Pagford is not what it first seems.And the empty seat left by Barry on the parish council soon becomes the catalyst for the biggest war the town has yet seen. Who will triumph in an election fraught with passion, duplicity and unexpected revelations?

    But you try all kinds of ways to keep from drowning in it." The men and women in these eight short fictions grasp this truth on an elemental level, and their stories, as told by James Baldwin, detail the ingenious and often desperate ways in which they try to keep their head above water. It may be the heroin that a down-and-out jazz pianist uses to face the terror of pouring his life into an inanimate instrument. It may be the brittle piety of a father who can never forgive his son for his illegitimacy. Or it may be the screen of bigotry that a redneck deputy has raised to blunt the awful childhood memory of the day his parents took him to watch a black man being murdered by a gleeful mob.By turns haunting, heartbreaking, and horrifying--and informed throughout by Baldwin's uncanny knowledge of the wounds racism has left in both its victims and its perpetrators--Going to Meet the Man is a major work by one of our most important writers.

    Capt. Delano boards the San Dominick, providing needed supplies, and tries to learn from her aloof and disturbed captain, Benito Cereno, the story of how this ship came to be where she is. Dealing with racism, the slave trade, madness, the tension between representation and reality, and featuring at least one unreliable narrator, Melville's novella has both captivated and frustrated critics for decades.

    A children's magician in the English countryside is asked by his bank to explain the unsolicited arrival of more than five million pounds sterling in his young daughter's modest trust. A freighter bound for Liverpool is boarded by Russian coast guards in the Black Sea. The celebrated London merchant venturer "Tiger"Single disappears into thin air.In Single & Single the writer who both epitomizes and transcends the novel of espionage opens with a haunting set piece, then establishes a sequence of events whose connections are mysterious, complex and compelling. This is a story of corrupt liaisons between criminal elements in the new Russian states and the world of legitimate finance in the West. Le Carré's finest novel in years, it is also an intimate portrait of two families: one Russian, the other English; one trading illicit goods, the other laundering the profits; one betrayed by a son-in-law, the other betrayed, and redeemed, by a son.This is territory le Carré knows better than anyone. Masterful and prescient, he is writing at the height of his creative powers, and Oliver Single, the central protagonist, is one of his most fascinating characters.

    Jonathan Gates could not have anticipated that his student studies would lead him to uncover the secret history of the movies—a tale of intrigue, deception, and death that stretches back to the 14th century. But he succumbs to what will be a lifelong obsession with the mysterious Max Castle, a nearly forgotten genius of the silent screen who later became the greatest director of horror films, only to vanish in the 1940s, at the height of his talent. Now, 20 years later, as Jonathan seeks the truth behind Castle's disappearance, the innocent entertainments of his youth—the sexy sirens, the screwball comedies, the high romance—take on a sinister appearance. His tortured quest takes him from Hollywood's Poverty Row into the shadowy lore of ancient religious heresies. He encounters a cast of exotic characters, including Orson Welles and John Huston, who teach him that there's more to film than meets the eye, and journeys through the dark side of nostalgia, where the Three Stooges and Shirley Temple join company with an alien god whose purposes are anything but entertainment.

    The Washington Post has described him as a “post-existentialist private eye.” An unknown voice on the telephone is now begging for his help, drawing him into a world and a mystery far stranger than any he ever created in print.Adapted by Paul Karasik and David Mazzucchelli, with graphics by David Mazzucchelli, Paul Auster’s groundbreaking, Edgar Award-nominated masterwork has been astonishingly transformed into a new visual language.

    What caused his once stable, gentle sister to take her own life? Why did she marry Jameson Sweet, giving a man she barely knew a claim to the family home? What caused her flamboyant twin, Gem, to return to Harlem from Paris, forge new bonds, and suddenly depart again? Most important, why did Lilian feel compelled to keep David in the dark about it all?Burdened by a secret of his own, David dares to stay in Harlem just long enough to stave off the threat to his family home and answer questions about Lilian's death. Entering her world, he rediscovers what he left behind -- a place of suffocating class strictures, seductive patrons, and aristocratic civil rights leaders. His inquiry takes him from the wealthy salons of Renaissance Harlem to the crowded tenements of its poor. He uncovers old loves and festering hatreds. But the deeper he probes, the closer he comes to unleashing forces that threaten to reveal his own crippling secret -- a secret that could destroy him or redeem him.This gripping novel, at once taut and lyrical, evokes the mystique of Harlem's most fascinating era. Absorbing and powerful, "Harlem Redux" combines incisive comment on race and class with a tragic tale of unrequited love.

    "The subterraneans" come alive at night, travel along dark alleyways, and live in a world filled with paint, poetry, music, smoke, and sex. Simmering in the center of it all is the brief affair between Leo Percepied, a writer, and Mardou Fox, a black woman ten years younger. Just at the moment when she is coolly leaving him, Leo realizes his passion for passion, his inability to function without it, and the puzzling futility of seeking redemption and fulfillment through writing.

    After being swindled by a financial advisor, what future can Mark promise his wife, Karen, and their young daughter, Haley? He finds himself envying the wealthy weekenders in his community whose houses sit empty all winter.Philip Hadi used to be one of these people. But in the nervous days after 9/11 he flees New York and hires Mark to turn his Howland home into a year-round “secure location” from which he can manage billions of dollars of other people’s money. The collision of these two men’s very different worlds—rural vs. urban, middle class vs. wealthy—is the engine of Jonathan Dee’s powerful new novel.Inspired by Hadi, Mark looks around for a surefire investment: the mid-decade housing boom. Over Karen’s objections, and teaming up with his troubled brother, Gerry, Mark starts buying up local property with cheap debt. Then the town’s first selectman dies suddenly, and Hadi volunteers for office. He soon begins subtly transforming Howland in his image—with unexpected results for Mark and his extended family.Here are the dramas of twenty-first-century America—rising inequality, working class decline, a new authoritarianism—played out in the classic setting of some of our greatest novels: the small town. The Locals is that rare work of fiction capable of capturing a fraught American moment in real time.

    For the rest of his life he, too, will be trying to fly. With this brilliantly imagined novel, Toni Morrison transfigures the coming-of-age story as audaciously as Saul Bellow or Gabriel García Márquez. As she follows Milkman from his rustbelt city to the place of his family’s origins, Morrison introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized black world.

    The son of a black father he’s never known, and a white mother he sometimes wishes he didn’t, twenty-two year-old Bobby Saraceno has passed for white his entire life. Raised by his bigoted maternal grandfather, Bobby has hidden the truth about his identity from everyone, even his best friend and fellow comic-book geek, Aaron, who has just returned home from prison a newly radicalized white supremacist. Bobby’s disparate worlds crash when, during the night of their reunion, Bobby witnesses Aaron mercilessly assault a young black man with a brick. Fearing for his safety and his freedom, Bobby must keep the secret of his mixed race from Aaron and conceal his unwitting involvement in the crime from the police. But Bobby’s delicate house of cards crumbles when his father enters his life after more than twenty years, forcing his past to collide with his present.

    A shock wave breaks over the Oval as its longtime members grapple with the changing face of its community.With elegant, luminous prose, Dorothy West crowns her literary career by illustrating one family's struggle to break the shackles of race and class.

    The hours leading up to his death were a nightmare for Peter - both in their violence and in their maddening unreality.The blaze of events which followed was, Peter soon realised, ignited by a conflict between two men: Mason Flagg himself and Cass Kinsolving, a tortured, self-destructive painter, a natural enemy and prey to the monstrous evil of Mason Flagg. Three events - murder, rape and suicide - explode in the is relentless and passionate novel, almost overwhelming in its conception of the varieties of good and evil.

    He was surviving alone, outside the war, until he happened to win a cake at the fête. From that moment, he is ruthlessly hunted by Nazi agents and finds himself the prey of malign and shadowy forces. This Penguin Classics edition features an introduction by Alan Furst.

    After a childhood moving from one academic outpost to another with her father (a man prone to aphorisms and meteoric affairs), Blue is clever, deadpan, and possessed of a vast lexicon of literary, political, philosophical, and scientific knowledge—and is quite the cineaste to boot. In her final year of high school at the elite (and unusual) St. Gallway School in Stockton, North Carolina, Blue falls in with a charismatic group of friends and their captivating teacher, Hannah Schneider. But when the drowning of one of Hannah's friends and the shocking death of Hannah herself lead to a confluence of mysteries, Blue is left to make sense of it all with only her gimlet-eyed instincts and cultural references to guide—or misguide—her.