York Notes author John Scicluna discusses all aspect of An Inspector Calls --a thorough run-down very helpful to anyone studying the famous Priestley play.

    Concerned something has happened to her husband, Jill follows a string of clues to try and find out the secret Charles was keeping from her.

    From playground taunts of 'only sluts do it' but 'virgins are frigid', to ladette culture, and the arrival of 'ironic' porn, via Debbie Harry, the Kardashians and the Catholic church - she looks at how this prejudicial messaging has played out in the past, and still surrounds us today.In this subversive essay, McBride asks - are women still damned if we do, damned if we don't? How can we give our daughters (and sons) the unbounded futures we want for them? And, in this moment of global crisis, might our gift for juggling contradiction help us to find a way forward?

    

    In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.

    Her boss made a pass at her and she said no so she got a pink slip with her check. Julie's broke and disillusioned, so she drinks and turns on the stereo full blast to make the pain go away. Then her roommate comes home in the midst of an eating frenzy; her boyfriend has gone back to his wife so Alice has turned to food to forget. Julie suggests another way to vent their man

    The massage therapist who struggles to help a veteran who's biggest regret is tattooed in living detail across his back. The retired CIA operative, now a mother of two, who is still packing heat for the just-in-case scenario that has her trigger finger itching...With award-winning reportage, memoir, fiction and photography, Granta has illuminated the most complex issues of modern life through the refractory light of literature. Feel the sting of betrayal via new writing by Ben Marcus, Janine di Giovanni, Karen Russell, Samantha Harvey, Colin Robinson, Jennifer Vanderbes, Callan Wink, John Burnside and a host of others, including debut author Lauren Wilkinson, whose heroine moves through decades with the forward lean of Richard Yates and the grace of Garcia Marquez.

    But what of its opposite -- the moment when it becomes clear that things are indisputably over? Dumped is a survey of every type of romantic crack-up, a group of stories full of the hilarity, wisdom, insight, and sometimes, yes, fierce revenges of some of the most memorable broken hearts in recent literature. Dumped sheds light on what can be the toughest part of human relations -- whether newly elucidating the misery we've all endured, or merely reminding us that others have had it far worse -- from the mother in Elizabeth Berg's Open House absurdly attempting to tell her son his father has left, to the betrayed wife in Roald Dahl's "Lamb to Slaughter," who beats her husband to death with a leg of lamb, then cooks it for the police. With contributions from such notable authors as Will Self, Saul Bellow, Alice Munro, Raymond Carver, Lorrie Moore, Dorothy Parker, Andre Dubus, and Tobias Wolff, as well as rising stars like Lucinda Rosenfeld and Steve Almond, Dumped spans every variety of romantic catastrophe and every possible response to it; from the wise to the hilarious, the bitter to the bittersweet. This book is the panacea for problems of the heart.

    Decades later, in What the Constitution Means to Me, she traces the effect that the Constitution has had on four generations of women in her family, deftly examining how the United States' founding principles are inextricably linked with our personal lives.

    

    Shear rode a wild wave of employment (sixty-four jobs in all) on her way to realizing her dream of becoming an actress. Before landing the starring role in the upcoming film, Body Language, and scoring a deal with Steven Spielberg and Jeffrey Katzenberg for her own sitcom, she worked as (among other things) a pastry chef, a nude model, a waitress (a lot), a receptionist in a whorehouse, a brunch chef on Fire Island, a proofreader on Wall Street (a lot), and an Italian translator. On the surface her life makes for a hilarious tour de resume. But underneath is a universal lesson learned about life in the workplace.

    His experiences and thoughts on screenwriting, adapting novels, adapting one's own novels (a bad idea), and on the craft itself contain more useful information than a pile of how-to manuals. As in his novels, McMurtry is by turns witty, acerbic, and thoughtful; the pieces are surprisingly stylish in that the bulk of them (17 out of 21) were spun off on monthly deadlines (for American Film magazine, in 1975-77), and McMurtry admittedly can't remember writing most of them. A fine collection, from a fine writer.No Clue: Or Learning to Write for the Movies. --The Hired Pen. --The Deadline Syndrome. --The Telephone Booth Screenwriter. --The Fun of It All. --All the President's Men, Seven Beauties, History, Innocence, Guilt, Redemption, and the Star System. --The Screenplay as Non-Book: A Consideration. --Pencils West: Or a Theory for the Shoot-'Em Up. --"Mary Hartman, Mary Hartman" and the Movie-Less Novelists. --O Ragged Time Knit Up Thy Ravell'd Sleave. --The Situation in Criticism: Reviewers, Critics, Professors. --Character, the Tube, and the Death of Movies. --The Disappearance of Love. --Woody Allen, Keith Carradine, Lily Tomlin, and the Disappearance of Grace. --The Last Picture Shows. --The Seasons of L.A.. --The Last Movie Column. --The Last Picture Show: A Last Word. --Approaching Cheyenne ... Leaving Lumet. Oh, Pshaw!. --Movie-Tripping: My Own Rotten Film Festival. --A Walk in Pasadena with Di-Annie and Mary Alice

    His humor and short fiction appear in various publications throughout the Southeast.

    Back-in-print early work by the author of subUrbia and Sex, Drugs, Rock & Roll.

    Meanwhile, all's not well on the unassuming Midwestern streets of Bloggs: with local children vanishing at an alarming rate, our hero, his lady friend, and a motley assortment of poets, butchers, and punk librarians prepare to battle the darkness on the edge of town.