Now, for the first time in the United States, comes the book that started the career of the author that the Irish Examiner calls "one of the best and original of the new generation of Irish writers."It is 1758 and Matthieu Zela is fleeing Paris after witnessing the murder of his mother and his stepfather's execution. Matthieu's life is characterized by one extraordinary fact: before the eighteenth century ends, he discovers that his body has stopped ageing. At the end of the twentieth century and the ripe old age of 256 he is suddenly forced to answer an uncomfortable question: what is the worth of immortality without love?In this carefully crafted novel, John Boyne juxtaposes history and the buzz of the modern world, weaving together portraits of 1920s Hollywood, the Great Exhibition of 1851, the French Revolution, the Wall Street Crash, and other landmark events into one man's story of murder, love, and redemption.

    In the sixteenth century, the Protestant Reformation launched an attack on privilege and the Catholic Church, but it rapidly became an established, bourgeois authority itself. Rural laborers and the urban poor, who were still being promised equality in heaven, began to question why they shouldn’t have equality here and now on earth.There ensued a furious struggle between the powerful—the comfortable Protestants—and the others, the wretched. They were led by a number of theologians, one of whom has left his mark on history through his determination and sheer energy. His name was Thomas Müntzer, and he set Germany on fire. The War of the Poor recounts his story—that of an insurrection through the Word.In his characteristically bold, cinematic style, Éric Vuillard draws insights from this revolt from nearly five hundred years ago, which remains shockingly relevant to the dire inequalities we face today.

    It all began with a simple seaside vacation, a brother and sister recapturing their childhood. Antoine Rey thought he had the perfect surprise for his sister Mélanie's birthday: a weekend by the sea at Noirmoutier Island, where the pair spent many happy childhood summers playing on the beach. It had been too long, Antoine thought, since they'd returned to the island - over thirty years, since their mother died and the family holidays ceased. But the island's haunting beauty triggers more than happy memories; it reminds Mélanie of something unexpected and deeply disturbing about their last island summer. When, on the drive home to Paris, she finally summons the courage to reveal what she knows to Antoine, her emotions overcome her and she loses control of the car. Recovering from the accident in a nearby hospital, Mélanie tries to recall what caused her to crash. Antoine encounters an unexpected ally: sexy, streetwise Angèle, a mortician who will teach him new meanings for the words life, love and death. Suddenly, however, the past comes swinging back at both siblings, burdened with a dark truth about their mother, Clarisse. Trapped in the wake of a shocking family secret shrouded by taboo, Antoine must confront his past and also his troubled relationships with his own children. How well does he really know his mother, his children, even himself? Suddenly fragile on all fronts as a son, a husband, a brother and a father, Antoine Rey will learn the truth about his family and himself the hard way. By turns thrilling, seductive and destructive, with a lingering effect that is bittersweet and redeeming, A Secret Kept is the story of a modern family, the invisible ties that hold it together, and the impact it has throughout life.

    The story of the Cornish knight and the Irish princess who meet by deception, fall in love by magic, and pursue that love in defiance of heavenly and earthly law has inspired artists from Matthew Arnold to Richard Wagner. But nowhere has it been retold with greater eloquence and dignity than in Joseph Bédier’s edition, which weaves several medieval sources into a seamless whole, elegantly translated by Hilaire Belloc and Paul Rosenfeld.

    Dr. Charcot holds all of Paris in thrall with his displays of hypnotism on women who have been deemed mad and cast out from society. But the truth is much more complicated—these women are often simply inconvenient, unwanted wives, those who have lost something precious, wayward daughters, or girls born from adulterous relationships. For Parisian society, the highlight of the year is the Lenten ball—the Madwomen’s Ball—when the great and good come to gawk at the patients of the Salpetriere dressed up in their finery for one night only. For the women themselves, it is a rare moment of hope. Genevieve is a senior nurse. After the childhood death of her sister Blandine, she shunned religion and placed her faith in both the celebrated psychiatrist Dr. Charcot and science. But everything begins to change when she meets Eugenie—the 19-year-old daughter of a bourgeois family that has locked her away in the asylum. Because Eugenie has a secret: she sees spirits. Inspired by the scandalous, banned work that all of Paris is talking about, The Book of Spirits, Eugenie is determined to escape from the asylum—and the bonds of her gender—and seek out those who will believe in her. And for that she will need Genevieve's help . . .

    As legend has it, God blessed the only survivor of this medieval pogrom, Rabbi Yom Tov Levy, as one of the Lamed-Vov, the thirty-six Just Men of Jewish tradition, a blessing which extended to one Levy of each succeeding generation. This terrifying and remarkable legacy is traced over eight centuries, from the Spanish Inquisition, to expulsions from England, France, Portugal, Germany, and Russia, and to the small Polish village of Zemyock, where the Levys settle for two centuries in relative peace. It is in the twentieth century that Ernie Levy emerges, The Last of the Just, in 1920s Germany, as Hitler’s sinister star is on the rise and the agonies of Auschwitz loom on the horizon. This classic work, long unavailable in a trade edition, is one of those few novels that, once read, is never forgotten.

    Untouched since Franco's forces tore through Spain in 1936, the whitewashed walls have crumbled, the garden, laden with orange blossom, grown wild. Emma Temple is the first to unlock its doors in seventy years. Guided by a series of letters and a key bequeathed in her mother's will, she has left her job as London's leading perfumier to restore this dilapidated villa to its former glory. It is the perfect retreat: a wilderness redolent with strange and exotic scents, heavy with the colours and sounds of a foreign time. But for her grandmother, Freya, a British nurse who stayed here during Spain's devastating civil war, Emma's new home evokes terrible memories. As the house begins to give up its secrets, Emma is drawn deeper into Freya's story: one of crushed idealism, lost love, and families ripped apart by war. She soon realises it is one thing letting go of the past, but another when it won't let go of you.

    . . Rufin maintains a perfect balance between impatient detachment and compassionate curiosity. "The Abyssinian," like Thackeray's " Vanity Fair," carries the weight of history with good-humoured finesse' "The Times "'An ambitious first novel, dashing, abundant and, when necessary, vividly theatrical' "Times Literary Supplement"'[A] remarkably assured first novel . . . Rufin's writing is elegantly readable' "Independent"'It is old-fashioned enough to be delightful, and new enough to be moving' "Glasgow Herald "'Rufin offers the reader at least three different novels in the space of a single book: a tale of diplomatic intrigue, a voyage of discovery to a virtually unknown civilisation, and a chronicle of the adventures and loves of his irrepressible hero' "Daily Telegraph"

    Alan S. Fredrick summarizes missing episodes and includes a translation of 'The Tale of Tristan's Madness.'One of the earliest extant versions of the Tristan and Yseut story, Beroul's French manuscript of The Romance of Tristan dates back to the middle of the twelfth century. It recounts the legend of Tristan, nephew of King Mark of Cornwall, and the king's Irish wife Yseut, who fall passionately in love after mistakenly drinking a potion. Their illicit romance remains secret for many years, but the relentless suspicion of the king's barons and the fading effects of the magic draught eventually lead to tragedy for the lovers. While Beroul's work emphasizes the impulsive and often brutal behaviour of the characters, its sympathetic depiction of two people strug1150gling against their destiny is one of the most powerful versions of this enduringly popular legend.

    “They didn’t have to kill him…He never drank from the altar of bones.”  Cryptic dying words from a murdered homeless woman in present day San Francisco unlock a decades-buried secret that changed history.  Now a pair of ruthless assassins are sent to cut the few living "loose ends."  And a young, resourceful woman on the run encounters a determined man with his own connected past and vengeful agenda.  Forced to partner for survival and answers, a fast-paced and deadly game of cat and mouse ensues, taking them across the globe from the winding streets of Paris to the faded palaces of Budapest to the frozen lakes of Mongolia...where destiny, passion, and further betrayal await them.  The Altar of Bones has it all: The Russian mob.  KGB spies.  Presidential assasination.  A doomed Hollywood legend.  Deathbed confessions.  Corrosive power.  Shattered families.  Guardians of an ancient religious icon housing a secret others will kill to possess.  The dark promise of immortality. And it delivers on its ambitious premise to leave you stunned and breathless at the end.

    Maryse Condé's imaginative subversion of historical records forms a critique of contemporary American society and its ingrained racism and sexism." —THE BOSTON SUNDAY GLOBEAt the age of seven, Tituba watched as her mother was hanged for daring to wound a plantation owner who tried to rape her. She was raised from then on by Mama Yaya, a gifted woman who shared with her the secrets of healing and magic. But it was Tituba's love of the slave John Indian that led her from safety into slavery, and the bitter, vengeful religion practiced by the good citizens of Salem, Massachusetts. Though protected by the spirits, Tituba could not escape the lies and accusations of that hysterical time. As history and fantasy merge, Maryse Condé, acclaimed author of Tree of Life and Segu, creates the richly imagined life of a fascinating woman.

    This incredible portrait of Erik--the Phantom--recreates his entire life, from his survival as a child in a carnival freak show to his creative genius behind the Paris Opera House--and its labyrinthine world below--to his discovery of love.

    Prince of Mangalore and son of an Indian maharajah, Taor has tasted an exquisite confection, "rachat loukoum," and is so taken by the flavor that he sets out to recover the recipe. His quest takes him across Western Asia and finally lands him in Sodom, where he is imprisoned in a salt mine. There, this fourth wise man learns the recipe from a fellow prisoner, and learns of the existence and meaning of Jesus.

    As they travel, they write home to wives and eunuchs in the harem and to friends in France and elsewhere. Their colourful observations on the culture differences between West and East culture conjure up Eastern sensuality, repression and cruelty in contrast to the freer, more civilized West - but here also unworthy nobles and bishops, frivolous women of fashion and conceited people of all kinds are satirized. Storytellers as well as letter-writers, Montesquieu's Usbek and Rica are disrespectful and witty, but also serious moralists. Persian Letters was a succès de scandale in Paris society, and encapsulates the libertarian, critical spirit of the early eighteenth century.

    Then comes "The Space Between," where it is revealed that the Comte St. Germain is not dead, Master Raymond appears, and a widowed young wine dealer escorts a would-be novice to a convent in Paris. In "A Plague of Zombies," Lord John unexpectedly becomes military governor of Jamaica when the original governor is gnawed by what probably wasn't a giant rat. "A Leaf on the Wind of All Hallows" is the moving story of Roger MacKenzie's parents during World War II. In "Virgins," Jamie Fraser, aged nineteen, and Ian Murray, aged twenty, become mercenaries in France, no matter that neither has yet bedded a lass or killed a man. But they're trying. . . . "A Fugitive Green" is the story of Lord John's elder brother, Hal, and a seventeen-year-old rare book dealer with a sideline in theft, forgery, and blackmail. And finally, in "Besieged," Lord John learns that his mother is in Havana--and that the British Navy is on their way to lay siege to the city.Filling in mesmerizing chapters in the lives of characters readers have followed over the course of thousands of pages, Gabaldon's genius is on full display throughout this must-have collection.