Endless rain, debilitating influenza, and bizarre deaths have all befallen this town, leaving its people with a diehard faith in the power of curses-and a deep longing for a miracle. Now that miracle may have swept into town, in the form of two mysterious newcomers: the sinfully beautiful Rosa Spina Innocenti and her grown son, Emanuelle Mosè, who seems to possess the ability to heal people and animals. In a short time, the pair convinces those eager to believe that they've been sent by a higher being. But just as the townspeople begin to succumb to the mystical appeal of this charming duo, another stranger arrives, threatening to tear apart this close-knit community that will do nearly anything-even turn on each other-for proof of a power greater than themselves

    That's the prologue. MVP is Marcus's life story from conception to his act of incredible violence. Raised an only child -- the son of a difficult and demanding father -- Gilbert Marcus, a basketball player with extraordinary skill, is expected to be the greatest. His life is one of both excessive privilege and immutable obligation. He becomes a monster. James Boice is a startling and exciting new voice in fiction, and MVP is his ambitious and fascinating debut.

    But the wonderful man I just married believes as I do―work is paramount, absolutely no children―and now love seems to me quite marvelous.These words are spoken to a rapturous audience by Joan Ashby, a brilliant and intense literary sensation acclaimed for her explosively dark and singular stories.When Joan finds herself unexpectedly pregnant, she is stunned by Martin’s delight, his instant betrayal of their pact. She makes a fateful, selfless decision then, to embrace her unintentional family.Challenged by raising two precocious sons, it is decades before she finally completes her masterpiece novel. Poised to reclaim the spotlight, to resume the intended life she gave up for love, a betrayal of Shakespearean proportion forces her to question every choice she has made.Epic, propulsive, incredibly ambitious, and dazzlingly written, The Resurrection of Joan Ashby is a story about sacrifice and motherhood, the burdens of expectation and genius. Cherise Wolas’s gorgeous debut introduces an indelible heroine candid about her struggles and unapologetic in her ambition.

    But now he's come to the Bar Harbor Home for the Elderly to spend the remainder of his days among kindred spirits: the publishing industry's nearly gone but never forgotten greats. Only now, at the end of his life, does he comprehend the price of appeasing every desire, and the consequences of forsaking love to pursue greatness. For Alfonse has an unshakeable case of writer's block that distresses him much more than his precarious health.Set on the water in one of New England's most beautiful locales, the Bar Harbor Home was established specifically for elderly writers needing a place to live out their golden years—or final days—in understated luxury and surrounded by congenial literary company. A faithful staff of nurses and orderlies surround the writers, and are drawn into their orbit, as they are forced to reckon with their own life stories. Among them are Cecibel Bringer, a young woman who knows first-hand the cost of chasing excess. A terrible accident destroyed her face and her sister in a split-second decision that Cecibel can never forgive, though she has tried to forget. Living quietly as an orderly, refusing to risk again the cost of love, Cecibel never anticipated the impact of meeting her favorite writer, Alfonse Carducci—or the effect he would have on her existence. In Cecibel, Alfonse finds a muse who returns him to the passion he thought he lost. As the words flow from him, weaving a tale taken up by the other residents of the Pen, Cecibel is reawakened to the idea of love and forgiveness.As the edges between story and reality blur, a world within a world is created. It’s a place where the old are made young, the damaged are made whole, and anything is possible…

    In this intriguing novel full of drama and plot twists, one family tries to hold on to their “perfect” life before their secrets, lies, and scandals are exposed.On the outside, the Joneses seem like the ideal family: Royce Jones, a funeral home mogul, and his wife, Lexi, are parents to Charity, Hope, and Lovie—and everybody wants to be them. But it’s true that money can’t buy happiness, and the Joneses are harboring secrets that can’t stay hidden forever… The funeral home business has been slow lately, and Royce is in serious trouble. When Lexi learns of their financial strain, she vows to hold on to her status by any means necessary—even if it means going behind her husband’s back. Lovie, seeing his beloved mother so stressed, will do whatever it takes to put a smile back on her face. And sibling rivalries tense up when Charity and Hope both fall for the same guy. On top of this, they all have secrets they’re hiding not only from people outside their family—but from each other. It’s only a matter of time before the Joneses’ perfect life goes spinning out of control and they’re revealed for who they truly are.

    In her final week of life, Vivienne treks through the Heavens of a priest, a best friend, a homeless child, and a lover who never was. Vivienne’s guardian angel, Noah, who may just be her soul mate, escorts her through selections of Heavens and through the confusion Vivienne experiences as she flounders between a doubt of life and the certainty of death. Although her visits to varied afterlives provide peace and beauty, choosing proves not so easy: Vivienne’s love for her young son and her earthly father pull her from her colorful journey—and from her divine love of Noah. The nature of love, the variety and magic of life, unending hope, and the importance of saying goodbye are central to this uplifting tale.

    In fact, Panning’s last collection of short stories, Super America, was a New York Times Book Review Editor’s Choice. Enter this exciting new novel, the best work yet from a writer whose astute observations of American life are as honest as they are engaging.Butter is a coming of age tale set against the backdrop of small-town Minnesota during the 1970s and told from the perspective of an eleven-year-old girl, Iris, who learns from her parents that she is adopted. The story of Iris’s childhood is at first beguiling and innocent: hers is a world filled with bell-bottoms and Barbie dolls, Shrinky Dinks and Shaun Cassidy records, TV dinners and trips to grandma’s. But as her parents’ marriage starts to unravel, Iris grows more and more observant of disintegration all around her, and the simple cadences of her story quickly attain an unnerving tension as she wavers precariously between girlhood and adolescence. In the end, Iris’s story represents a profound meditation on growing up estranged in small town America—on being an outsider in a world increasingly averse to them. Passionate, lyrical, and disquieting, this intensely moving novel is a rich exploration of a crucial theme in American literature that will confirm Anne Panning’s place as a major figure in the world of contemporary fiction.

    Linda Pastan writes, "the art that mattered / was the life led fully / stanza by swollen stanza." That life is portrayed here, from memories of the poet's earliest childhood and the ambiguities of marriage and love to the surprises that come with age, always with a consciousness of what is happening in the larger world.

    + New literature from South Korea: poetry by Hwang Byeong-seung and Moon Tae-jun, and fiction by Park Min-gyu and Kim Aeran, with an introduction by Jenny Wang Medina.+ Book Reviews: on Francesco Pacifico’s The Story of My Purity, Anne Carson’s Red Doc>, A. G. Porta’s The No World Concerto, Ray Amorisi’s Lazarus, Charles Bernstein’s Recalculating, and Nicolas Hundley’s The Revolver in the Hive.

    Garstang makes the whole greater than the sum of its parts. The lives of the inhabitants of a condominium in Washington, D.C.'s Chinatown are told separately and as part of a web of entanglements. The entrances and exits are handled with the deftness of a French comedy, but the empathy of the author brings all the characters achingly alive. What the Zhang Boys Know is a wonderful and haunting book." - John Casey, author of Compass Rose and Spartina, winner of the National Book Award

    In spare, elegant prose, Freed delivers surprise after surprise as she shakes the truth from life. Whether it's her portrayal of a mother mired in senile dementia in "Ma," a young girl experiencing her first sexual encounter with an itinerant knife-sharpener in "Under the House," or a young woman incapable of loving conventionally in "An Error of Desire," Freed portrays the absurdity, the delusions, the dramas, and the dignity of her characters' lives. These masterful stories reinforce her reputation as one of our most fearless and sophisticated explorers of sexual and filial love.

    He grows up in fields and woods, and he is happy, he thinks. When K is eleven, the city reclaims him. He returns to an unknown mother and a part-time father, trading the fields for flats and a community that is alien to him. Slowly, he finds friends. Eventually, he finds love. He learns how to navigate the city. But as he grows, he begins to realise that he needs more than the city can provide. He is a man made of pieces. Pieces that are slowly breaking apart.That Reminds Me is the story of one young man, from birth to adulthood, told in fragments of memory. It explores questions of identity, belonging, addiction, sexuality, violence, family and religion. It is a deeply moving and completely original work of literature from one of the brightest British writers of today.

    Introduction by Robert Silverberg. Afterwords by Norman Spinrad, Vonda N McIntyre, Robert Sheckley, Philip Jose Farmer, Thomas M Disch, and Edward Bryant.

    It was lust at first sight, and Rhapsody isn't going to let young Malcolm leave her presence without a promise to fulfill her fantasy.Malcolm had no idea when he accepted Rhapsody's invitation to her bedroom that he was selling his soul to the devil. Malcolm thinks he can bed Rhapsody and simply walk away, but she is not one to settle for a one night stand. Rhapsody goes to desperate measures to keep her cub extremely close to her. Gifting Malcolm a very expensive SUV, filling his belly with home cooked meals and funding a trip to Cancun are just a few of the tactics that Rhapsody uses to ensure that Malcolm spends his nights in her bed and no one else's. However, when Rhapsody finds a mysterious package on her doorstep containing proof of Malcolm's betrayal and deception, she seeks revenge and seals her own fate.

    But how far do you have to go to get away?