It’s the start of a brand new year and, best of all, it’s her older sister Asiya’s first day of hijab–a hijab of beautiful blue fabric, like the ocean waving to the sky. But not everyone sees hijab as beautiful, and in the face of hurtful, confusing words, Faizah will find new ways to be strong.Paired with Hatem Aly’s beautiful, whimsical art, Olympic medalist Ibtihaj Muhammad and Morris Award finalist S.K. Ali bring readers an uplifting, universal story of new experiences, the unbreakable bond between siblings, and of being proud of who you are.

    “You’re a big boy now,” Granny says. “Time for you to learn.”At Granny’s, Sunday isn’t Sunday without a big family gathering over a lovingly prepared meal. Old enough now, our narrator is finally invited to help cook the dishes for the first time: He joins Granny in grating the cheese, cleaning the greens, and priming the meat for Roscoe Ray’s grill. But just when Granny says they’re finished, her grandson makes his own contribution, sweetening this Sunday gathering—and the many more to come.

    He crawls like a catfish, blows bubbles like a swamp monster, but he doesn’t swim in the town pool with me. He’s not allowed. Joe and John Henry are a lot alike. They both like shooting marbles, they both want to be firemen, and they both love to swim. But there’s one important way they're different: Joe is white and John Henry is black, and in the South in 1964, that means John Henry isn’t allowed to do everything his best friend is. Then a law is passed that forbids segregation and opens the town pool to everyone. Joe and John Henry are so excited they race each other there...only to discover that it takes more than a new law to change people’s hearts.

    Instead, Big Papa takes him away in his time machine—a 1952 Ford—back to all of the times when he, himself, was scared of something life was handing him.Full of heartfelt moments and thrilling magical realism, Big Papa and the Time Machine speaks to the African American experience in a touching dialogue between two family members from different generations, and emerges as a voice that shares history and asks questions about one family’s experience in 20th-century black America.“Wasn’t you scared?”“Oh, I was scared,” Big Papa said. “Sometimes you gotta walk with giants if you ever gonna know what you made of. That’s called being brave.”

    This girl is determined to express herself! If she can't draw her dreams, she'll sculpt or build, carve or collage. If she can't do that, she'll turn her world into a canvas. And if everything around her is taken away, she'll sing, dance, and dream... Stunning mixed media illustrations, lyrical text, and a breathtaking gatefold conjure powerful magic in this heartfelt affirmation of art, imagination, and the resilience of the human spirit.

    At home, everything always feels the same: comfortable and safe.But sometimes things change, and a home must be left behind.Follow a family as they move out of their beloved, familiar house and learn that they can bring everything they love about their old home to the new one, because they still have each other. This heartfelt picture book by Stephanie Parsley Ledyard is richly illustrated by former Pixar animator Chris Sasaki.

    The book traces the history of African Americans in Tulsa's Greenwood district and chronicles the devastation that occurred in 1921 when a white mob attacked the Black community.News of what happened was largely suppressed, and no official investigation occurred for seventy-five years.

    Cherry and New York Times bestseller Vashti Harrison.Zuri’s hair has a mind of its own. It kinks, coils, and curls every which way. Zuri knows it’s beautiful. When mommy does Zuri’s hair, she feels like a superhero. But when mommy is away, it’s up to daddy to step in! And even though daddy has a lot to learn, he LOVES his Zuri. And he’ll do anything to make her—and her hair—happy.Tender and empowering, Hair Love is an ode to loving your natural hair—and a celebration of daddies and daughters everywhere.

    The night she arrives, Mia tries to share her favorite book with Abuela before they go to sleep and discovers that Abuela can’t read the words inside. So while they cook, Mia helps Abuela learn English ("Dough. Masa"), and Mia learns some Spanish too, but it’s still hard for Abuela to learn the words she needs to tell Mia all her stories. Then Mia sees a parrot in the pet-shop window and has the perfect idea for how to help them all communicate a little better. An endearing tale from an award-winning duo that speaks loud and clear about learning new things and the love that bonds family members.

    As she listened to the preacher’s words, smooth as glass, she sat up tall. And when she heard the plan—picket those white stores! March to protest those unfair laws! Fill the jails!—she stepped right up and said, I’ll do it! She was going to j-a-a-il!Audrey Faye Hendricks was confident and bold and brave as can be, and hers is the remarkable and inspiring story of one child’s role in the Civil Rights Movement.

    A twist on the classic parental struggle of not letting kids sleep in their bed.

    With bright portraits in Vanessa's signature style of vibrant colors and unique patterns and fabrics, this book invites readers to find themselves and each other within its pages.

    This richly detailed book ingeniously shows how food, technology, and even families have changed throughout American history. In 1710, a girl and her mother in Lyme, England, prepare a blackberry fool, picking wild blackberries and beating cream from their cow with a bundle of twigs. The same dessert is prepared by an enslaved girl and her mother in 1810 in Charleston, South Carolina; by a mother and daughter in 1910 in Boston; and finally by a boy and his father in present-day San Diego. Kids and parents alike will delight in discovering the differences in daily life over the course of four centuries. Includes a recipe for blackberry fool and notes from the author and illustrator about their research.From the Hardcover edition.

    Here was “a wonderful family story,” as The Horn Book Magazine said, “set matter-of-factly in an African-American environment.” Since then, the story of Sarah and Susan’s Sunday afternoon with their great-great-aunt Flossie—and her many hats and stories—has become a favorite book for sharing and for initiating conversations about family history. For this celebratory 10th anniversary edition, Elizabeth Fitzgerald Howard has written a special eight-page afterword, illustrated with family photographs, in which she tells about her own family history and the real Aunt Flossie, a truly remarkable woman.

    Why does her grandmother have long braided hair and beautifully colored clothing? Why does she speak another language and spend so much time with her family? As she asks her grandmother about these things, she is told about life in a residential school a long time ago, where all of these things were taken away. When We Were Alone is a story about a difficult time in history and, ultimately, one of empowerment and strength.