I'm just in an alien world. . .Being Charles James Stewart, Jr., AKA Charlie the Second, means never "fitting in." Tall, gangly and big-eared, he could be a poster boy for teenage geeks. An embarrassment to his parents (he's not too crazy about them, either), Charlie is a virtual untouchable at his high school, where humiliation is practically an extracurricular activity. Charlie has tried to fit in, but all of his efforts fail on a glorious, monumental scale. He plays soccer--mainly to escape his home life--but isn't accepted by his teammates who basically ignore him on the field. He still confuses the accelerator with the brake pedal and as a result, has not only failed his driving exam six times, but also almost killed himself and his driving instructor. He can't work on his college essay without writing a searing tell-all. But what's freaking Charlie out the most is that while his hormones are raging and his peers are pairing off, he remains alone with his fantasies.But all of this is about to change when a new guy at school begins to liven things up on the soccer team--and in Charlie's life. For the first time in his seventeen years, Charlie will learn how it feels to be a star, well, at least off the field. But Charlie discovers that even cool guys have problems as he embarks on a deliciously sexy, risk-filled journey from which there is no turning back. . .

    Which makes it hard for him to be in love with his straight best friend. For his part, Matt is completely oblivious to the way Tretch feels – and Tretch can’t tell whether that makes it better or worse. The problem with living a lie is that the lie can slowly become your life. For Tretch, the problem isn’t just with Matt. His family has no idea who he really is and what he’s really thinking. The girl at the local bookstore has no clue how off-base her crush on him is. And the guy at school who’s a thorn in Tretch’s side doesn’t realize how close to the truth he’s hitting. Tretch has spent a lot of time dancing alone in his room, but now he’s got to step outside his comfort zone and into the wider world. Because like love, a true self can rarely be contained. ANYTHING COULD HAPPEN is a poignant, hard-hitting exploration of love and friendship, a provocative debut that shows that sometimes we have to let things fall apart before we can make them whole again.

    Things he knows beyond doubt: his parents are divorcing, his older brother Kyle is exhibiting alarming behavior, and his best friend is turning into a spiritual fanatic. Then there are the shifting uncertainties, including his feelings toward his father and his desire to both blend in and stand out in his rural Maine hometown. Most pressing of all, there's his attraction to Max Modine, a boy he wants to know much better than he does.Despite Ethan's initial reluctance, he gets pulled into a heated and sometimes violent conflict about whether to introduce Intelligent Design into science classrooms. Family and friends are turning against each other, school is a battleground, and Ethan will have to take a stand. Because some facts are irrefutable and some bonds unbreakable, even when they can't be seen. And once Ethan finds the courage to become who he was meant to be, the outcome could be absolutely extraordinary...

    They share a 15-year-old son, Wesley, who lives on the upper East Side with his mother and doctor stepfather. Trying to get to know his impressive, distant father better, he moves in for a semester with him his male partner in a mid-town brownstone. George, the partner, is a former actor — by his own account “fifteen years past fabulous.” Charming, funny, smart and compassionate, George manages a struggling theater district restaurant and becomes the model for the kind of man Wesley would someday like to be.

    An ordinand, he has had a breakdown while serving at the altar. The Church has sent him to a London therapist, rather than a priest, for confession. During the course of his cure, while living in an unfamiliar world of outcasts, fundamentalists, and AIDS sufferers, he is forced to face the reality of his own physical passion: first for a humble rent boy, then for a sadomasochistic pimp, and, finally, for a priest. The healing begins as he gradually comes to terms with his own history.

    He is expecting a summer of mosquito bites, bonfires with s’mores, and photography classes with Simon, his favorite counselor, who always helps Jonathan see his life in perfect focus.What he isn’t expecting is Ian McGuire, a new camper who openly argues against phrases like pray the gay away. Ian is certain of many things, including what could happen between them if only Jonathan could surrender to his feelings. Jonathan, however, tosses in a storm of indecision between his belief in God and his inability to stay away from Ian. When a real storm hits and Ian is lost in it, Jonathan is forced to make a public decision that changes his life.

    Unlike Frédéric Moreau in Flaubert's L'Éducation sentimentale (to which this book owes no meagre debt), Piet is magnificently gifted, not only "extremely attractive to most women and to many men," but also a fine pianist, draughtsman and lover. We first meet him interviewing for the role of tutor to the son of the wealthy hotelier, Maarten Vermeulen-Sickerts. All is not well in his gilded household. Egbert, the son, is agoraphobic. The matriarch, Jacobina, hasn't been touched by her husband in almost a decade. Into this highly strung atmosphere comes Piet, charged with the task of freeing Egbert from his paralysing fear of the outside world. We soon realise, however, that Egbert isn't the only one in need of help. Piet sets about liberating the libidos of the repressed family through music – championing bawdy Bizet over abstract Bach – and oral sex. While the setting is Dutch, the influences are French – think Bel-Ami, Les Liaisons dangereuses and Gide's L'Immoraliste.

    It differs from most other Victorian novels in that the main characters who meet and fall in love are both men, one an adopted son with a dark secret and Dickensian background who has taken on a new identity, and the other an uptight doctor with a strong religious background.

    But when a hurricane of events forces him into the spotlight, he starts to realize that the only thing he’s truly afraid of is himself. With the help of his costume changing friend Cher, a famous gay uncle with a mysterious past of his own, two aging punk rocker parents and Rusty, the boy who will become his something to live for, Danny begins to realize that the music of the heart is truly the soundtrack for living.

    After his father dies, Noah's mother, a temperamental poet, takes a teaching job in a small New Hampshire town, far from Chicago and the only world Noah has known. While Noah gets along reasonably with his mother, the crumbling house they try to renovate quickly reveals dark secrets, via dusty Mason jars they discover interred between walls. The jars contain scraps of letters, poems, and journal entries, and eventually reconstructs a history of pain and violence that drives a sudden wedge between Noah and his mother. Fortunately, Noah finds an unexpected ally in J.D., a teenager down the street who has family troubles of his own.

    As Noone's friendship with the dying boy grows, he feels he can unlock his innermost feelings. But troubling questions arise, and he is forced to confront all his relationships - familial, romantic and erotic.

    In searching for the man of his dreams, Patrick Beaton crosses paths with other searchers, in an inventive debut novel that is reminiscent of Armistead Maupin's Tales of the City.

    But David is up to the challenge. Living in a three-bedroom semi in 1970s' working-class East Dulwich, surrounded by his somewhat colourful relatives, he is bright, smart-mouthed, fanatical about pop music and ready to shine. Rehearsals begin, and he strikes up a friendship with the handsome yet enigmatic Maxie Boswell, captain of the school football team. As their alliance deepens it appears they might become more than just good friends, but that can't be right, can it?Discovering a confidant in empathetic teacher, Hamish McClarnon, and spurred on by his no-nonsense best friend, Frances Bassey, David takes on the school bully, the National Front, and anyone else who threatens to stand in the way of true love.Vibrant, warm, and full of life, this uproarious and touching coming-of-age novel, set against the backdrop of South-East London in the thrill of the late seventies, will transport you straight back to your first music obsession and the highs and lows of your first love.

    Each Recruit participates in increasingly difficult and violent military training for a chance to advance to the next level. Those who fail must choose an “Incentive”—a family member—to be brutally killed. If Lucky fails, he’ll have to choose death for his only living relative: Cole, his four-year-old brother.Lucky will do everything he can to keep his brother alive, even if it means sacrificing the lives of other Recruits’ loved ones. What Lucky isn’t prepared for is his undeniable attraction to the handsome, rebellious Digory Tycho. While Lucky and Digory train together, their relationship grows. But daring to care for another Recruit in a world where love is used as the ultimate weapon is extremely dangerous. As Lucky soon learns, the consequences can be deadly...

    With genuine caring and concern for her boys, Franny looks after the gay men of Provincetown with the ultimate goal of making a place in the world for those who don't belong and making the world better for all.