continue to captivate readers with their humor and ingenuity.

    He makes bittersweet and vivid a young man’s struggle to forge an artist’s life—and to become the next Segovia. And we see him after graduation, pursuing a solo career in Vienna but realizing that he has neither the ego nor the talent required to succeed at the upper reaches of the world of classical guitar—and giving up the instrument, and his dream, entirely.Or so he thought. For, returning to the guitar, Kurtz weaves into the larger narrative the rich experience of a single practice session, demonstrating how practicing—the rigor, attention, and commitment it requires—becomes its own reward, an almost spiritual experience that redefines the meaning of “success.” Along the way, he traces the evolution of the guitar and reminds us why it has retained its singular popularity through the ages.Complete with a guide to selected musical recordings and methods, Practicing takes us on a revelatory, inspiring journey: a love affair with music.

    Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.

    I recognize Baudelaire's voice in these translations."--Anna Balakian. Includes an incisive introduction to Baudelaire's life, work and influence on modern poetry.