And it was Abraham Lincoln who, a year earlier at Malvern Hill, picked up a corner of one of the Irish colors, kissed it, and said, “God bless the Irish flag.”Lincoln and the Irish untangles one of the most fascinating subtexts of the Civil War: Abraham Lincoln’s relationship with the men and women coming to America to escape the Irish famine.Renowned Irish-American journalist Niall O’Dowd gives unprecedented insight into a relationship that began with mutual disdain. Lincoln saw the Irish as instinctive supporters of the Democratic opposition, while the Irish saw the English landlord class in Lincoln’s Republicans. But that dynamic would evolve, and the Lincoln whose first political actions included intimidating Irish voters at the polls would eventually hire Irish nannies and donate to the Irish famine fund. When he was voted into the White House, Lincoln surrounded himself with Irish staff, much to the chagrin of a senior aide who complained about the Hibernian cabal. And the Irish would repay Lincoln’s faith—their numbers and courage would help swing the Civil War in his favor, and among them would be some of his best generals and staunchest advocates.

    If the poetic sequence is the main mode of Maggot, it certainly isn't your father's poetic sequence. Taking as a starting point W. B. Yeats's remark that the only fit topics for a serious mood are "sex and the dead," Muldoon finds unexpected ways of thinking and feeling about what it means to come to terms with the early twenty-first century. It's no accident that the centerpiece of Maggot is an outlandish meditation on a failed poem that draws on the vocabulary of entomological forensics. The last series of linked lyrics, meanwhile, takes as its subject the urge to memorialize the scenes of fatal automobile accidents. The extravagant linkage of rot and the erotic is at the heart of not only the title sequence but also many of the round songs that characterize Maggot, and has led Angela Leighton, writing in The Times Literary Supplement, to see these new poems as giving readers "a thrilling, wild, fairground ride, with few let-ups for the squeamish."

    She then promises to stop making terrible food analogies about everything.From terrifying hen nights, malevolent dolphins and angry bakers, to runaway cats, a stalker who won't commit and the curse of over-politeness, Maeve writes with warmth and wit about what it's like to be a regular human girl. And, crucially, she finally reveals the truth about her relationship with Michael Fassbender.We Have a Good Time...Don't We? introduces a strikingly original voice that celebrates the truth of what we really feel about ourselves through these hilarious and perceptive snapshots of a life considered.

    On a cold December morning, a small boy is enticed away from his mother and his throat savagely cut. This could be just one more small, sad death in a city riven by poverty, inequality and political unrest, but this murder causes a public outcry. For it appears the culprit - a feckless student named John Delahunt - is also an informant in the pay of the authorities at Dublin Castle. And strangely, this young man seems neither to regret what he did, nor fear his punishment. Indeed, as he awaits the hangman in his cell in Kilmainham Gaol, John Delahunt decides to tell his story in this, his final, deeply unsettling statement...Based on true events that convulsed Victorian Ireland, The Convictions of John Delahunt is the tragic tale of a man who betrays his family, his friends, his society and, ultimately, himself. Set amidst Dublin's taverns, tenements, courtrooms, and alleyways and with a rich, Dickensian cast of characters, this enthralling, at times darkly humorous novel brilliantly evokes a time and a place, and introduces a remarkable new literary voice.

    It is just a true story. Except for the parts that are enormous, staggering lies..."At once brazen and terrified, Sarah Maria Griffin's hilarious and beautifully written story opens a doorway into the interior life of the Celtic Tiger cubs who have left Ireland to escape the recession in search of prosperity.Thrown into life 5000 miles away from home, Sarah's tale echoes that of many of her generation, forced to forge new lives and build new homes and relationships on distant shores. She describes in open, honest detail her experience of her first year in San Francisco: a year of struggle and strife, of newness and oddness, of adventure and excitement, of loneliness and despair, but also of incredible fun, happiness and joy.Not Lost is a book about growing up, about friendship, about love, about life and living it well., It is by turns heartbreaking, funny, tender and gutsy. Assured but never cocky, it marks Sarah Maria Griffin as one of the major new voices of her generation.

    P. Donleavy's first novel is now recognized the world over as a masterpiece and a modern classic of the highest order. Set in Ireland just after World War II, The Ginger Man is J. P. Donleavy's wildly funny, picaresque classic novel of the misadventures of Sebastian Dangerfield, a young American ne'er-do-well studying at Trinity College in Dublin. Dangerfield's appetite for women, liquor, and general roguishness is insatiable--and he satisfies it with endless charm.

    Her irresponsible Da is dead. She is grief-stricken and alone – but for the first time in her life free to please herself. After her mother deserted the family, Ivy became the sole provider for her Da and three brothers. Pushing a pram around the well-to-do areas of Dublin every day, she begged for the discards of the wealthy which she then turned into items she could sell around Dublin’s markets. As she visits the morgue to pay her respects to her Da, a chance meeting introduces Ivy to a new world of money and privilege, her mother's world. Ivy is suddenly a woman on a mission to improve herself and her lot in life. Jem Ryan is the owner of a livery near Ivy’s tenement. When an accident occurs in one of his carriages, leaving a young girl homeless, it is Ivy he turns to. With Jem and the people she meets in her travels around Dublin, Ivy begins to break out of the property-ridden world that is all she has ever known. Through Streets Broad and Narrow is a story of strength and determination in the unrelenting world that was Dublin tenement life.

    Oscar Wilde, writing about his relationship with his father, William Wilde, stated: “Whenever there is hatred between two people there is bond or brotherhood of some kind…you loathed each other not because you were so different but because you were so alike.” W.B. Yeats wrote of his father, John Butler Yeats, a painter: “It is this infirmity of will which has prevented him from finishing his pictures. The qualities I think necessary to success in art or life seemed to him egotism.” John Stanislaus Joyce, James’s father, was perhaps the most quintessentially Irish, widely loved, garrulous, a singer, and drinker with a volatile temper, who drove his son from Ireland. Elegant, profound, and riveting, Mad, Bad, Dangerous to Know illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways these men surface in their work. Through these stories of fathers and sons, Tóibín recounts the resistance to English cultural domination, the birth of modern Irish cultural identity, and the extraordinary contributions of these complex and masterful authors.

    They are 300 times more effective than an ordinary patrol... If we are going to have murderers and terrorists roaming the towns, then we have to have somebody who is able to go out and find them.” Contemporary press report Some think it stood for ‘Military Reconnaissance Force’, others ‘Mobile Reconnaissance Force’. Many people thought it didn’t exist at all and was made up, a figment of the press’s imagination. To the members of the group that was just fine. It added to the illusion, and the speculation about the unit’s name and mission only added to the uncertainty amongst their targets — terrorists — members of the Provisional Irish Republican Army, the IRA, the provos. For decades there has been argument in the media and amongst politicians about the possible existence and extent of a shoot-to-kill policy in Northern Ireland. MRF Shadow Troop confirms there was such an agenda in the early, chaotic days of British military intervention across the Irish Sea. Amongst the mountain of speculation there is little of any accuracy or authority relating to this period. Simon Cursey was recruited into the Military Reaction Force — the unit’s true name — in 1972. This book is his personal account of his time with the group and in it he reveals the truth about their operations — the briefings, missions, political wrangling, and government-sanctioned law-bending. With documents and photographs to corroborate all his revelations, MRF Shadow Troop is a fascinating, exciting but above all accurate historical text about the pioneers of counter-terrorism.

    This vivid portrayal of the universal search for love brings with it a darker tale, heartbreaking in its poignancy.

    Nora Joseph Barnacle is a twenty-year-old from Galway working as a maid at Finn’s Hotel. She enjoys the liveliness of her adopted city and on June 16—Bloomsday—her life is changed when she meets Dubliner James Joyce, a fateful encounter that turns into a lifelong love. Despite his hesitation to marry, Nora follows Joyce in pursuit of a life beyond Ireland, and they surround themselves with a buoyant group of friends that grows to include Samuel Beckett, Peggy Guggenheim, and Sylvia Beach.But as their life unfolds, Nora finds herself in conflict between their intense desire for each other and the constant anxiety of living in poverty throughout Europe. She desperately wants literary success for Jim, believing in his singular gift and knowing that he thrives on being the toast of the town, and it eventually provides her with a security long lacking in her life and his work. So even when Jim writes, drinks, and gambles his way to literary acclaim, Nora provides unflinching support and inspiration, but at a cost to her own happiness and that of their children.   With gorgeous and emotionally resonant prose, Nora is a heartfelt portrayal of love, ambition, and the quiet power of an ordinary woman who was, in fact, extraordinary.

    Lambe, Charlie Stella, Ray Banks, James O. Born, Sarah Weinman, Pat Mullan, Gary Phillips, Craig McDonald, Duane Swierczynski, Reed Farrel Coleman, and others.Irish crime-fiction sensation Ken Bruen and cohorts shine a light on the dark streets of Dublin. Dublin Noir features an awe-inspiring cast of writers who between them have won all major mystery and crime-fiction awards. This collection introduces secret corners of a fascinating city and surprise assaults on the "Celtic Tiger" of modern Irish prosperity.“The stories paint a picture of Dublin as the Celtic Tiger, a beast crouched on its hind legs about leap at you and roaring with its intensity . . . The cynicism and despair of classic noir is portrayed within each of these stories.”—Metro LA“Dublin Noir is perhaps the best short story anthology I’ve read.”—Reviewing the Evidence

    She has been brutually stabbed to death. For Dublin's police and politicians, the nightmare is just beginning. The dead girl is the daughter of a high-profile American surgeon who heads the Mercy Hospital's new Heart Foundation.When DS Jim Clarke and his team pick up the trail of a suspect, the pressure is on to close in quickly. America is baying for justice. But do they have the right man?At the Mercy Hospital Frank Clancy, consultant haematologist, is concerned about two unusual deaths. But when he decides to take a closer look he places his own life in danger...

    The Crocodile by the Door by Selina Guinness is a remarkable, compelling and moving memoir of a farm, a family and a home.When Selina Guinness and her partner Colin, both young academics, moved in with Selina's uncle Charles, an elderly bachelor, they had no idea what the coming years held for them: a crash course in farming, tense discussions with helicopter-borne property developers, human tragedy, and the challenge of dragging a quasi-feudal estate at the edge of Dublin into the twenty-first century.The Crocodile by the Door - a dazzling debut memoir that will appeal to fans of Edmund de Waal, William Fiennes and Richard Benson's The Farm - tells this remarkable story.

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