In his first work of nonfiction in twelve years, celebrated historian Dee Brown, bestselling author of Bury My Heart at Wounded Knee, draws on over 50 years of research in this good-humored celebration of the diversity of the American frontier.

    In the tradition of David McCullough’s 1776,Lockhart illuminates the Battle of Bunker Hill as a crucial event in thecreation of an American identity, dexterously interweaving the story of thispivotal pitched battle with two other momentous narratives: the creation ofAmerica’s first army, and the rise of the man who led it, George Washington.

    Examining visual art from 1980 to the present, it takes an intriguing and accessible approach that motivates students and other readers to think actively about and discuss contemporary art--what it means and how it means what it does. The opening chapter provides a concise overview of the period, analyzing how four key changes (the rise of new media, a growing awareness of diversity, the influence of theory, and interactions with everyday visual culture) have resulted in an art world with dramatically expanded boundaries. Reflecting the paradigm shift from a formalist way of teaching studio art to more varied and open-ended concepts, the remaining six chapters each deal with a key theme--time, place, the body, language, identity, and spirituality. Each chapter features an introduction to the thematic topic; a brief look at historical precedents and influences; a detailed analysis of how contemporary artists have responded to and embodied aspects of the theme in specific works; and an in-depth and fascinating profile of an artist who has extensively explored aspects of the theme in his or her work. Themes of Contemporary Art: Visual Art after 1980 shows how art can be interpreted from several different angles: techniques and materials, historical circumstances, aesthetic qualities, theoretical issues, and an artist's ideas and intentions. Writing in a lucid and engaging style, the authors skillfully reveal the multiple levels of meaning in artworks, drawing connections between contemporary art, art of the past, and everyday existence. The volume is enhanced by 87 illustrations--19 in full color--that demonstrate an immense variety of materials, subjects, and styles. These well-chosen examples will help readers learn to critically describe, interpret, and evaluate contemporary visual art. A bibliography and a timeline that situates contemporary art in the context of major events in world history, art, and popular culture are also included. An ideal core text for courses in contemporary art history, Themes of Contemporary Art: Visual Art after 1980 can also be used as a supplement in modern art, art appreciation, art criticism/theory, and studio art courses.

    A rare look at a corner of the Revolutionary War.In Those Turbulent Sons of Freedom, Wren overturns the myth of Ethan Allen as a legendary hero of the American Revolution and a patriotic son of Vermont and offers a different portrait of Allen and his Green Mountain Boys. They were ruffians who joined the rush for cheap land on the northern frontier of the colonies in the years before the American Revolution. Allen did not serve in the Continental Army but he raced Benedict Arnold for the famous seizure of Britain’s Fort Ticonderoga. Allen and Arnold loathed each other. General George Washington, leery of Allen, refused to give him troops. In a botched attempt to capture Montreal against specific orders of the commanding American general, Allen was captured in 1775 and shipped to England to be hanged. Freed in 1778, he spent the rest of his time negotiating with the British but failing to bring Vermont back under British rule.Based on original archival research, this is a groundbreaking account of an important and little-known front of the Revolutionary War, of George Washington (and his good sense), and of a major American myth. Those Turbulent Sons of Freedom is an important contribution to the history of the American Revolution.

    and doesn't mind riches. Such is the love of a merchant's daughter, Louisa, and the charming young nobleman Felton. Crazy in love and emboldened by the passion of their youth, they seek for their families' blessings for their union. However, the Duke, Felton's father demands of him to marry a certain Lady of the peerage. As his family's obsession lacks any profound reason, Felton will try to investigate this mystery only to be caught in a web of shameful lies and political scandal... Felton's parents are willing to sacrifice their son's happiness for their own good and will do anything to break the two lovers apart. He took an oath to fight for Louisa's love against all odds, but she is too hurt to carry on... *The Dukedom of Deception is a historical Regency romance novel of 80,000 words (around 400 pages). No cheating, no cliffhangers, and a sweet happily ever after. Get this book for free with Kindle Unlimited!

    Kennedy died almost half a century ago-yet because of his extraordinary promise and untimely death, his star still resonates strongly. On the anniversary of his assassination, celebrated political scientist and analyst Larry J. Sabato-himself a teenager in the early 1960s and inspired by JFK and his presidency-explores the fascinating and powerful influence he has had over five decades on the media, the general public, and especially on each of his nine presidential successors. A recent Gallup poll gave JFK the highest job approval rating of any of those successors, and millions remain captivated by his one thousand days in the White House. For all of them, and for those who feel he would not be judged so highly if he hadn't died tragically in office, The Kennedy Half-Century will be particularly revealing. Sabato reexamines JFK's assassination using heretofore unseen information to which he has had unique access, then documents the extraordinary effect the assassination has had on Americans of every modern generation through the most extensive survey ever undertaken on the public's view of a historical figure. The full and fascinating results, gathered by the accomplished pollsters Peter Hart and Geoff Garin, paint a compelling portrait of the country a half-century after the epochal killing. Just as significantly, Sabato shows how JFK's presidency has strongly influenced the policies and decisions-often in surprising ways-of every president since. Among the hundreds of books devoted to JFK, The Kennedy Half-Century stands apart for its rich insight and original perspective. Anyone who reads it will appreciate in new ways the profound impact JFK's short presidency has had on our national psyche.

    Norman Krumholz

    In this delightful, superbly researched biography, award-winning historian Kathryn Hughes pulls back the lace curtains to reveal the woman behind the book--Mrs. Beeton, the first domestic diva of the modern age--and explores the life of the book itself.Isabella Beeton was a twenty-one-year-old newlywed with only six months’ experience running her own home when--coaxed by her husband, a struggling publisher--she began to compile her book of recipes and domestic advice. The aspiring mother hardly suspected that her name would become synonymous with housewifery for generations.  Nor would the women who turned to the book for guidance ever have guessed that its author lived in a simple house in the suburbs with a single maid-of-all-work instead of presiding over a well-run estate. Isabella would die at twenty-eight, shortly after the book's publication, never knowing the extent of her legacy. As her survivors faced bankruptcy, sexual scandal and a bitter family feud that lasted more than a century, Mrs. Beeton’s book became an institution. For an exploding population of the newly affluent, it prescribed not only how to cook and clean but ways to cope with the social flux of the emerging consumer culture: how to plan a party for ten, whip up a hair pomade or calculate how much money was needed to permit the hiring of a footman. In the twentieth century, Mrs. Beeton would be accused of plagiarism, blamed for the dire state of British cookery and used to market everything from biscuits to meat pies.This elegant, revelatory portrait of a lady journalist, as she lived and as she existed in the minds of her readers, is also a vivid picture of Victorian home life and its attendant anxieties, nostalgia, and aspirations--not so different from those felt in America today.

    So grateful was Queen Victoria for Henry’s services as physician to the royal family that she granted him a peerage, making him a lord, the first doctor ever to be so honored. Henry had been especially attentive to hemophiliacs in the royal family, for he was obsessed with blood. As he recounted in his diary, “Red is my favorite color. To me a splash of blood is beautiful, and I profoundly lack understanding of those who flinch or even faint at the sight of it.”As his research deepens, Martin begins to uncover hints that his great-grandfather’s fascination with blood may have had its darker side. The murder of Henry’s fiancée, the death of his young son, the remarkable number of relatives and friends who died mysteriously—could all these have been mere coincidence? Martin scours England and America for relatives whose attics or memories might hold clues, until finally the tragic truth stands revealed.Drawing from the dark themes of obsession and murder that drive so many of Barbara Vine’s extraordinary novels, The Blood Doctor is also enriched by domestic intimacies familiar to readers of Ruth Rendell’s beloved Inspector Wexford novels and by details of Dame Rendell’s own experience as a Life Peer in the House of Lords. Once again we have a masterful work from a storyteller of the highest order.

    "What is the scene or incident in American history that you would like to have witnessed--and why?" This is the thought-provoking question that editor Byron Hollinshead posed to twenty of our finest interpreters of American history with the invitation to write a personal essay answering it. The result is "I Wish I'd Been There," a book that trains a lens on crucial moments of our past and brings them to vivid life. With these peerless scholars as their guides, readers will be transported to the Salem witch trials, the Lewis and Clark expedition, the raid on Harpers Ferry, the assassination of Abraham Lincoln, the Scopes "monkey trial," the beginnings of the Vietnam War, the voting rights march to Selma, and other turning points of our national drama. Contributors include Mary Beth Norton, Joseph Ellis, Jay Winik, Carol Berkin, Kevin Baker, Robert Cowley, Carolyn Gilman, Geoffrey Ward, Robert Dallek, and William Leuchtenburg, among other luminaries of the historical profession."I Wish I'd Been There" is a marvelous concept, wonderfully and imaginatively executed. The result is an American pageant of character and event that will attract and delight readers of history.

     Thomas Jefferson called Samuel Adams “truly the man of the Revolution.” Adams, filled with religious fervor, inspired others to fight on and overcome the challenges of the Revolutionary War. He was the editor of the influential Boston Gazette, planner of the Boston Tea Party, and signer of the Declaration of Independence, and yet, he is largely ignored and unknown today. Understanding the leading part Adams played in building and sustaining support for the revolutionary cause gives readers new insight into the way religion motivated the founding of America.

    From difficult childhoods to fashion icons, from love matches to divorces, and from unrehearsed coronations to assassination attempts and untimely deaths.Curiosity about Britain’s rulers and their next of kin never seems to wane, and it is this compendium about the lives of the members of the Royal Family that makes this so utterly compelling.

    This time, he’s in Cairo – bang in the middle of the Arab Spring. ‘The only story in the world’ according to his editor. But it isn’t – there’s another story, more significant and potentially more dangerous, and if no one else is willing to tell it . . . then Carver will, whatever the consequences.William Carver spots the Arab Spring early, aided by one of the infamous ‘Listeners’ at the BBC monitoring station in Caversham. He and his producer Patrick chase the story across North Africa before arriving in Egypt where the battle between the corrupt old order and the new will be both bloody and potentially definitive.Meanwhile, in Eritrea, two brothers begin to make their way up from the Horn of Africa and across the continent, desperate to find a better life in Europe. The horrors they endure at the hands of people traffickers and others along the way test their endurance and humanity to its limit. Over a few tumultuous months, these two stories come together to prove inextricably linked.Carver knows this story is a complex one; the world is watching, but in the age of Facebook, Twitter and rolling news, its attention span is increasingly short. And if everyone is a reporter, then who can you believe?

    Many of the events in his life, and the characters whom he knew, are described in his books: this is the story of the man who wrote them.

    The intimate knowledge of Christian theology, Greek and Roman mythology, and folklore that was so vivid in the minds of viewers during the Renaissance is rarely part of the preparation the contemporary viewer brings to a painting. This insightful, anecdotal, portable book, with 1,000 gorgeous color illustrations, helps to fill in those gaps by decoding th imagery of more than 150 of the most influential and admired artworks of all time. Covering the works of the Italian, Netherlandish, German, and Spanish Old Masters, from 1450 to 1750, paintings by artists such as Giotto, Botticelli, El Greco, Bruegel, Holbein, Rubens, and Vermeer, all held in public collections, How to Read a Painting" not only helps the viewer to understand the significant details of a picture but also explains the relationship with similar imagery in other works. The guide to Old Master paintings that every art lover has always wanted, this indispensable museum companion will open the reader to a whole new experience of Western art's most praised and visited paintings.