All worth can be quantified. Artistic worth. Human worth. Material worth. Everything. Some food is simply better than other food. Isn't it? Some clothes are better than other clothes. Aren't they?The last week of a massive international tour and rock star Paul is at the height of his fame. Everybody knows his name. Whatever he wants he can have. He can screw anybody he wants to. He can buy anything he desires. He can eat anything. Drink anything. Smoke anything. Go anywhere. As the inevitability of the end of the road looms closer and a return home becomes a reality, for Paul the music is starting to jar.Birdland received its world premiere at the Royal Court Theatre Downstairs on 3 April 2014.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    The story was collected in his anthology Welcome To The Monkey House. The story centers on a character named Harry Nash, who is an extremely shy & characterless small-town man. However, whenever he takes a part in the local, amateur theater production he becomes the character to an overwhelming extent. Soon Helene Shaw, a recent addition to the town, falls in love with Nash--or with his character in the play.

    When is a short story collection not a short story collection? A. When it is an exercise in extreme horror metafiction… Helen Clarke finds a book on her bookshelf that she has never seen before, simply entitled, ‘The Collection’. Intrigued, she begins to read. At first, the slim book appears to be nothing more than just a collection of short horror stories. But as the secrets that lie within the pages of the book are slowly revealed, her life turns into a waking nightmare. From Gypsy curses, to flesh-eating maniacs and creatures from the depths of Hell, Sam West invites you to take a road-trip through his messed-up head. But please be warned, there is strong sex, blood and innards.

    The wind tries first, but however hard it blows it fails to make any progress because the traveller simply buttons his coat even tighter than before. Only when the sun shines brightly does he finally remove it, and the wind roars away in a bad temper.

    Join Micah as she takes a walk through her past, leathers and all, for a night she soon won't forget. What can we say? Some fantasies can't be put to sleep until they are put to bed.

    He explores the queasy relationships between life and art, love and estrangement, and the bane that is American identity drift, with unsparing but compassionate candor.” –Misha Berson, Seattle Times“Margulies’s remarkable gift of building characterization through realistic dialogue is undiminished. Full of aching ruefulness that underlies the comedy, Brooklyn Boy’s scenes are written with precision and humor. The play isn’t about Brooklyn, nor is it about a boy—it’s about a man without a home.” –Don Shirley, Los Angeles TimesThis new play by the Pulitzer Prize-winning author of Dinner with Friends follows the career of Eric Weiss, a writer whose novel hits the bestseller list the same time his life begins to unravel. His wife is out the door, his father is in the hospital, and his childhood friend thinks he has sold himself to the devil. A funny and emotionally rich look at family, friends and fame.Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of God of Vengeance, his many plays include Collected Stories, The Country House, Sight Unseen, The Model Apartment, The Loman Family Picnic, What’s Wrong with This Picture? and Time Stands Still. Mr. Margulies currently lives with his wife and their son in New Haven, Connecticut, where he teaches playwriting at Yale University.

    She swore she'd never return when she left the place in her rear-view mirror a decade back. Then a public offering left her wealthy and without a purpose in life. So she returned to the only other home she'd ever known in search of a new purpose in life. What she found was Christine. Christine had built a good life in that town Laura never wanted to come back to. She did good business selling overpriced renovations to rich people with more money than time, and she was content with the quiet life she’d built for herself in the small town. Until she drove past Laura’s house one morning and saw that the big city had come to pay a visit, bringing back painful memories she’d thought dead and buried a decade back. To say Laura and Christine have a complicated past would be an understatement, but it’s a past they’ll have to untangle as sparks fly between them all over again!

    At first, the new doctor cures anything

    Almost one hundred years later, a groom-to-be prepares for his gay wedding.Queers celebrates a century of evolving social attitudes and political milestones in British gay history, as seen through the eyes of eight individuals.Poignant and personal, funny, tragic and riotous, these eight monologues for male and female performers cover major events - such as the Wolfenden Report of 1957, the HIV/AIDS crisis, and the debate over the age of consent - through deeply affecting and personal rites-of-passage stories.Curated by Mark Gatiss, the monologues were commissioned to mark the anniversary of the 1967 Sexual Offences Act, which decriminalised homosexual acts in private between two men over the age of twenty-one. They were broadcast on BBC Four in 2017, directed and produced by Gatiss, and starring Alan Cumming, Rebecca Front, Ian Gelder, Kadiff Kirwan, Russell Tovey, Gemma Whelan, Ben Whishaw and Fionn Whitehead. They were staged at The Old Vic in London.This volume includes:The Man on the Platform by Mark GatissThe Perfect Gentleman by Jackie CluneSafest Spot in Town by Keith JarrettMissing Alice by Jon BradfieldI Miss the War by Matthew BaldwinMore Anger by Brian FillisA Grand Day Out by Michael DennisSomething Borrowed by Gareth McLean

    All are adaptations of his short stories of the same names.

    “Ethshar” is the invented world that has been the setting for almost a dozen novels from the pen of Lawrence Watt-Evans. Its inhabitants don’t call it that; they call it “the World.” For readers, though, that’s not specific enough. The dominant nation on the World is the Hegemony of the Three Ethshars, while the largest, richest city, where most of the stories are set, is Ethshar of the Spices, so “Ethshar” is close enough. The name itself comes from words meaning “safe harbor.” You don’t need to have read any of the novels to enjoy the stories herein; each one should stand alone. And if you've read the novels, you will enjoy this return to the world of Ethshar with 11 stories... This is the first time they have all been collected in one book!

    Sicily, 1862. In the newly united Italy, Judge Surra arrives in Montelusa to take charge of the local court, in a town where conflict has been kind to a select few. At first, Surra is baffled by the quaint local customs: cryptic anonymous notes, mutterings in the street, tasty - if tasteless - gifts of disembodied animal heads. However, buoyed by his twin passions for justice and fine dining, Surra is determined to settle into island life, no matter who stands in his way. Distilling his customary humour and tension into this miniature masterpiece, Andrea Camilleri casts an ironic eye on the corruption and charm of a turbulent small town, testing his naïve but noble hero against the darkest arts of the Mafia.This story is available in print as a part of the collection Judges, published by MacLehose Press.

    That? She saves for music, whether she's playing guitar or DJing...and everyone dances to her tune. But when the dreams Nina works so hard for start to fall into place, the past she thinks she's left behind returns. As she opens herself - to everything - Nina learns that being punk alone is not enough. She needs to love and be loved, to let go - without losing herself. Angst, sex, love, rock - 'Nuff said.

    HarperCollins is proud to present its new range of best-loved, essential classics.