Recognising genuis, the judge decides to spare him and gives him instead a small, blank book, encouraging him to confine his thoughts to it alone. Thus begins the seamless blend of fact and fiction that is Samarkand. Vividly re-creating the history of the manuscript of the Rubaiyaat of Omar Khayyam, Amin Maalouf spans continents and centuries with breathtaking vision: the dusky exoticism of 11th-century Persia, with its poetesses and assassins; the same country's struggles nine hundred years later, seen through the eyes of an American academic obsessed with finding the original manuscript; and the fated maiden voyage of the Titanic, whose tragedy led to the Rubaiyaat's final resting place - all are brought to life with keen assurance by this gifted and award-winning writer.

    Narrated by Panchaali, the wife of the legendary Pandavas brothers in the Mahabharat, the novel gives us a new interpretation of this ancient tale. The novel traces the princess Panchaali's life, beginning with her birth in fire and following her spirited balancing act as a woman with five husbands who have been cheated out of their father’s kingdom. Panchaali is swept into their quest to reclaim their birthright, remaining at their side through years of exile and a terrible civil war involving all the important kings of India. Meanwhile, we never lose sight of her strategic duels with her mother-in-law, her complicated friendship with the enigmatic Krishna, or her secret attraction to the mysterious man who is her husbands' most dangerous enemy. Panchaali is a fiery female redefining for us a world of warriors, gods, and the ever-manipulating hands of fate.

    She doesn’t know how to tell her parents the truth about her marriage and return to India. But then her brother’s wedding leaves her no choice.Entrepreneur Chef Niraj (Niru) Karthik is in charge of catering for his best friend's wedding. He isn't looking forward to meeting his childhood crush—the one that got away—but he finds himself drawn to her again.Shweta has only thought of Niru as her older brother's best friend, but now she’s falling head over heels in love with him. As both try to come to terms with their true feelings, they realize that a lot more than friendship is at stake.And then, there’s Shweta’s family, mixed up in a dilemma: an overbearing father, an over-anxious mother, and three very disparate yet close siblings.Will Shweta get the love and acceptance she yearns for? Or will upholding the family honour be more important?

    Ironically, it also became the chant of millions on the streets of India against the project of Hindu Nationalism.Even as Arundhati Roy began to ask what lay between these two calls for Freedom—a chasm or a bridge?—the streets fell silent. Not only in India, but all over the world. The coronavirus brought with it another, more terrible understanding of Azadi, making a nonsense of international borders, incarcerating whole populations, and bringing the modern world to a halt like nothing else ever could.In this series of electrifying essays, Arundhati Roy challenges us to reflect on the meaning of freedom in a world of growing authoritarianism.The essays include meditations on language, public as well as private, and on the role of fiction and alternative imaginations in these disturbing times.The pandemic, she says, is a portal between one world and another. For all the illness and devastation it has left in its wake, it is an invitation to the human race, an opportunity, to imagine another world.

    Their task: to illuminate the work in the European style. But because figurative art can be deemed an affront to Islam, this commission is a dangerous proposition indeed. The ruling elite therefore mustn’t know the full scope or nature of the project, and panic erupts when one of the chosen miniaturists disappears. The only clue to the mystery–or crime? –lies in the half-finished illuminations themselves. Part fantasy and part philosophical puzzle, My Name is Red is a kaleidoscopic journey to the intersection of art, religion, love, sex and power.

    When Devdas returns to his village, now a handsome lad of nineteen, Paro asks him to marry her. But Devdas is unable to stand up to parental opposition to the match and rejects the proposition. Stunned, Paro agrees to marry an elderly widower. Devdas returns to Calcutta, but every waking hour of his is now filled with thoughts of Paro and his unfulfilled love for her. Desperate to resolve the situation somehow, he runs to Paro who is now married and asks her to elope with him, but she refuses.Heartbroken, he seeks solace in alcohol and in the company of the courtesan Chandramukhi. Chandramukhi falls in love with Devdas, but even when he is with her he can only think of Paro. It is now his destiny to hurtle on relentlessly on the path to self-destruction. Devdas’s tortured life ends when, dying of a liver ailment brought on by alcoholism, he journeys to Paro’s house to see her one last time. Arriving in the middle of the night, he dies unknown, untended, on her doorstep. Paro comes to know of his death only the following morning. Devdas has enthralled readers and filmgoing audiences alike for the better part of a century. This new translation brings the classic tale of star-crossed lovers alive for a new generation of readers.

    As the daughter of starving refugees fleeing violent persecution in Persia, her fateful birth in a roadside tent sparked a miraculous reversal of family fortune, culminating in her father's introduction to the court of Emperor Akbar. She is called Mehrunnisa, the Sun of Women. This is her story.Growing up on the fringes of Emperor Akbar's opulent palace grounds, Mehrunnisa blossoms into a sapphire-eyed child blessed with a precocious intelligence, luminous beauty, and a powerful ambition far surpassing the bounds of her family's station. Mehrunnisa first encounters young Prince Salim on his wedding day. In that instant, even as a royal gala swirls around her in celebration of the future emperor's first marriage, Mehrunnisa foresees the path of her own destiny. One day, she decides with uncompromising surety, she too will become Salim's wife. She is all of eight years old -- and wholly unaware of the great price she and her family will pay for this dream.Skillfully blending the textures of historical reality with the rich and sensuous imaginings of a timeless fairy tale, The Twentieth Wife sweeps readers up in the emotional pageant of Salim and Mehrunnisa's embattled love. First-time novelist Indu Sundaresan charts her heroine's enthralling journey across the years, from an ill-fated first marriage through motherhood and into a dangerous maze of power struggles and political machinations. Through it all, Mehrunnisa and Salim long with fiery intensity for the true, redemptive love they've never known -- and their mutual quest ultimately takes them, and the vast empire that hangs in the balance, to places they never dreamed possible.Shot through with wonder and suspense, The Twentieth Wife is at once a fascinating portrait of one woman's convention-defying life behind the veil and a transporting saga of the astonishing potency of love.

    The immaculately dressed Chowringhee, radiant in her youth, had just stepped on to the floor at the nightclub.’ Set in 1950s Calcutta, Chowringhee is a sprawling saga of the intimate lives of managers, employees and guests at one of Calcutta’s largest hotels, the Shahjahan. Shankar, the newest recruit, recounts the stories of several people whose lives come together in the suites, restaurants, bar and backrooms of the hotel. As both observer and participant in the events, he inadvertently peels off the layers of everyday existence to expose the seamy underbelly of unfulfilled desires, broken dreams, callous manipulation and unbidden tragedy. What unfolds is not just the story of individual lives but also the incredible chronicle of a metropolis. Written by best-selling Bengali author Sankar, Chowringhee was published as a novel in 1962. Predating Arthur Hailey’s Hotel by three years, it became an instant hit, spawning translations in major Indian languages, a film and a play. Its larger-than-life characters—the enigmatic manager Marco Polo, the debonair receptionist Sata Bose, the tragic hostess Karabi Guha, among others—soon attained cult status. With its thinly veiled accounts of the private lives of real-life celebrities, and its sympathetic narrative seamlessly weaving the past and the present, it immediately established itself as a popular classic. Available for the first time in English, Chowringhee is as much a dirge as it is a homage to a city and its people.An excerpt (Chapter 1) from the book :http://arunavasinha.in/2011/05/27/cho...

    Economic and social conflict in a north Indian village are brilliantly captured in the story of Hori, a poor farmer and his family’s struggle for survival and self-respect. Hori does everything he can to fulfill his life’s desire: to own a cow, the peasant’s measure of wealth and well-being. Like many Hindus of his time, he believes that making the gift of a cow to a Brahman before he dies will help him achieve salvation. An engaging introduction to India before Independence, Godaan is at once village ethnography, moving human document and insightful colonial history.

    . .Nombeko Mayeki was never meant to be a hero. Born in a Soweto shack, she seemed destined for a short, hard life. But now she is on the run from the world ‘s most ruthless secret service, with three Chinese sisters, twins who are officially one person and an elderly potato farmer. Oh, and the fate of the King of Sweden - and the world - rests on her shoulders.As uproariously funny as Jonas Jonasson’s bestselling debut, this is an entrancing tale of luck, love and international relations.

    This novel describes a day in the life of Bakha, sweeper and toilet-cleaner, as he searches for a meaning to the tragic existence he has been born into - and comes to an unexpected conclusion.

    The novel is full of esoteric references to the Kabbalah. The title of the book refers to an actual pendulum designed by the French physicist Léon Foucault to demonstrate the rotation of the earth, which has symbolic significance within the novel.Bored with their work, and after reading too many manuscripts about occult conspiracy theories, three vanity publisher employees (Belbo, Diotallevi and Casaubon) invent their own conspiracy for fun. They call this satirical intellectual game "The Plan," a hoax that connects the medieval Knights Templar with other occult groups from ancient to modern times. This produces a map indicating the geographical point from which all the powers of the earth can be controlled—a point located in Paris, France, at Foucault’s Pendulum. But in a fateful turn the joke becomes all too real.The three become increasingly obsessed with The Plan, and sometimes forget that it's just a game. Worse still, other conspiracy theorists learn about The Plan, and take it seriously. Belbo finds himself the target of a real secret society that believes he possesses the key to the lost treasure of the Knights Templar.Orchestrating these and other diverse characters into his multilayered semioticadventure, Eco has created a superb cerebral entertainment.

    The enthralling story of Rama, the incarnation of God, who slew Ravana, the evil demon of darkness, is known to every Indian. And in the pages of history, as always, it is the version told by the victors that lives on. The voice of the vanquished remains lost in silence. But what if Ravana and his people had a different story to tell? The story of the Ravanayana has never been told. Asura is the epic tale of the vanquished Asura people, a story that has been cherished by the oppressed castes of India for 3000 years. Until now, no Asura has dared to tell the tale. But perhaps the time has come for the dead and the defeated to speak. “For thousands of years, I have been vilified and my death is celebrated year after year in every corner of India. Why? Was it because I challenged the Gods for the sake of my daughter? Was it because I freed a race from the yoke of caste-based Deva rule? You have heard the victor’s tale, the Ramayana. Now hear the Ravanayana, for I am Ravana, the Asura, and my story is the tale of the vanquished.” “I am a non-entity – invisible, powerless and negligible. No epics will ever be written about me. I have suffered both Ravana and Rama – the hero and the villain or the villain and the hero. When the stories of great men are told, my voice maybe too feeble to be heard. Yet, spare me a moment and hear my story, for I am Bhadra, the Asura, and my life is the tale of the loser.” The ancient Asura empire lay shattered into many warring petty kingdoms reeling under the heel of the Devas. In desperation, the Asuras look up to a young saviour – Ravana. Believing that a better world awaits them under Ravana, common men like Bhadra decide to follow the young leader. With a will of iron and a fiery ambition to succeed, Ravana leads his people from victory to victory and carves out a vast empire from the Devas. But even when Ravana succeeds spectacularly, the poor Asuras find that nothing much has changed from them. It is then that Ravana, by one action, changes the history of the world.

    As a religious novel about a decaying brahmin colony in the south Indian village ofKarnataka, Samskara serves as an allegory rich in realistic detail, a contemporary reworking of ancient Hindu themes and myths, and a serious, poetic study of a religious man living in a community of priests gone to seed. A death which stands as the central event in the plot brings in its wake aplague, many more deaths, live questions with only dead answers, moral chaos, and the rebirth of one man. The volume provides a useful glossary of Hindu myths, customs, Indian names, flora, and other terms. Notes and an afterword enhance the self-contained, faithful, and yet readabletranslation.

    Bhyrappa. Aavarana means enveloping or covering something. This novel deals with the historical period in Indian history when the Mogul Emperor Aurangzeb ruled most part of India. Aavarana was sold out even before its release in February 2007. The novel went on to create a record in the Indian literary world by witnessing 10 reprints within five months of its release. S.L.Bhyrappa says that 'Aavarana' is the result of his search for truth about history.