Twice a day the Persian slave trader came in and taught her to be a whore. Otherwise there was nothing. One day she found a pencil stub and scrap of paper in a forgotten corner of the room. She began to write down her life, starting with "Parents stink" (her father, who is also her boyfriend, has fallen in love with another woman and is about to leave her). With Blood and Guts in High School, Kathy Acker, whose work has been labeled everything from post-punk porn to post-punk feminism, has created a brilliantly subversive narrative built from conversation, description, conjecture, and moments snatched from history and literature.~ groveatlantic.com

    Junkyard Ghost Revival is an award winning poetry collection of 7 modern touring authors: Derrick Brown, Anis Mojgani, Buddy Wakefield, Robbie Q, Sonya Renee, Andrea Gibson and Cristin O'keefe Aptowicz

    Product DescriptionPublishers Description:A Prohibition-era novel centering around the occurrence of a dust storm in southern Minnesota, Orchard of Dust follows the lives of a boy and his father as their town is invaded by a speakeasy.From the Back Cover:In the quiet born to the soil, the coming of a fresh generation quaked and rumbled as a people, displaced from their land, dreamed of once and tomorrow; they followed promised whispers of abundance through a desolation where men ripped at the land, wrenching what harvest the fields could spit until a protestation came against man, strangling the fields in dust; and this people broke their homes, shattering hearthstones against the collapsed shelter of forgotten desires that had turned to dead leaves.

    With stunning lyricism, Wideman sings of "dead children in garbage cans, of gospel and basketball, of lost gods and dead fathers" (John Leonard). It is a celebration of people who, in the face of crisis, uphold one another--with grace, courage, and dignity.

    This probing of the changes in the American psyche through the 1970s is carried forward in the second part, Landscapes of Living Dying (1979)—a work originally hailed by Library Journal as "Ferlinghetti's strongest work since his 1957 A Coney Island of the Mind. . . . [He] pursues his disheveled muse with the innocent passion of a young beatnik, hiding his authentic erudition behind a comfortable guise of spontaneous composition."

    Featuring rewritten fairytale heroines, goddess wisdom, and poetry that burns with revolution, this collection is an explosion of femininity, empowerment, and personal growth.

    In this powerful collection of writing guru Natalie Goldberg's poetry and paintings, the celebrated author of Writing Down the Bones focuses her attention on the shifting rhythms of interior life in poems that bring a Zen-like insight into the wondrous simultaneity of all things past, present, and future. With the same uncompromising integrity and commitment of Natalie Goldberg's bestselling books on creativity and writing, full-color reproductions of the her brilliant original paintings, and the introductory essay "How Poetry Saved My Life," Top of My Lungs gives the reader complete access to a compelling vision, one that is both simple and complex, both withdrawn from and full of life.

    S. Eliot, Marianne Moore, many other notables.

    This pocket-sized treasury of wisdom from the influential Christian contemplative, political activist, social visionary, and literary figure is abridged from the larger collection Seeds by Robert Inchausti (Shambhala, 2002).

    . .”In the midst of the broken consciousness of mid-twentieth century suffering anguish of separation from my own body and its natural infinity of feeling its own self one with all self, I instinctively seeking to reconstitute that blissful union which I experience so rarely. I took it to be supernatural an gave it holy Name thus made hymn laments of longing and litanies of triumphancy of Self over mind-illusion mechano-universe of un-feeling Time in which I saw my self my own mother and my very nation trapped desolate our worlds of consciousness homeless and at war except for the original trembling of bliss in breast and belly of every body that nakedness rejected in suits of fear that familiar defenseless living hurt self which is myself same as all others abandoned scared to own unchanging desire for each other. These poems almost unconscious to confess the beatific human fact, the language intuitively chosen as in trance & dream, the rhythms rising on breath from belly thru breast, the hymn completed in tears, the movement of the physical poetry demanding and receiving decades of life while chanting Kaddish the names of Death in many worlds the self seeking the Key to life found at last in our self.

    

    In I Would Leave Me If I Could, she reveals never-before-seen poetry of longing, love, and the nuances of bipolar disorder.

    Entitled Songs in Time of War, Shared Ground, The Traveller and Seven Elements, the libretti take us all over the world - from Chinese and Indian poetry, to the beauty and quietness of the Wiltshire rectory where English poet George Herbert lived and died.Spanning centuries of creativity and humanity, the poems that form these libretti pulse with life, energy and inspired brilliance.They are accompanied by four pieces of calligraphy by the author.

    Baldwin's language is deceptively simple--this poetry is easily understood. But the emotions behind the words go to the core not only of the poet's soul, but of America's. Readers will see Baldwin here in both a familiar and an altogether different light.

    No Matter the Wreckage presents readers with new and beloved work that showcases Kay's knack for celebrating family, love, travel, history, and unlikely love affairs between inanimate objects ("Toothbrush to the Bicycle Tire"), among other curious topics. Both fresh and wise, Kay's poetry allows readers to join in on her journey of discovering herself and the world around her. It's an honest and powerful collection.